Copy Of Work 2

The Whistle Song (Eric Kupper Sound Factory Re-rub)

Paper Moon

Liberty City - Some Lovin'

127 BPM Can-t Let You Go 2024  (Louie Vega & Josh Milan Truth Dub 1) - Loleatta Holloway

Let Me In

Let Me In (Orginal Mix)

D.M.S. And the beat goes on (Louie's dub) (320)

If there’s one record you’ll want to have this summer, it’s Ossie’s ‘That’s a vibe’ EP. The London producer makes his debut on Heist with an irresistible dance record loaded with high-energy UK grooves and a fair nod to classic US house music.

DJ/producer Ossie Aneke a.k.a OSSIE has been releasing music for over a decade, releasing forward-thinking electronic productions on crucial imprints such as Hyperdub, Skepta’s Mas Tiempo, Brownswood and his own Supercali music. His Heist release features 4 tracks that are rich in sound, sampling and vocals and are all filled to the brim with personality. 

The EP kicks off with ‘That’s a vibe’; a shuffling and breezy affair with a quirky, high-pitched vocal and lovely chord chops that all fit together perfectly. The production is immaculate and you can hear Ossie feeling totally comfortable in his sonic space, where he takes the best parts of London and Chicago and blends it into something totally unique. With that catchy melody and vocal, this one is quite earworm. We've been playing this one out a lot, and the reaction from the crowd (and track id requests) are great (as seen in our recent raw cuts set in New York).

“Are you still smiling” ups the tempo and takes us deeper into the London sound, with a riff of pulsating strings, garage drums and a nasty bassline. This track, (which could have easily been on Daphni’s latest album) has everything we like about contemporary electronic music. It’s full of feelgood elements, quirky samples and a groove that will get the even the stiffest hips shaking. 

Ossie is not one to go for the same trick twice, and he’s very well capable of going deep as we can hear on ‘Clay clay’. On this track, we see Ossie pay homage to classic US house music, with minor chords looping over a crunchy diva vocal and a solid house groove. The EP finishes off on a high note with ‘True freedom’: a track full of energy with sampled chords and lots of vocal elements working together to great effect. The percussion programming is clever and full of forward momentum and the bass is so fat it probably won’t fit through club door.  

Ossie delivers an EP that’s unique, catchy and produced with such confidence, that these tracks have already become a staple in our sets. 

Get ready to dive into the sound of Ossie and as always, enjoy the music and play it loud! 

Lars & Maarten

That's a vibe

That's a vibe EP

Buy here!

Ossie - True Freedom

If there’s one record you’ll want to have this summer, it’s Ossie’s ‘That’s a vibe’ EP. The London producer makes his debut on Heist with an irresistible dance record loaded with high-energy UK grooves and a fair nod to classic US house music.  

DJ/producer Ossie Aneke a.k.a OSSIE has been releasing music for over a decade, releasing forward-thinking electronic productions on crucial imprints such as Hyperdub, Skepta’s Mas Tiempo, Brownswood and his own Supercali music. His Heist release features 4 tracks that are rich in sound, sampling and vocals and are all filled to the brim with personality. 

The EP kicks off with ‘That’s a vibe’; a shuffling and breezy affair with a quirky, high-pitched vocal and lovely chord chops that all fit together perfectly. The production is immaculate and you can hear Ossie feeling totally comfortable in his sonic space, where he takes the best parts of London and Chicago and blends it into something totally unique. With that catchy melody and vocal, this one is quite earworm. We've been playing this one out a lot, and the reaction from the crowd (and track id requests) are great (as seen in our recent raw cuts set in New York) 

“Are you still smiling” ups the tempo and takes us deeper into the London sound, with a riff of pulsating strings, garage drums and a nasty bassline. This track, (which could have easily been on Daphni’s latest album) has everything we like about contemporary electronic music. It’s full of feelgood elements, quirky samples and a groove that will get the even the stiffest hips shaking. 

Ossie is not one to go for the same trick twice, and he’s very well capable of going deep as we can hear on ‘Clay clay’. On this track, we see Ossie pay homage to classic US house music, with minor chords looping over a crunchy diva vocal and a solid house groove. The EP finishes off on a high note with ‘True freedom’: a track full of energy with sampled chords and lots of vocal elements working together to great effect. The percussion programming is clever and full of forward momentum and the bass is so fat it probably won’t fit through club door. 

Ossie delivers an EP that’s unique, catchy and produced with such confidence, that these tracks have already become a staple in our sets. 

Get ready to dive into the sound of Ossie and as always, enjoy the music and play it loud! 

Lars & Maarten

Ossie - Clay Clay

Riva Starr - Keep Me On The Dancefloor (RMX Pack Vol.1) is the latest release on Snatch!

Buy/Stream: https://music.snatchrecords.com/snatch230


02 Riva Starr Feat. Harry Stone - Only Love (4004 Extended Remix) [Snatch! Records]

Dam Swindle’s new ‘Backyard Galaxy’ EP is an ode to house music and the classic Swindle sound. 

It’s only been a few months since Dam Swindle released their highly acclaimed album “Open” and already the boys are back on Heist with a new release that takes you right back to the dancefloor. Where they’ve spent the better part of the last 3 years writing their album with all its sonic explorations and collabs, this new EP sees the duo return to their roots of club-ready house music. The ‘Backyard Galaxy’ EP comes with 4 high-energy house tracks made in their Amsterdam studio that have been road-tested all summer.

EP opener “Feel it much?” has all the ingredients of a classic Swindle heater, with warm pads, rich organic percussion and tons of soul. There’s a simple and effective vocal running throughout the track that blends nicely with the classic house elements and electronic textures that are layered throughout the track. There’s an effortless flow to this track and it comes as no surprise that it has been a highlight in their sets this summer. 

The EP title track ‘Backyard Galaxy’ is an up-tempo Latin-themed jam with a hint of old school techno.  The synth stabs hit you just right and the modulated vocal chops are a lovely boost for the build ups and add a touch of swing to a track that already has a tight  groove. Add to that a huge breakdown and drum roll and you’ve got yourself a track that’ll light up any dancefloor.

On the flip, we’re moving into garage territory with the shuffling vibes of ‘Rhythm Baby’. The current popularity of the genre is not missed on Dam Swindle, but when you look closely, you’ll see this track is full of elements that the duo have built their legacy on. The vocal chops, transposed key samples and swing are all on point and work just as well below, as above 130 bpm if speed is your thing.

The EP closes with the NY-style house cut ‘What you give’, which reminds us of Dam Swindle’s remix of Cinthie’s Heist hit ‘Won’t U take me’ with its lush organs and moody keys. It’s perhaps the most classic house track they’ve made in a long time and you can hear they had a great time recording this. It’s playful, vibey and catchy. Just the way we like it.  

Dam Swindle might have delivered one of the standout cross-over albums of 2025, but on this EP the message is clear: Once a househead, always a househead.

As always, enjoy the music and play it loud! 

Much love, 
Heist HQ  

Backyard Galaxy EP

Feel it much?

The Balenciaga's

- This is SAWCUTT!!
Today I'm bringing you a compilation of some edits I had on my computer, and I think it's time for them to see the light of day Hahahahaha. 
- I hope you like it, and as always, this isn't BANDCAMP! Downloads are free and open to everyone. 
A big hug, thanks for your support, SAWCUTT <3

THE SWEETS 28

DISFRUTO

FREE

CARLA MORRISON - DISFRUTO (SAWCUTT EDIT)

Un tributo a uno de los himnos más icónicos de los 80’s, reimaginado en clave Tech House.
Groove potente, texturas analógicas y una línea vocal que despierta pura nostalgia en la pista.

Ideal para el momento peak del set, donde la energía y la emoción se cruzan.

FREE DOWNLOAD: https://hypeddit.com/nachoduran/bininjapannachoduranedit
FULL WAV: https://nachoduran.bandcamp.com/track/big-in-japan-nacho-duran-edit

FREE DOWNLOAD

Alphaville - Big In Japan (Nacho Duran Edit) [FREE DOWNLOAD]

Moodyman - I Can't Kick

Deep Dish Presents Prana, the Dream (Sharam's Deep Dish Dreamscape)

FREE DOWNLOAD!

'Frankie Meets Pauline' is this Summer's classic party anthem, a throwback to Felix's Chicago House roots, the cheeky vocal samples in this track raise as many rye smiles as they do pumping fist, so get dancin'! 

Felix commented, "Frankie Meets Pauline is a mashup production I did dedicated 2 thee scene I grew up in, in Chicago listening to Thee likes of Frankie Knuckles, Farley Jackmaster Funk and Ron Hardy...This sound 2 me caught thee essence of Chicago in the 80's, resonating and pounding, sweat-drippin walls, bass beatin' clubs like the Warehouse and The Music Box.  

Download: Felix Da Housecat 'Frankie Meets Pauline'

Possibly all the tracks I play and post are the soundtrack from an Iconic nightclub that functioned from 1990 to 1993 and that little club was called Legends in Warrington , north west England . The DJ’s were Mike Woods , Darren Noguerol , Steve Williams and Richard Garvey . Not your normal rave venue , it was quite unique as the BPM started around 90 and built up as the night progressed into some piano stomping tracks , techno , trance , rap and disco . Those that discovered it will tell you how amazing it was , only holding around 1100 ish and getting into the club was quite a challenge as it became more popular, you needed to que earlier in the day to get your raffle ticket and have the Legends membership card which I lost in 1992 because my wallet was stolen from some little tart in Tenerife , as I walked her back to her hotel , all my money gone but more importantly my membership card which for some reason I never got replaced as that was around the time I stopped going as for me the best days of Legends were 1990 and 1991 . So in a nutshell, Legends has a big place in my heart for the music that we got blessed with . It was a special time , it really was . The biscuits  amazing scent of the place , the people , the smiles and at the end of the night , we didn’t want to go home , DJ one more , one more …. 
It was short lived but long lived in memory and I have probably waffled on for too long now , anyway , I hope you like the tracks I’ve chosen and the mixes I’ve created …. 
One Legends and I just wander if there were any other club in the word like it . Woody and Noggy knew what they was doing and are masters and still to this day spin those vinyls . Now then , who’s ready for the next reunion?

D.M.S. And the beat goes on (Louie's dub) (320)

DJ Marky Mark

Related tracks