sun is my liege?

Walk Dance Talk Sing

Like A Fool

Purple Disco Machine - Street Life

Fearless

Freedom

(WHERE'VE YOU BEEN ALL MY LIFE)  ECSTASY4u   MASTER MIX $ DANCE HALL

Painting / Photo: Katharina Sophia Ludewig https://www.borderlinecuts.com/

Berlin Hypnotic House XIV - Move Club Mix II

Monakai flips “I Wanna Be Your Dog” (Iggy Pop & The Stooges) into a tech house reimagining built for late-night warehouses and sweaty peak-time floors. Grit stays intact, but the engine is all modern—punchy low-end, rolling drums, and a hypnotic groove that drags the original’s raw attitude into an EDM context.

This one’s a homage with teeth: classic punk swagger, club-ready pressure.

If you’re feeling it, drop a like, repost, and add it to your sets/playlists. 🔊

Original credit: Iggy Pop & The Stooges
Cover/Rework by: Monakai
Genre: Tech House / EDM
Vibe: Dirty, driving, rebellious, late-night

All rights to the original composition and recording belong to the respective rights holders. This is an unofficial cover/reimagining for promotional/entertainment purposes.

Tags:
#TechHouse #EDM #IggyPop #TheStooges #Cover #Rework #Remake #UndergroundHouse #PeakTime #ClubMusic

Monakai - I wanna be your dog

Rules

Nobody Dance

ITS Unreleased tune from Grant Nelson's Housecall Episode !!

Groove Junkies feat. Baskerville Jones - Born To Flow (Shane D Remix] Snippet

L.O.V.E.

L.O.V.E. (Original Mix)

Lightenup

Lightenup (Alex Metric Remix)

When Tom Laroye and Yam Who? debuted their impassioned disco cut ‘Hit It Off’ last year it immediately captured the hearts of its listeners. Now, the release is given fresh life for 2019 with a new digital package featuring their Extended Disco Version, and two remixes from legendary Australian selector Late Nite Tuff Guy. Written by acclaimed soul artist Benny Latimore, and made famous my Millie Jackson in 1979, the track was initially translated for the dance music world by Tom Trago. Qwestlife’s take on the record features the unmistakable voice of Teni Tinks, who brings true diva flair to the track. With joyful chorus and smooth production, the duo demonstrate their ability to craft modern disco with traditional analogue techniques in the Extended Disco Version. Late Nite Tuff Guy’s Liberated Woman Remix takes the listener on a funked-up choppy journey, while his Extended Remix has the silky-smooth sound of a 1970’s club classic.

Download & Stream

Qwestlife Featuring Teni Tinks - Hit It Off (Late Nite Tuff Guy Remix)

Named King of the Edit since the 1980’s, pioneering Manhattan DJ Danny Krivit’s (aka Mr K) latest delivery instils the title bestowed upon him some 30 years ago. An esteemed selector Danny’s prolific remixing and production capabilities have touched hundreds of records – with his signature flare shaping the New York City sound. Opening the two-track release is Danny edit this summer’s seminal track The Vision’s ‘Heaven’, interweaving a gloriously groovy bassline with Andreya Triana’s vocal to produce an extended, DJ friendly mix that he sent crowds wild with at Dekmental Festival. Up next, Mr K delves a little deeper into the Defected catalogue, trying his hand at The DangerFeel Newbies’ ‘What Am I Here For (Original NDATL Vocal)’. Danny’s stripped back version extends the jazzy, percussive original, as velvety smooth vocals and elegant keys bring this expressive and sophisticated release to a close.

Heaven (Danny Krivit Edit)

The Vision featuring Andreya Triana 'Heaven' (Danny Krivit Edit)

Where Is My Man

Where Is My Man (Diva Radio Edit) [feat. Eartha Kitt]

One of Germany’s leading house music lights, Boris Dlugosch’s chameleon-like approach has helped him to amass an incredibly enviable catalogue of grooves that continues to grow every year.

Releasing on illustrious labels like Gerd Janson's RUNNING BACK,  Classic Music, Defected, Suara, Toolroom Records and Poker Flat Recordings in recent times, Dlugosch’s chunky basslines, crisp percussion and earworm melodies have found their way to all corners of the house music scene. His successful working relationship with Purple Disco Machine yielded L.O.V.E. and Set It Out, which both hit the #1 spot on Traxsource and the Top 5 on Beatport, as did Peppermint Jam’s 20th anniversary remix package of his classic Keep Pushin’.

Keep Pushin’ was the track that broke him through onto the global house scene in the mid-’90s in a big way. Germany wasn’t exactly a hotbed of house music talent at the time—making him somewhat of a rarity—and it soon became clear with further anthems like Hold Your Head Up High that he was a producer with a serious sense of musicality as well as dancefloor prowess. After this series of club smashes, the big-name remixes started to roll in: Aaliyah, Mary J Blige, Adeva, Randy Crawford… and then came that remix for Moloko’s Sing It Back, a huge crossover track that became the official radio version and hit #4 in the UK Singles Chart. Next came reworks for Daft Punk, Basement Jaxx, Jamiroquai, Mariah Carey, Moby…

Eventually growing wearisome of the declining funky house / garage sounds of the era, Dlugosch discovered a new-found love for the French electro scene in the mid-noughties, releasing Bangkok on Erol Alkan’s Phantasy Sound imprint and Cycle on Lektroluv Records (complete with a remix from Etienne De Crecy), with the likes of 2manydjs, Boys Noize and Laurent Garnier all throwing their weight behind his updated sound.

After the electro scene became saturated and the times progressed once again, he metamorphosed into the producer we know him as today, taking a modern approach to classic house music that draws on multiple influences. “I constantly check for new tracks and absorb what’s out there” he says of his hunger for new sounds and styles. “We all change constantly!” he adds of his—and indeed others’—evolution over the years. “I don’t want anyone to pigeonhole me”. And nor should they. When you have as much musical talent as Dlugosch, it’s criminal to keep making the same sounds over and over again.

A Boiler Room Berlin set in 2013 introduced him to a new generation of house music lovers, and his regular In The Mix uploads on SoundCloud give a good idea of what can be heard in his rocking club and festival sets. Upfront house meets garagey classics and disco cut-ups, dashes of electro, acid and deep melodic moments to give a well-rounded selection that perfectly marries house music’s past, present and future. 

He is also an erstwhile label owner, having set up Golden City Sounds in 2013 with Digitalism’s Isi and HEY TODAY!’s Raik Fargo—but the imprint is currently dormant. He’s eyeing up the possibilities of launching a new label, but only when it feels right and makes sense on a creative level. We live in hope.

A true legend who continues delivering the goods today, Boris Dlugosch is one of house music’s real treasures.

scoops no. 1 fan!
Landlord of the House of Squid
(Squatters Welcome)

L.O.V.E. (Original Mix)

Boris Dlugosch

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