We composed this piece a long time ago, when we still had artistic convictions that seemed to transcend our circumstances. We often look back on this song (one of our first collaborations) in a sense of awe, and we've been trying to recapture its spiritual freedom ever since. If it turns out we peaked early, this song is why.

Asleep In The Cornfields (Acoustic) feat. Empty Halls of Verdun

The world doesn't even know its at war with itself.

War: When Will It End feat. Grandmaster T-Wrecks & Empty Halls of Verdun

This piece is both a celebration and a criticism of one of my favorite artists.

Vivian, I Knew You Well feat. Grandmaster T-Wrecks

This song was written for my long-time collaborator and friend during a time when it was difficult for him to keep his artistic passion alive.

The Man from Verdun Acts I, II, & III feat. Armani Armani

This highly experimental track is meant to be an inquiry into the nature of music as a mode of communication.

Baby Got the Right Kind of Truck feat. Armani Armani

One of our more accessible pieces, this one is a product of the Cold Mountain Recordings, a long session recorded on a warm spring afternoon at the beginning of our collaboration.

Let It Speak feat. Empty Halls of Verdun

Another piece in the same vein as Vivian, I Knew You Well.

Jamaicans feat. Grandmaster T-Wrecks

Another early track from my solo career that really sums up my ambition (and maybe lack of circumspection).

Angeline (And Then Maybe I Would)

What does it mean to describe an artist? For art is in some form a description of itself, and of the artist, and the artist is its grand descriptor. The artist, in describing herself, becomes the object of her art as well as its subject, and this unification reveals the true nature of art. But this revealed unity leaves those who read the description as art with a new role: it brings them in to the grand ensemble. Indeed, my reader, we are all the artists, and we are all the descriptions. So let us art together.

Bowmaster Flex

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