HouseDiscoFunk

Format: Vinyl LP, CD, Digital
Web: www.hopestreetrecordings.com/woodenboy

It’s soul music, baby, but not as we know it. The backbeat and the handclaps are still there and the horns still sound. The bass bumps, the organ screams and the guitars still twang, but the singer has left the room. Everything is shades of blue. This is soul music for the after hours. For the solitary dancers and the lonely hearts. The soundtrack to solitary headlights on a midnight highway. What to call it? Who cares! Can you dance to it? Just try not to. No one’s telling you to throw your hands up in the air, but no one would be surprised if you did. It’s dark here, so you can do your own thing.

Wooden Boy was recorded by The Cactus Channel -- a ten piece band from Melbourne, Australia -- all born in the 90s and raised on the internet. Yet somehow, this astonishing follow up to last year's rave-reviewed debut, Haptics, sounds like it could have been recorded in the 1970s, or possibly in the distant future. A timeless, placeless cinematic odyssey, Wooden Boy could have been an alternate soundtrack to Ghost Dog -- if Lalo Schifrin and the Meters were collaborating on the RZA's score. Or maybe Wooden Boy was what happened when Lars Von Trier got invited to direct an episode of Soul Train. What any of it may actually mean is left to the listener's imagination.

Funk aficionados will hear shades of New York on this record, echoes of El Michel’s taking on Wu Tang, the influence of Budos and Menehan et al. But this is the Generation Z version; both more tempestuous and more introverted. Recorded analog in the digital era, presented faceless in the celebrity era, inexplicably ambiguous in the soundbite era, is this the album the world needs right now? Undoubtedly yes. In a world where the NSA can read the text message that dumped you, what does a person need more than sad soul music from the future? Wooden Boy, baby, Wooden Boy.

PRAISE FOR HAPTICS by THE CACTUS CHANNEL (debut 2012 album):

•	"Hot-to-trot... an embryonic version of the Meters or the Dap Kings" - THE AUSTRALIAN (four stars)
•	"Tightly raw soul, rambling deep-funk jams and organ-driven party mash-ups" - THE AGE
•	"Infectiously funky sounds... a horn-fuelled, butt-shaking affair" - TRIPLE J HOME & HOSED
•	"Old-fashioned, gritty soul music – by a bunch of white teenagers from Melbourne" - THE MONTHLY
•	"Album Of The Week" - RTR PERTH, PBS-FM, SYN-FM, 2SER + EASTSIDE RADIO, RTR PERTH

FREE Single Download

The Cactus Channel - Who Is Walt Druce?

Pre-order: https://susobrina.bandcamp.com/album/pocuale-to

 In “Pocualeíto” (an anagram for “eucalipto”) , “Suso”, as he is affectively known, fuses his extensive practice in Afro-Latin percussion with a penchant for cinematic strings that oscillate between eerily quiet and fractally intense. An electronic music artist that resorts to his mouse only when strictly necessary, Susobrino crafts his ‘soundtrack music’ -referring to the soundtrack of life itself- by executing a wide variety of instruments. In Pocualeíto, Suso fills- or rather creates the spaces of his groundbreaking productions with enigmatic instruments such as Guitalele, Zampoña, Quenacho and Tbilat. Partly a debt to his Bolivian heritage but mainly the result of a continuous quest to grasp the complexity of African rhythms, Susobrino pinpoints the sources of his music inspiration not to a specific country but rather to the Afrolatin experience as a whole.
Structurally, each track in Pocualeíto poses a challenge to the rigidness of the 4-to-the-floor grid defaults of digital audio workstations and opts for harvesting its rewards instead from unconventional time-signatures and tempo shifts- evidenced at best in “Jill/Tio” Carbón, a 2-for-1 piece that begins with an oddly emphasised 4/4 clap pattern and later disintegrates into a pitched-down Mexican Cumbia.
Musically the album takes us on a tour through imagined landscapes of Andean futurism in search for a common African past. In El Aguante, a heavenly synthetic choir paves the way for a snare-oriented percussion line reminiscent of Bolivian “carnaval” festivities. In “Wasos” featuring the collaboration of Dengue Dengue Dengue, a worn-out guitar appears to eject vocal lamentations from time to time in a staccato manner and here again the percussion takes us to a strange triangle between Peru, Bolivia and West Africa.
It is hard to summarise Susobrino’s music in words, for no words have been yet invented to describe the groundbreaking work we hear in “Pocualeíto”, an unequivocal sign that Kebrada records is set to continue writing contemporary music history with each release.

Pocualeíto

Premiere: Susobrino 'El Aguante'

First song from the new album 'Wet Sounds'. Get it here: http://smarturl.it/WetSoundsOnAmazon

HOLA CHICA!

Free download: https://djaloneagain.bandcamp.com/track/sampha-without-dj-alone-again-edit

Sampha - Without (DJ Alone Again Edit)

DOWNLOAD: https://djudjudju.bandcamp.com/track/i-feel-it

SPOTIFY: https://open.spotify.com/album/3LyERTsrfBMZBQI6Y83q9y

Download

I Feel It!

Will we ever learn to love ? this is the blazing question throughout our human evolution, the verdict is still out. I know this music is made with love that is for sure!

Learn To Love [12.20.23] - Open - Medium

Remix Rue Des Etoiles by Flavien Berger (ATLANTA SUNRISE REMIX)

TOTO - Georgy Porgy   Fan Tribut   All Instrument and Arrangments with reason 13

TOTO- Georgy Porgy

Are You Experienced

07 Philippe Chany - Cairo Connection (from CHEBRAN - French Boogie -vol2)

From the upcoming Compilation "Diablos Del Ritmo" - The colombian Melting Pot 1960 - 1985

double CD, 2x Double LP - coming out early November!
After half a decade in which seven expeditions were made to Barranquilla, Analog Africa is honored to present “Diablos del Ritmo,” an anthology of - and tribute to - the immense sound of 1970s Colombia. Thousands of records were collected, boiling down to a colorfully diverse selection of 32 tracks (available on Double CD, 2 x Double LP and digital format), Split between Afrobeat, Afrofunk, Psychedelia-inspired rhythms on Part.1 and an array of danceable tropical rhythms on Part.2

Lumbalú - Calixto Ochoa  y Los Papaupas

Another win for the Glowing Pin as Müller & Wandt drop a fresh new age groover on a killer club dub tip. Elsewhere Phazer Boys, Suzanne Kraft, Philipp Otterbach and River Yarra remix the pscht out of their favourite tracks from ‘Instrumentalmusik..’. Expect Goan hits, cosmic trips, loved up rave and chilled out wave on this flawless five tracker.   
Growing Bin becomes Glowing Pin for the most anticipated rematch of the century. Back at the beginning of 2018, Wolf Müller and Niklas Wandt went head to head for a box office smash, throwing a high school percussion tray, wall of hardware and voodoo skull into the ring for the tribal trip of ‘Instrumentalmusik Von Der Mitte Der World’. 
Now the multi-instrumental duo face off once again, but this time it’s a royal rumble with Phazer Boys, Suzanne Kraft, Phillip Otterbach and River Yarra all bringing the noise to the Glowing Pin.  
Müller and Wandt dominate the action on the A1, playing loose with sampler vox, serene pads and future primitive rhythms on the unreleased ‘Fun Dub’ of the also unreleased ‘Dub Dub’. Imagine Ferris Bueller’s trampoline tumble trading Chicago to the Weissenhof and you’ll sense the mood of this New Age groove. Germany’s number one party dudes, those freaky Phazer Boys take a break from dropping killer Candomblé cuts to reach for the lasers on the A2, taking ‘Ahu’ to another dimension. Dripping in neon body paint and armed with fire poi, the Düsseldorf duo power up progressive house sequences, didgeridoo bass and thumping tribal house percussion for a wall-shaking, speaker-breaking remix.   
The B1 belongs to synth whiz Suzanne Kraft who revels in glistening, gliding glory on an expansive remix of  ‘Auflösung’. Sleek, serene and futuristic, the track shimmers like Fritz Lang’s Metropolis, free from inequality and rendered with the 5D(ub?) majesty of a DMT breakthrough. 
B2 hears Salon associate and serious talent Philipp Otterbach take over on a stripped back and psychedelic post punk dub of ‘Expedition’. Angular bass by Süne Große and a stuttering rhythm underpin astral flourishes and the hazy vocals of Lucas Croon before the African elements begin to move to the forefront. 
Last man standing is Australian outlier River Yarra, who leads us into the Krautback with a chugging dub of ‘Weltraumsandalen’. Lent a lysergic sparkle by a percolating one-note bassline, this slow motion stunner masters perpetual motion amid the eerie echoes of the bush, organic percussion and electronic animal cries fading into the night. Let the pins glow again.  
Patrick Ryder  

A1. DUB DUB WMNW Fun-DUB feat. Vomit Heat			8:30 
A2. Ahu - Phazer Boys LaserDUB						8:07  
B1. Auflösung - Suzanne Kraft WerkDUB					6:13 
B2. Expedition - Philipp Odd Dub Bach DUB 
feat. Lucas Croon & Süne Große		                                 5:31 
B3. Weltraumsandalen - River Yarra DUB					6:42

WMNW Remixes - B3 - Weltraumsandalen - River Yarra's Krautback Dub - (clip) 6min 42sec

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Free Download

Ha Nina Nina - Harout Pamboukjian Remix (Zulal Cover)

Invisible City (Daniel Avery Drone City Remix)

Born Bad Records is a French Record Label based in Paris.
Please visit our site :
www.bornbadrecords.net

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07 Philippe Chany - Cairo Connection (from CHEBRAN - French Boogie -vol2)

BORN BAD RECORDS

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