The Experimental & Warped 9

ello
album VERY soon (has actually good music not this shit)(by "good music" i mean the best yknow)

so follow buddywudd to be notified :00

{brkrs-r3}

track i made for a collab album me and a few friends did. https://antibreakcorecoalation.bandcamp.com/album/i-hate-breakcore-vol-1

i hate breakcore

limiter/prowler/undertow

Yes Im In Love (clip)

Riteskeeper I

Please Stop Killing me

人間の台風~☆

Invincible Girl

EP DL

MIEN

ON ALL PLATFORMS:
bnd.lc/darktriad
bnd.lc/darktriad
bnd.lc/darktriad

PLAYA POSSE

DARK TRIAD - Super Slowed

Niemal każdy track w tej kompilacji to unikalne połączenie stworzone przeze mnie pod mojego slota na scenie KS Bajer na Juwenaliach Politechniki Wrocławskiej 2025. Niesamowita energia, niesamowici ludzie i wspomnienia które zostaną w moim serduszku na zawsze <3 :) //Eco

Photo by Paweł Curzyński, Jazzgot Media

OFF WIV YA HEADZ x CONVERGE x WE OWN IT (DRUM AND BASS) [MIXED]

Quantum Requiem is a sonic odyssey through the collapsing boundaries between organic life and synthetic consciousness.
THE DEONISOS merges the brutality of modern metal with the transcendence of cosmic ambience — creating a digital requiem for a universe on the verge of rebirth.

Every track feels like a fragment of a dying star transmitted through broken machinery: glitch-laden riffs, shimmering ambient layers, cinematic choirs, and the haunting pulse of data decaying into noise. This is where deathcore meets space opera, and djent evolves into digital mythology.

With pristine production, high-fidelity mastering, and futuristic sound design, Quantum Requiem stands as both a lament and an awakening — a requiem for the known world and a hymn for what comes after.

Cosmic Descent

Album art by tissue-hunter.tumblr.com
˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥

꒦ິᴗ꒦ິ

Kodokushi

track that was featured in the Ghosts of The Jvnkyard comp by the Jvnkyʌrd Collective

Ghosts Of The Jvnkyard (extended Gutterpink section)

You only know what you’ve had until it’s gone.

Invincible Girl

Tatiana

Recent comments

✧･ﾟ: ✧ GONE ✧･ﾟ: ✧

HeyJames!

Related tracks

Invincible Girl

Tatiana

Recent comments

✧･ﾟ: *✧ GONE ✧･ﾟ: *✧

HeyJames!

Related tracks

✧･ﾟ: ✧ GONE ✧･ﾟ: ✧