https://open.spotify.com/artist/3YJ10jocbeWrzx6u190SwV

Was walking around the lake in the picture one morning. It was a beautiful moment so decided to capture it in music and graphic at the best of my ability. 

https://soundcloud.com/klangriket
https://www.facebook.com/Klangriket-659200137513989/?fref=ts
https://twitter.com/fabianrosenber3

Judarn

https://open.spotify.com/artist/3YJ10jocbeWrzx6u190SwV

https://soundcloud.com/klangriket
https://www.facebook.com/Klangriket-659200137513989/?fref=ts
https://twitter.com/fabianrosenber3

Reflections #1

was at the spa yesterday. they had an aqua meditation room where the ripples of drips were projected/amplified on the ceiling. my partner thought the ripples matched the new age music but i thought it was just the brain forcing an arbitrary pattern. i was thinking about this project about sound waves bouncing off each other like ripples; and this is the sound i wanted to get across (couldnt record unfortunately, couldnt sneak phone in ..no pockets in the complementary robes)

i played the guitar thru podfarm with heaps of echo and delay all unsynced, not playing to a particular tempo.. following and ignoring the echoes variously / resolutely un-new age
then i put the recording thru izotope ddly to get more delays at different speeds

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Disquiet Junto Project 0218: Sound Passage
The Assignment: Following the path of artist Kate Carr, explore sounds from a distance.

The artist and musician Kate Carr generously agreed to provide a prompt this week for the Junto.

Step 1: Consider the ways that sound changes as it travels across space, moving through specific human-built architectures and/or natural geographies. I live near Belfast’s major football stadium, and the roar that travels from the stadium, across the train tracks, up my street, and into my ears is a very different sound to the roar heard when standing in the stadium itself.

Step 2: Record a distant sound, and reflect on what frequencies have made it to your ears from the source, and which ones have bounced or decayed away.

Step 3: Compose a piece based on this recording, and your meditation on the ways its very journey to you has changed the sounds inherent in it.

Background: Kate Carr composes soundscapes based on field recording and non-conventional instrumentation to explore the relationship between people and place. Weaving together real and imaginary journeys , intensive explorations of sonic enclaves and the re-broadcast of sound in public places, her work is centred on both human and natural geographies. More on Kate Carr at gleamingsilverribbon.com.

More on this 218th weekly Disquiet Junto project (“Following the path of artist Kate Carr, explore sounds from a distance”) at:

http://disquiet.com/0218/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

candescent

liquid audio {{ripple fx}} (disquiet0218)

http://naviarlab.tumblr.com/post/140747491353/naviarhaiku114-where-do-you-come-from

"Make music inspired by a haiku poem in seven days."

doing a series of recursions converting wav to midi to wav and so on, seeing if they converge. this is a chopped and squeezed version of one of them. one that reminded me of looking up at the fast ISS speck from my old balcony.

reiterations

Where Do You Come From ? (Naviarhaiku114)

a remix of cumulus (https://sevenism.bandcamp.com/track/cumulus) from my new album which i released today. 

i made the track more expansive  rainy  and wrapped into itself to fit with the haiku
~
http://naviarlab.tumblr.com/post/142354165493/naviarhaiku118-silence-arrives

Make music inspired by a haiku poem in seven days.

silence arrives
as mountains
wrapped in rain.


Poem by Kashyapi

Picture by Image Catalog

album/blurred-awake

cumulus (silence arrives) (Naviarhaiku118)

NAVIAR HAIKU
Make music inspired by a haiku poem in seven days.
-
My voice has never sounded so good! 
I recorded my voice thru guitar fx (echoes, rerverbs, synth mods)
then ran thru the mangle increasing the pitch throughout (the rising sun).. lots of randomization on the pitch though, so it's not so obvious..
-
"Over the meadow
through the deep valley of dawn
lies the morning sky"
-
Poem by Lzlabs
http://lzlabs.tumblr.com/

Picture by Conal Gallagher
https://www.flickr.com/photos/conalg/

Naviar Haiku group https://soundcloud.com/groups/naviar-laboratory

For more information visit http://naviarlab.tumblr.com

 . remix . 

rhizome -over the meadow- (Naviarhaiku119)

https://hearthis.at/sevenism/momentary-halt-naviarhaiku120/

working on some noise ambient with @sklawlor this is part of a recording (zynaddsubfx w loads of distortion) and also i had a track playing off a longform drone album i've just finished about boundaries: https://sevenism.bandcamp.com/album/bound-ari-ed

i added momentary violent halts by pausing the recording then restarting. good old audacity! the quiet come at the end with no fade.

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 NAVIAR HAIKU
Make music inspired by a haiku poem in seven days

Momentary halt
A brief but violent silence
Quieting the mind


Poem by: my-crazy-random-happenstance
Picture by: stacey.d



- Upload your track to the Naviar Haiku group on Soundcloud
https://soundcloud.com/groups/naviar-laboratory
- When you upload your entry, please include 
"Naviarhaiku120 - Momentary halt" in the title and as tag.
- Please use a Creative Commons license for your track.

For more information visit http://naviarlab.tumblr.com

track

Momentary Halt (naviarhaiku120)

Disquiet Junto Project 0225: Serial Composition
Sight read a late-1940s painting by Argentine artist Lidy Prati as a graphically notated score.

http://blakegopnik.com/post/142806762364

Looking at the painting it reminded me of a Baroque Fugue, perhaps due to the implied plodding pace of the symbols within the 6 by 6 grid. 

I started by arbitrarily applying notes to symbols, horizontal dashes were C, vertical dashes were F, double dashes were C + E and so on. Keeping with the Baroque theme I used four parts, each part identical, but played at different tempos. The result is OK and gives some interesting note clusters. If I had more time I was thinking of rotating the image 90 degrees clockwise and using the same rules to create a counterpoint... something for a slower day. 

This week’s project takes as its subject a painting recently posted by art critic Blake Gopnik. Seen here, it dates from around 1948, he writes, and is by the Argentine artist Lidy Prati (1921-2008). In his description, Gopnik references Piet Mondrian, whose music is often associated with musical scores. Both the grid-like structure of Prati’s piece and its title, “Serial Composition,” suggest it as the subject of sonic investigation. Gopnik connects the piece to computers: “[I]t speaks of a system that can generate them. Computers and their algorithms seem on this painting’s mind, at a moment when computers still filled entire rooms with vacuum tubes.” (Note that as I was researching this project I came across work by Marcelo Gutman, who has created colorful score tributes to Prati.)

These are the steps for this week’s project.

Step 1: View the circa-1948 painting “Serial Composition” by Lidy Prati at this URL:

http://blakegopnik.com/post/142806762364

Step 2: Consider it as a musical score. Think about the sort of musical composition that “Serial Composition” might be.

Step 3: Record yourself performing “Serial Composition” as a graphically notated musical score.

APOB - If It Aint Baroque, Don't Fix It [disquiet0225 - Serialcomposition]

Remember Nothing

full https://hearthis.at/sevenism/omniversal-nature-disquiet0226/

all i knew of buckminster fuller were bucky balls which is odd because i know little of molecules and quite a lot about humanistic philosophy (i'm a person-centred psychotherapist)

after some reading up, i was imagining how our tastes in music might intersect: i think he might have been interested in generative processes; in taking the 'I' out of music and in using field recordings to supplement his music synergistically.

i used several generative programs/apps (drone fx, kosmische, nodebeat) and there's a processed field recording of the hotel room i was in last week.. i mixed in all together into a nice ambient mulch. 

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Disquiet Junto Project 0226: Bucky Ball
Compose music for a fictional greatest-hits collection of the electronic music of R. Buckminster Fuller.

This week’s project is based on an imaginary scenario. The electronic music of legendary architect, inventor, and theorist R. Buckminster Fuller is being compiled. You will make music for that compilation — music you imagine Buckminster Fuller might himself have composed. Thanks to C. Reider (actually, a dream that Reider had) for inspiring the project.

Step 1: Imagine there will be a collection of the electronic music of legendary architect, inventor, and theorist R. Buckminster Fuller.

Step 2: Compose and record a piece of music that you imagine Fuller might have created.

Step 3: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 4: Annotate your track with a brief explanation of your approach and process.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project was posted in the afternoon, California time, on Thursday, April 28, 2016, with a deadline of 11:59pm wherever you are on Monday, May 2, 2016.

Length: The length is up to you, though between two and five minutes feels about right.

Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0226.” Also use “disquiet0226” as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 226th weekly Disquiet Junto project (“Compose music for a fictional greatest-hits collection of the electronic music of R. Buckminster Fuller”) at:

http://disquiet.com/0226/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

Project inspired by a dream that C. Reider of Vuzh Music had:

http://vuzhmusic.com/

hear

omniversal nature (disquiet0226)

This page is for my side project - everything ambient/atmospheric/soundtrack goes here...

Remember Nothing

Boris Rumba

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