𝓬𝔥ᶰ || 𝕋𝕙𝕖 ℍ𝕖𝕒𝕣 𝕐𝕖 ℍ𝕖𝕒𝕣 𝕐𝕖 𝕊𝕖𝕣𝕚𝕖𝕤 #𝟚𝟘𝟘𝟞

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Get Mollono.Bass' remix on @trndmsk-records here: 
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Come on a journey with @imanhanzo and @mollonobass.

🎧 More Music in our Playlists on Spotify ⤵
💃 It's Time to Dance: https://spoti.fi/2FjcR9k
⚡ Melodic & Deep House: https://spoti.fi/2JVCgJH
🌃 Mosaic: https://spoti.fi/2qMavuY
🍍 Organic House & Downtempo: https://spoti.fi/2K0w7vN
 👯‍♀️ Yoga Electronica: https://spoti.fi/2qJt0A9
💥 White Ocean (Burning Man 2021): https://spoti.fi/2vrVN0W
🌌 AfrikaBurn 2021: https://spoti.fi/2qMRUOy

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Stream/ Download ♬

Iman Hanzo - Canario (Mollono.Bass Remix) [trndmsk]

Mi Mujer - Nicolas Jaar

Dababy & Lil Baby - Today remix

Gimme all of you Edit by SGLD
Written & Recorded By Boulevards at Submarine Studios in Brooklyn, NY

Gimme All Of You

Never Gonna Reach Me(Hot Toddy mix)-Crazy P

Sundress Featuring Lena Carr
Composed by Chateau
Artwork By Andriana Gilroy
Written By Boulevards & Lena Carr
Vocals Recorded, Mixed BY NineLives The Cat at Submarine Studio, Brooklyn, NY

Sundress Feat Lena Carr

PARTY ALL THE TIME (Boulevards Freak Cover) Composed By Rollergirl!

Cassie – King Of Hearts (Kanye West's "4 no strings" mix)

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Buy from Traxsource

Lou Rawls - You'll Never Find Another Love Like Mine (Kenny Summit, Frankie Knuckles & Eric Kupper)

Inkswel - The People ft. Dave Aju (Drum Dub Version) [Boogie Angst]

Boogie Angst @boogieangst
Inkswel @inkswel

Inkswel is firing into 2020 with his debut release on Boogie Angst - The People EP.  Having previously released labels BBE, Rush Hour, Sonar Kollektiv and Yoruba Soul as one half of Planetself, quality is assured from the producer with two original tracks and high quality remixes.

Too Late featuring Atlanta rapper and broken beat master Daz-I-Kue collaborator Stan Smith, is built around an 80’s synth line and electro percussion throwing things back to the early days of hip hop and breakdancing. The remix comes courtesy of Sheffield’s thatmanmankz who builds a melodic bass throbber that keeps the hip hop sensibilities, but also draws on the bleep culture his city is famous for. Having previously worked with vocalists such as Georgia Ann Muldrow, Amp Fiddler and Steve Spacek, Inkswel delivers The People EP - a perfectly crafted lo-fi club rocker with San Fran luminary Dave Aju on vocals. With the original driven by hip hop loops, the remix by Razor n Tape’s Cody Currie swings things gently in the direction of a 4/4 floor with a luscious piano and strings version.

Sub label of Dutch electronic dons Kraak & Smaak, Boogie Angst  is also home to Moods, Secret Rendezvous, Vhyce and Saux as well as their own material.

HSM PREMIERE | Inkswel - The People ft. Dave Aju (Drum Dub Version) [Boogie Angst]

Too Far Feat La Roux

Oasis Nocturno

Get Me Some

WELCOME TO JYPSY JEYFREE's FANTASY!
produced by IGBO
GO PLAY IT ON STREAMS! https://www.igbotheband.com/nastyboots

NASTY BOOTS

She rubbed her eyes and squinted around the room, her gaze still clouded in the early morning haze. As her vision cleared, she realised she didn't recognise her surroundings. The room felt vaguely familiar, as if she had visited it a life time ago, but she didn't live here. At least she was pretty certain she didn't. How had she come to be here? As she rose from the bed, a picture on the mantelpiece caught her eye. As she approached it, she gulped. There she was, clear as day... Her own image smiling back at her.

Following her debut last year with the razor sharp Womanhood, Orphan. Records co-founder Klein Zage returns with an EP on her own imprint, inspired by her beloved service industry. The three tracks on Tip Me Baby One More Time move through the motions; the A-Side provides a snapshot of Zage 'clocked in' while the B-Side - our pick, 'I'm Almost Certain That I'm Here' featuring fellow Orphan co-founder Joey G ii - takes things into more introspective realms, with twinkling dubwise electronics layered with Zage's wistful yet commanding vocals.

All profits from the release will be donated to the Restaurant Worker's Community Foundation Covid-19 Emergency Relief Fund as well as New York's 'Service Worker's Coalition', in light of the impact that the Covid-19 crisis is having on the restaurant industry.

Tip Me Baby One More Time

PREMIERE: Klein Zage feat. Joey G ii - I'm Almost Certain That I'm Here [Orphan. Records]

A collage of sounds manipulated through turntables with a hint of MPC.
Produced by Cam & Rach

1. At The Speakeasy

Jamil Rashad, who performs under the name Boulevards, loves the word brother. For him it’s a greeting, a spoken handshake, a verbal high five with his listener. “Growing up, I would see my father interacting with other African American men, using that word as a greeting. What’s up, brother? Brother, let me talk to you. That’s what they said a lot in the ‘60s and ‘70s, but you don’t hear it as much now. It’s such a great word.” That word inspired a new song simply called “Brother!” a slow-motion funk groove with the gravity of the blues, the ebullience of gospel, and the socially conscious sentiments of Sly Stone singing “Stand!” or James Brown saying it loud, “I’m black and I’m proud.” It’s a song that draws on pop history but speaks to our troubled present. “It’s smooth,” says the Raleigh, North Carolina, artist, “but it’s rough around the edges. Smooth but raw—that’s what Boulevards is.”

When it came time to find a title for his new EP—about race and reckoning in America, about broken hearts and self-inflicted suffering—Rashad couldn’t get those two syllables out of his head. That word became his way of getting your attention and addressing his songs to you specifically, and he added an exclamation point to make his message sound all the more urgent and excited. “I wanted people to listen to these songs and think, He’s speaking directly to me. When you’re a fan of music, you want that feeling. You want the performer to talk to you.”

Brother! represents a pivotal moment for Rashad. It’s his first release for the New West Records imprint Normaltown Records, for one thing. It’s also his first time working with Blake Rhein, guitarist for the midwestern soul revival outfit Durand Jones & the Indications. More than any of that, however, it’s a culmination of several years of writing and playing and touring and recording as Boulevards. During that time he has earned a reputation as an eclectic synthesist of sounds and styles as well as an electric performer whose set at the 2015 Hopscotch Festival cemented his status as one of North Carolina’s most thrilling young artists. He followed it up with a string of adventurous albums that drew on old soul and funk sounds but sounded fresh. 

“I had to make those other records to get to this point,” he says, noting that Brother! signals a shift toward a heavier, funkier, but no less idiosyncratic sound. It’s not a reinvention, but something like an expansion of what Rashad can say and do as Boulevards. To help make his ideas a reality, he reached out to Rhein on social media after being impressed with the Chicago-based instrumentalist’s mastery of different musical forms. The pandemic made it impossible to travel or work together in person, but they traded ideas and recordings over email. “He understands the funk,” says Rashad, “and he’s a music nerd like me. He immediately understood the sound I was going for and what I wanted to do, and he pushed me to do some things that I’ve never really done on a record.”

The songs they created draw on the albums Rashad heard growing up. His father was a radio DJ at 88.9 WSHA in Raleigh, which meant there were always records spinning at home: early Funkadelic, Sly Stone, Rick James, Curtis Mayfield, and Shuggie Otis, among others. “My dad put me on to that music, and I’ve always been attracted to those artists. Not just the sounds, but the styles—how those Black men dressed, how they presented themselves onstage, how they posed in photos, the whole aesthetic. That’s who I was inspired by, but I wanted to make it my own, make it Boulevards.”

https://soundcloud.com/courthousenotes/likes

Groovy passion with Soul  🎧

Too Far Feat La Roux

BOULEVARDS

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