wow Pilooski is delivering some heavy dub here

"Autofahren" was produced in 2021 by the group Klassenfeind in a Backyard in Dresden. 
G50 Records is responsible for the mastering and was released by Rottenmelodie.

Autofahren

Bandcamp

Klassenfeind - Autofahren

Hard Corps - Je Suis Passée

Wandering goat

RICHARD PARKER-GIVE ME SOME NEWS

Rhythm City

One of the last pieces of music we completed before shutting down The Bunker Studio San Francisco, in 2014, was a remix for the wonderful Sally Dige. We spent many hours working on this remix the way remixes used to be made: sampling sampling sampling & sequencing sequencing sequencing. Nothing but several hardware samplers, synthesizers, an MPC2000xl, and a big ole mixing desk was used to make the end result you hear.

Sally Dige "Doppelgänger (INHALT CMI MIX)"

Cititrax is thrilled to present a full length LP entitled Adieux Au Dancefloor by Montreal based recording artist, Marie Davidson. Marie Davidson has emerged as one of the foremost electronic artists working in contemporary pop today. As a long-time member of Essaie Pas (DFA Records), Davidson has had the opportunity to hone her many talents. She has been participating in the city’s vibrant experimental community for much of her adult life. However, in 2012 she began to unveil compositions under her own name, revealing a solo artist who possessed the combined confidence and vulnerability required to write, produce and perform unaccompanied. Davidson’s intimate solo work is embodied through a host of synthesizers, sequencers and drum machines which coalesce in synchronized harmony, punctuated by vocals, half sung, half spoken in both French and English. She masterfully shapes the overall mood, themes, emotion, expression and intensity of her work, which gives the final result a distinctive, cinematic quality. 
With Adieux Au Dancefloor, Marie makes a slight departure from her last two releases, via Holodeck (2015) and Weyrd Son (2014), by creating her first fully dancefloor oriented piece of work. Through the 45 minutes of music that comprises the album, she experiments with pop structures, defines her voice, and layers rhythms to make complex and beautiful techno tracks. She closes the album with the title track in classic Chanson style.
Adieux Au Dancefloor will be released on October 6th. The record will be pressed on 160 gram white vinyl and will feature photographs by the equally talented Corinne Schiavone. The record will be housed in a full color printed heavyweight jacket along with matching printed inner sleeve. Pre-order available now. Digital release to follow.

Order: http://minimalwave.com/releases/release/adieux-au-dancefloor/

Lyrics: 
It seems like honesty is not so fashionable these days, it's true, I ask a lot of questions.
You call me naive?
I'll tell you what, I'm naive to the bone.
Do you think I'm too soft?
Because I don't hide, or is it that your lost when I smile?
I don't need your love but I'll dare to ask you how you feel about me.
Just to get things straight.

I have no cards to hide.
My life is not a game.

Let me picture my future, a large room where you can hear the silence.
No space for arrogance, no pain in my chest.
Just the beating of my heart.
J'suis pas un cordeau moi! (In French)

In The Middle Ages, people used to wear clocks, it's 2016, get real.
So you think i'm too soft.
I have nothing to prove, I have no advice for you. But remember what Terrance said: 
"The last dance, we dance alone".

Adieux Au Dancefloor

Marie Davidson - Naive To The Bone

Some things just make sense and we’re pleased present the first collaboration of 2 of our favourite artists : RED AXES & C.A.R. 
This release has been a long time coming. Tracks were first exchanged back in 2014 and it’s been an organic, intuitive process. Like-minded musically & likeminded lyrically - Red Axes & C.A.R. seem to work the same way. Recordings happen fast. One or two takes. It’s punk and it’s effortless. 
1960’s, psychedelic 2040 arrived on queue. A sweaty, London-summer evening, after spending the day writing alone out Hackney Marshes, Chloé demo’d the vox. - languid, nostalgic, at arm’s reach from the city - the track depicted the moment perfectly. A paper thin Victorian wall separating her from the chatting neighbours, she shut her eyes and got as close to the mic as possible. 
A few weeks Red Axes & C.A.R. were together in Tel Aviv. Ten times sweatier than London. To say the studio was dripping hot is an understatement. There was a party heaving in the square below, a van parked in the middle, broadcasting out on the radio waves. Dori was determined to use the intimate London vocals for 2040 and so they cracked on with Incognito, a club track that isn't one but works in its own way: rockabilly reverbs, an almost hip-house delivery, the strange alchemy of 808 fumes. Already inebriated from the city, Chloé had written her words off-cuff in the hotel room, just hours before.
Fastforward a year. Summer 2015. Niv had sent Space Cream a few months earlier - an electronic 4/4 ballad which already featured looped samples of some of the stuff they’d recorded in Israel. Heady and sticky, Chloé had to wait for longer days before she could get anything down.
Finally XMan, descends further down into psychedelia… Perfect for the London winter closing in. Heads filled with Cookie Mueller & memories of losing oneself in dark, basement parties - the words rolled off the tongue. 
Last autumn Red Axes invited C.A.R. down to London’s Pickle Factory to perform Incognito live. During soundcheck she penned some words for a new track they were debuting, which they also ended up doing. It’s an experience synonymous for this collaboration. What comes easy, makes sense.

01 - Incognito - Red Axes / C.A.R.

Robotiko Rejekto - “Rejekto”

A1) Rejekto (Perfekto mix)

AA1) Rejekto (U.S. Dub)
AA2) Rejekto (Frenchbloke cover version)

Optimo Trax 30 celebrates a double 30 year anniversary; the original release date of “Rejekto” and 30 years since Twitch started dj’ing. In 1987, Twitch, who wasn’t known as Twitch yet, picked up a copy of “Rejekto” at Glasgow’s then numero uno import shop, 23rd Precinct. He was smitten.

Shortly after that he got his first ever dj gig and played “Rejekto” in his first ever dj set. Nobody danced to it. He kept playing it and still nobody danced to it. Eventually he gave up playing it, but never stopped loving it. 

A few years ago he felt the time was right to try playing it again and this time people danced to it. In fact, people loved it and would ask about it and shriek in delight when they heard it. There is often a lot of false nostalgia talked about in dance music and how it “was better back in the day?”. Well, in some ways it was but in many it wasn’t and 30 years later it feels as if perhaps ears are more open, or perhaps “Rejekto” was just ahead of its time?

From Germany, written and produced by Ra-Hen and Talla 2XLC, Robotiko Rejecto’s “Rejekto” was the inaugural release on the Techno Drome International label. With a powerful and seductive vocal sung in Romanian it has latterly been categorised as EBM / Techno but at the time didn’t really fit into any convenient genre. Twitch called it Electrobeat.

To celebrate this 30th release on Optimo Trax, the 12” comes in a  special sleeve designed by Katie Shambles and Andrew Beltran. As well as featuring the original classic “Perfekto” and “U.S. Dub” versions this reissue features a slo-mo cover version by long-time Twitch friend and ally, the mysterious Frenchbloke who was the only other person he knew back then who also loved this wonderful record. Robotiko!

Two track 12" (and digital) released on July 21st 2017. Distributed by Kompakt and Rub A Dub.

Optimo Trax 30 - Robotiko Rejekto - Rejekto! 12" (sampler)

► Spotify: https://open.spotify.com/track/2IEzC0uAth2csWtWy6DO8R
► Apple Music: https://music.apple.com/us/song/impossible-romance/984801841
► Bandcamp: https://visonia.bandcamp.com/track/impossible-romance
► Youtube: https://www.youtube.com/VisoniaOfficial
► Instagram: https://www.instagram.com/Visonia__
► Facebook: https://www.facebook.com/VisoniaOfficial

Purchase

Visonia - Impossible Romance

more infos
https://www.bornbadrecords.net/releases/vox-low-relectures/

03 Vox Low - What If The Symbols Fall Down (Pilooski Floating Dub)

Born Bad Records is a French Record Label based in Paris.
Please visit our site :
www.bornbadrecords.net

HOME OF :

CHEVEU
FRUSTRATION
MAGNETIX
CRASH NORMAL
FEELING OF LOVE
YUSSUF JERUSALEM
A-FRAMES
CATHOLIC SPRAY
GAZ GAZ
WALL OF DEATH
INTELLIGENCE
HABIBI
LES CAVALIERS
JACK OF HEART
LA FEMME
JULIEN GASC
DORIAN PIMPERNEL
FOREVER PAVOT
HUNX AND HIS PUNX
TU SERAS TERRIBLEMENT GENTILLE
LES BLOUSONS NOIRS
JEUNES GENS MODERNES
IVG France Futur Anterieur
STEPHAN EICHER spielt NOISE BOYS
FRANCIS BEBEY
VIOLENCE CONJUGALE
BIPPPP French Synth Wave 1979-85
WIZZZ French Psychorama 1966-70
ROCK ROCK ROCK French Rock and roll 1956-59
JEAN-PIERRE DECERF SPACE ODDITIES
WILD CLASSICAL MUSIC ENSEMBLE


03 Vox Low - What If The Symbols Fall Down (Pilooski Floating Dub)

BORN BAD RECORDS

Recent comments

user7673292

lightbeam

Ostafa

Eti.Ba.

Related tracks