Yes! Thank you for re-uploading this gem!

Peeling Out Of Work

Gimme all of you Edit by SGLD
Written & Recorded By Boulevards at Submarine Studios in Brooklyn, NY

Gimme All Of You

Pyxis - Rescue Me

Ses Yeux.

Dive

falcxne - Timbits III - Last Timbit of the Night (2016)
https://falcxne.bandcamp.com/album/timbits-iii-last-timbit-of-the-night

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falcxne - Burrard

Support on iTunes: itunes.apple.com/album/id11584448…?ls=1&app=itunes
Support on Spotify: play.spotify.com/album/20PmjziGAD…&utm_medium=open
Support on Yandex Music: music.yandex.by/album/3801471
Support on emusic: www.emusic.com/album/paul-kat/th…feeling/16992646/

Paul Kat - Got Me (feat. Pamela Robles)

Arranging/Production/Background vocals - Paul Kat (Andrei Katikov)
Vocals - Pamela Robles
Lyrics - Pamela Robles
Mastering - Jade Cicada


© 2016 Paul Kat All Rights Reserved

Paul Kat

Got Me (feat. Pamela Robles)

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Bonus Points - What Could Have Been

these past couple months have been wild fam - proud to release my first EP and a shoutout to my squad that helped make this happen ✌️

cover art by @dakfu 🙏

the EP is freeee

jarradcleofé - someone

Pick up the whole 10-track record at 
https://keatscollective.bandcamp.com/album/double-life

SOLITERRE
https://soundcloud.com/soliterre
https://www.facebook.com/soliterreyvr
https://twitter.com/soliterreyvr

AKA WAZONEK (less funky)
www.facebook.com/wazonekmusic
www.instagram.com/wazonekmusic
www.youtube.com/wazonekmusic
wazonekmusic@gmail.com

Soliterre - Coming Back To Life  [NEST HQ Premiere]

More options for streaming & buying: https://fanlink.to/starguy
Say hello to the new funk & disco star in town - meet StarGuy! 

The Poland-based producer's four-track debut EP “Welcoming” will be out on the 4th of August through German-imprint NDYD Records and features singers Jennifer Anderson, Kiki Kyte, Azteka and Danny Silva who are contributing heavily to each track a very unique vibe. From the funky ‘Tearin’ Up The Dancefloor’ to the discoish ‘Funk Queen’ all the way to the New Jack Swing-inspired ‘Treat Your Right’, you do feel like on a travel back in time to re-discover a golden era when it comes to sound. Smoothly rolling ‘Touch The Stars’ rounds up the picture and closes the first chapter of StarGuy’s promising career.

StarGuy

Soundcloud:		https://soundcloud.com/starguyone
Facebook:		https://www.facebook.com/StarGuyOne
Bandcamp:		https://starguy.bandcamp.com/releases

NDYD Records

Soundcloud:		https://soundcloud.com/ndyd-records
Spotify:		https://open.spotify.com/user/nudiscoyourdisco/playlist/23OmVqBD26K7hkQX07i4US
Facebook: 		https://www.facebook.com/NDYDRecords
Twitter:			https://twitter.com/ndydofficial
Instagram:		https://www.instagram.com/ndydofficial

Welcoming

StarGuy - Treat Your Right (feat. Azteka & DJ Flip)

Willow Bell's Debut Ep 'For Now' - Out Oct 13th, on the Web @
Bandcamp
Spotify
Apple Music
Soundcloud

I Like It

This is "For Sure", the short intro to my new album The Handsome Boys Club (released March 5th). Lovely!

For Sure

“When She Sleeps” Pt. 2 ft. Hannah Young
Produced by SLOWZ
Written by Jérémie Graesslin and Hannah Young

All Vocals Performed by Hannah Young
Guitars : Cyril Nadj
Mix : Sonny Bellonie

https://soundcloud.com/hannahtheyoung
Available: fanlink.to/NowhereEP

Stream/Buy

When She Sleeps Pt. 2 feat. Hannah Young

This is a good album that I thought I should share.

It took me an hour to find the songs and research when it was released and such, then another twenty minutes to download the songs. Please like and repost this.

Flamingosis - Casanova

Around

Jamil Rashad, who performs under the name Boulevards, loves the word brother. For him it’s a greeting, a spoken handshake, a verbal high five with his listener. “Growing up, I would see my father interacting with other African American men, using that word as a greeting. What’s up, brother? Brother, let me talk to you. That’s what they said a lot in the ‘60s and ‘70s, but you don’t hear it as much now. It’s such a great word.” That word inspired a new song simply called “Brother!” a slow-motion funk groove with the gravity of the blues, the ebullience of gospel, and the socially conscious sentiments of Sly Stone singing “Stand!” or James Brown saying it loud, “I’m black and I’m proud.” It’s a song that draws on pop history but speaks to our troubled present. “It’s smooth,” says the Raleigh, North Carolina, artist, “but it’s rough around the edges. Smooth but raw—that’s what Boulevards is.”

When it came time to find a title for his new EP—about race and reckoning in America, about broken hearts and self-inflicted suffering—Rashad couldn’t get those two syllables out of his head. That word became his way of getting your attention and addressing his songs to you specifically, and he added an exclamation point to make his message sound all the more urgent and excited. “I wanted people to listen to these songs and think, He’s speaking directly to me. When you’re a fan of music, you want that feeling. You want the performer to talk to you.”

Brother! represents a pivotal moment for Rashad. It’s his first release for the New West Records imprint Normaltown Records, for one thing. It’s also his first time working with Blake Rhein, guitarist for the midwestern soul revival outfit Durand Jones & the Indications. More than any of that, however, it’s a culmination of several years of writing and playing and touring and recording as Boulevards. During that time he has earned a reputation as an eclectic synthesist of sounds and styles as well as an electric performer whose set at the 2015 Hopscotch Festival cemented his status as one of North Carolina’s most thrilling young artists. He followed it up with a string of adventurous albums that drew on old soul and funk sounds but sounded fresh. 

“I had to make those other records to get to this point,” he says, noting that Brother! signals a shift toward a heavier, funkier, but no less idiosyncratic sound. It’s not a reinvention, but something like an expansion of what Rashad can say and do as Boulevards. To help make his ideas a reality, he reached out to Rhein on social media after being impressed with the Chicago-based instrumentalist’s mastery of different musical forms. The pandemic made it impossible to travel or work together in person, but they traded ideas and recordings over email. “He understands the funk,” says Rashad, “and he’s a music nerd like me. He immediately understood the sound I was going for and what I wanted to do, and he pushed me to do some things that I’ve never really done on a record.”

The songs they created draw on the albums Rashad heard growing up. His father was a radio DJ at 88.9 WSHA in Raleigh, which meant there were always records spinning at home: early Funkadelic, Sly Stone, Rick James, Curtis Mayfield, and Shuggie Otis, among others. “My dad put me on to that music, and I’ve always been attracted to those artists. Not just the sounds, but the styles—how those Black men dressed, how they presented themselves onstage, how they posed in photos, the whole aesthetic. That’s who I was inspired by, but I wanted to make it my own, make it Boulevards.”

Gimme All Of You

BOULEVARDS

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104 Production Hip Hop Beats

where to call home

JayGene

BIRKE

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