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Stream/ Download ♬

Iman Hanzo - Canario (Mollono.Bass Remix) [trndmsk]

Electric Cowboy: Born in Carolina Mud

Time

Mi Mujer - Nicolas Jaar

Dababy & Lil Baby - Today remix

Mundial....

Elsa

Gimme all of you Edit by SGLD
Written & Recorded By Boulevards at Submarine Studios in Brooklyn, NY

Gimme All Of You

Never Gonna Reach Me(Hot Toddy mix)-Crazy P

Sundress Featuring Lena Carr
Composed by Chateau
Artwork By Andriana Gilroy
Written By Boulevards & Lena Carr
Vocals Recorded, Mixed BY NineLives The Cat at Submarine Studio, Brooklyn, NY

Sundress Feat Lena Carr

La Danza del Petrolero

Bola Bola En El Tres

Buy 2xLP / Digi / CD: djcaptainplanet.bandcamp.com/album/night-visions

Coming hot on the heels of their summertime anthem "Como Me Miras", Chico Mann and Captain Planet return with yet another taste of their upcoming album "Night Visions", set to be released in early 2017.

"Oye Bien" is a more autumnal affair, with a slowed down break, an organ driven bassline evocative of classic house, deep percussion, sharp guitar undertones, and Chico's unmistakeable layered vocals speaking enigmatically.

Night Visions

Chico Mann & Captain Planet - Oye Bien

Buy 2xLP / Digi / CD: djcaptainplanet.bandcamp.com/album/night-visions

Night Visions is a collection of stories which dance alive over an infectious blend of Afro-Latin rhythms and contemporary dancefloor beats. Told by a variety of characters, drawn from the vibrant imagination of Chico Mann, these stories take place in an endless night, where we move through dimly lit clubs, jungle moonlight, pitch black desert plains, and the internal shadows of personal darkness. While the characters often stumble and search blindly in the dark, the persistent presence of a distant light provides an underlying direction and hopefulness to all the songs. Captain Planet’s production, informed by his regular crowd-moving DJ sets, keeps the album sounding effortlessly danceable & contemporary. Meanwhile, Chico’s vocals have an instant classic appeal, hinting at old Cuban rumba and vintage Afrobeat LP’s. The two are aided by guest vocals from regular collaborators Kendra Morris & Brit Manor, as well as some talented friends who contributed additional horns, guitar & marimba.

Night Visions highlights the creative symbiosis of two of the biggest names in contemporary alternative Latin sounds. The result is a truly unique album that speaks as much to listeners who don’t understand Spanish as it does to old abuelos. The feelings and rhythms that flow through these songs are universal, appealing to hearts and hips all around the world.

Chico Mann & Captain Planet  - Y Ahora Que

PARTY ALL THE TIME (Boulevards Freak Cover) Composed By Rollergirl!

Bitches and Bitches, 

Heb een lekker playlistje gemaakt van platen die ik op selectors voorbij heb horen komen. Zitten ook wat andere plaatjes tussen die ik zelf gewoon lekkah vind. 

dacht deel het ff. 

x

Ondatrópica - Hummingbird (Official Video)

Cassie – King Of Hearts (Kanye West's "4 no strings" mix)

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Buy from Traxsource

Lou Rawls - You'll Never Find Another Love Like Mine (Kenny Summit, Frankie Knuckles & Eric Kupper)

Jamil Rashad, who performs under the name Boulevards, loves the word brother. For him it’s a greeting, a spoken handshake, a verbal high five with his listener. “Growing up, I would see my father interacting with other African American men, using that word as a greeting. What’s up, brother? Brother, let me talk to you. That’s what they said a lot in the ‘60s and ‘70s, but you don’t hear it as much now. It’s such a great word.” That word inspired a new song simply called “Brother!” a slow-motion funk groove with the gravity of the blues, the ebullience of gospel, and the socially conscious sentiments of Sly Stone singing “Stand!” or James Brown saying it loud, “I’m black and I’m proud.” It’s a song that draws on pop history but speaks to our troubled present. “It’s smooth,” says the Raleigh, North Carolina, artist, “but it’s rough around the edges. Smooth but raw—that’s what Boulevards is.”

When it came time to find a title for his new EP—about race and reckoning in America, about broken hearts and self-inflicted suffering—Rashad couldn’t get those two syllables out of his head. That word became his way of getting your attention and addressing his songs to you specifically, and he added an exclamation point to make his message sound all the more urgent and excited. “I wanted people to listen to these songs and think, He’s speaking directly to me. When you’re a fan of music, you want that feeling. You want the performer to talk to you.”

Brother! represents a pivotal moment for Rashad. It’s his first release for the New West Records imprint Normaltown Records, for one thing. It’s also his first time working with Blake Rhein, guitarist for the midwestern soul revival outfit Durand Jones & the Indications. More than any of that, however, it’s a culmination of several years of writing and playing and touring and recording as Boulevards. During that time he has earned a reputation as an eclectic synthesist of sounds and styles as well as an electric performer whose set at the 2015 Hopscotch Festival cemented his status as one of North Carolina’s most thrilling young artists. He followed it up with a string of adventurous albums that drew on old soul and funk sounds but sounded fresh. 

“I had to make those other records to get to this point,” he says, noting that Brother! signals a shift toward a heavier, funkier, but no less idiosyncratic sound. It’s not a reinvention, but something like an expansion of what Rashad can say and do as Boulevards. To help make his ideas a reality, he reached out to Rhein on social media after being impressed with the Chicago-based instrumentalist’s mastery of different musical forms. The pandemic made it impossible to travel or work together in person, but they traded ideas and recordings over email. “He understands the funk,” says Rashad, “and he’s a music nerd like me. He immediately understood the sound I was going for and what I wanted to do, and he pushed me to do some things that I’ve never really done on a record.”

The songs they created draw on the albums Rashad heard growing up. His father was a radio DJ at 88.9 WSHA in Raleigh, which meant there were always records spinning at home: early Funkadelic, Sly Stone, Rick James, Curtis Mayfield, and Shuggie Otis, among others. “My dad put me on to that music, and I’ve always been attracted to those artists. Not just the sounds, but the styles—how those Black men dressed, how they presented themselves onstage, how they posed in photos, the whole aesthetic. That’s who I was inspired by, but I wanted to make it my own, make it Boulevards.”

Zaptra is the stage name for electronic music producer, Art Paz. Born and raised in Los Angeles, CA. Zaptra began in 2004 with drum machine and acoustic guitar, but has since expanded to include a wide array of musical devices that characterize the layered and complex sound heard from all releases.  As the solo producer, Zaptra explores the creative possibilities for taking electronic atmosphere to expanded levels through live performance.
 
Now living in Chicago, IL. he pushes his ideas of ambient, guitar dreamscapes with unique synth arrangements and beat driven rhythms.  In 2010, he released his 12” self-titled full-length debut album, which has been played on L.A. popular radio stations such as KCRW and KXLU. Zaptra's unique sound has brought the attention to the remixing world and has since completed remixes for such artists as The Bellrays, Duran Duran, Bjork, yOya and Full Time Villain. 

Also known for Scoring music in collaboration with director Britt Brown’s short, titled “El Niño Encantado”.

Inspired by visual imagery, which edges on the fragile dream states and conscious awakenings. Zaptra is adorned with artwork designed by the wonderful Darryl Blood. Darryl has been the designer for all Zaptra releases and continues to represent the visuals for the Zaptra sound. 

Currently working with and featured on tracks with Chicago based artists such as: Vibequeen, Queenmars, Austin Fillmore and Sammy Pharaoh. As well as, New York City artist Asymptote and France based artists Penelope Antena and Carbon Bloc. 

www.zaptra.bandcamp.com
Facebook: Zaptramusic
Instagram: @zaptra
Twitter: zaptra
Contact: zaptra@mac.com  Attn: Art Paz

Time

BOULEVARDS

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