LOVE! http://turksandunderdog.com/2015/01/28/bouquet-stacks-stacks/

how is it possible to get only 2 cvomments on a sound like this and so many plays? but F** it it sounds very sweet

Introducing: BOUQUET - http://www.drunkenwerewolf.com/blog/introducing-bouquet/

petitepomme 02/15

Destroyer 'Five Spanish Songs' out December 2, 2013 on Dead Oceans (Europe)

Destroyer
Artist Page - http://deadoceans.com/artist.php?name=destroyer

Destroyer "El Rito" from 'Five Spanish Songs' out December 2, 2013 on Dead Oceans (Europe)

Destroyer - El Rito

PREVIEW of  "Envalira" (Minty Fresh/ Buenritmo Records)

More info and buy links:
http://desertgrup.tumblr.com/

Saps prou bé

There are strange forces at work, lurking underneath the shiny, impeccable surface of this place: Looming behind all those perfect little fence posts and neighborly smiles, there's a sense of isolation, of emptiness, a hint of claustrophobia, that fear of being in the wrong place, too far removed from where things are really happening. It's true: darkness has fallen upon suburbia. Welcome to the unadorned world of Innhverfi.

Using a play on the Icelandic words for "suburbs" and "introvert" for its title, Innhverfi is the debut solo album from Sigur Rós' and Jónsi's touring keyboard player/percussionist Óbó – in his passport it says Ólafur Björn Ólafsson –, and although comprised of no more than 7 compositions, it does run the gamut of suburban bliss turned upside down: After the LP's minimalistic opener "Úthverfi", a track that melancholically opens up after a long, immensely dark and brooding intro, that ultimately offers some respite in the form of playful Glockenspiel over layers of slow-moving sonic lava, the equally cinematic "Svartur galdur" leaves much room for Óbó's trademark baritone: Like a bespectacled puppeteer with fluffy hair, he seems to shuffle and rearrange home-recorded bits and lullaby-like DIY pieces in front of our very eyes, which can't help but follow, as we move deeper into the somewhat forlorn suburban landscape that has inspired this record. Imagine dark, wet streets, overcast little alleys, and suddenly a cat or a candle on a windowsill, breathing slowly.

Elsewhere, "Gjallarhornin" – all spoken words, piano, strings, vibraphone, rearranged like a whirlwind in slow-motion – makes way for a hopeful oomph deferred and silent-movie era melodies, while "Stilla", an instrumental, commences like early Efterklang, but there's no gaudiness on the horizon: When the subtle electronics and percussions erupt in the end, it all feels just right – if only for a brief moment. Finally, the subdued birdsong and jazz-inspired piano of "Fyrirbo∂i" underline that Ólafsson has worked on motion picture soundtracks in the past – e.g. The Good Heart, Steypa –, and before it all ends, he even throws in a foot-stompin' alt-pop song of sorts ("Rétt e∂a rangt?"). The last stop of this journey into the haunting underbelly of the suburban mind is "Gullregn": A creaking door that opens to unveil his own garden of forking paths, a place where one can still decide, shake things up, jump the fence and run, leave before it's too late. It's pure possibility, presented in a golden light.

Although Innhverfi is his debut effort as a solo artist, Óbó's musical handwriting has been all over the Icelandic map in recent years: A multi-instrumentalist and a wizard on percussions, he studied piano and later composition in various European cities and has performed and recorded with artists such as Sigur Rós, Jónsi, Emiliana Torrini, Stórsveit Nix Noltes, slowblow, Benni Hemm Hemm, múm, Jóhann Jóhannsson, Úlfur Hansson and Valgeir Sigur∂sson, to name a few.

Though few will be able to understand the lyrics in his native Icelandic, one thing is certain: Innhverfi is the very antidote to the affliction and troubles it sketches out. Turns out we've been in the right place all along.

Buy On Itunes

Óbó: Rett Eda Rangt?

Stacks On Stacks

North Highlands' second and likely final full-length release. Some members of North Highlands have scattered across America, and this is likely their last release... most likely...

Digital Release only, on Feb 3, with a single scheduled for release on Jan 13 or 20, dependent on lyric video completion.

Produced by Matt Marinelli
Recorded by Matt Marinelli at Guilford Sound, Vermont
Mixed by Matt Marinelli and Daniel Stewart at Exile, Long Island City
Mastered by Nathan James at Vault Mastering
Cover Art by Hannah Schultz

Brenda Malvini - Vocals, Keys
Mike Barron - Guitars
Daniel Stewart - Guitars, Keys
Jasper Berg - Drums, Percussion, Keys
Andrew Kasperbauer - Bass, Keys

Work Late

Debut album "Little Mourning" now available
http://smarturl.it/LittleMourning (digital/cd/vinyl)

http://milkandbone.mu

Pressure

Beat of Your Heart

Stream @ Spotify: spoti.fi/1LLJa0w
Buy @ iTunes: apple.co/1BA54dY
___

Yumi Zouma now returns with their anticipated second EP, bookending their era of intimate and restrained short-form releases. The new tracks are just as effortless and engaging as expected, but they also tell the story of a band evolving. Lush, electronic productions buoy key tracks and the vocal deliveries are increasingly sophisticated.
___

Cascine on FB: on.fb.me/1jAp5ZG
Yumi Zouma on FB: on.fb.me/1RWozre

Yumi Zouma - Song For Zoe & Gwen

Field Music return with new 14 track album ‘Commontime’, set to be released on 5th February 2016 via Memphis Industries. 
The first song to be taken from the album is ‘The Noisy Days Are Over’, an insistent, sax-punctuated groove and a conversation between two friends struggling to say farewell to the bad old boozy days, when they should “get to bed like everyone else".

 
Over the past four years, North-East siblings Peter and David Brewis have threaded their way through one extra-curricular project after another but were inevitably drawn back to working together on their own songs. "As much fun as we might have had on our own or collaborating, we missed just spending time in the studio, the two of us, trying things out and playing together." explains David.

The space that Field Music vacated in those four years still appears to be empty. No one else really does what Field Music do: the interweaving vocals, the rhythmic gear changes, the slightly off-chords, but with the sensibility that keeps them within touching distance of pop music. But with Commontime, Field Music show off their unashamed love of choruses in a way they’ve only hinted at before.

Written and recorded in spontaneous bursts over six months in their Wearside studio, Commontime is built around the brothers playing and singing together again, but also features a wider array of players, including original Field Music keyboardist Andrew Moore, Peter's wife Jennie Brewis and new member of the live band Liz Corney on vocals, plus a panoply of other players.

“We wanted to embrace being a duo and, perversely, that made us feel more comfortable about all of those conspicuous cameos” reveals David.  Over the fourteen songs of Commontime, real life conversations are replayed, acquaintances come and go, hard won friendships are left to drift and diffuse snap shots of the everyday are pulled together into what must rank amongst Field Music’s best works to date. 

Commontime is available to pre-order at www-field-music.co.uk on limited edition 2 x 180gram green vinyl + download code, CD, and download. The first 250 physical orders include an exclusive signed print.   The album is also available to pre-order on iTunes with an instant download of ‘The Noisy Days Are Over’.



Commontime

The Noisy Days Are Over (Edit)

Field Music - The Noisy Days Are Over (Single Version)

SW016 - Boxed In feat. Formation - Running Out

from the album 'pre language' available 3/1

disappears 'replicate'

Video here: https://www.youtube.com/watch?v=lD0KFBojv2U

From our Lifestyle Mixtape. Download it for free here: www.brokecph.com

facebook.com/brokecph

Restless Beach

Grizzly Bear Yet Again - Live for KCRW's Morning Becomes Eclectic

This session was recorded at Bermondsey Social Club in London in May 2018. BSC is in trouble right now & needs yr support. If you are able to, please donate now to help #saveourvenues: https://www.crowdfunder.co.uk/bermondseysocialclub

We can’t wait to douse BSC with another MILK. night sometime in the future…🥛

#SaveOurVenuesBermondseySocialClub #SaveOurVenues


MILK. #4
London // 17 May 2018
Bermondsey Social Club 

Performers:
James Ford - Modular Synth & Percussion
Michael Spearman - Drums
Yannis Philippakis - Guitar & Vox
Ady Acolatse - Bass

Recorded by Brett Shaw & Rob Wilks
Mixed by Brett Shaw
Filmed by Kit Monteith

MILK. #4: LONDON [Part I]

Fun Adults - 'Peek And Punch'
Released May 27th on Handsome Dad Records.

Download from Itunes: http://smarturl.it/n1zvek
Purchase 7" vinyl: http://smarturl.it/356c1o

www.funadults.tumblr.com
www.facebook.com/handsomedadrecords



Stacks On Stacks

BOUQUET

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