Wonderful distorted tension swelling, consider me in:)

i imagine this in a really cool scifi film ,, great work! x

This is Not Even Rock and Roll

I'm a walking cliche with my guitar
I want to get rich and be a star
There's only one hitch: I'm getting too old
And this is not even
This is not even
This is not even rock and roll

Strange how estranged everyone's become
They can't understand what I am
And I'm not worthy of a microphone
And this is not even
This is not even
This is not even rock and roll

I'm thinking with guitar mind
Love to feel it unwind
Tell me are you inclined
To show me why you're do fine?

The hawk above the highway knows my name
The restaurant mirrors multiply my face
Back and forth to infinity I go
And this is not even
This is not even
This is not even rock and roll

ISRC:
ushm92277104

This Is Not Even Rock and Roll

RiZLiX - A Walk In The Park

Ma réinterprétation de "Ronde" (Marco Lucchi)

Perdu dans un rêve - Ronde lente

Hi there, I present you, AUTOMATICA, 
retro-modern memories, a lot of experimental groove and temp!
I wish you a lot of fun!
Cheers
Roger

CJR-Music originals | more info also here: https://www.cjrogersmusic.com

AUTOMATICA

HQ Download

Automatica

Decoherence

Bandcamp

Cycnoches

Trip In

When I first sit at the piano each day, it's important to warm up my fingers. Anyone who uses their muscles to run, dance or play any sport has to warm up their muscles. stretch them and orient them to what they are doing. Piano is no different. I have strong hands without a hint of arthritis. When I was still gigging, playing harder R&R, I had callouses on my fingers which often split and bled by the end of the night. My music style has changed over the years. But serious playing without warming up means the hands won't be coordinated and will be harder to control. The fingers need to know where to go whether I am looking at them or not. They need to be able to judge the distances between the keys and they need to be limbered up. So I do a variety of exercises playing up and down the keys in a variety of different key signatures. I unusually to play 3-5 hours at a stretch - because I love it that much. There is so much more music to play. If a warm up sounds decent I post it. All of my music are improvs but most of them have an intent, a story to tell. This one doesn't. I'm just having fun.

Tinkering On The Keys #7

Cast of characters:
Stoner Jazz--@user-911083679—Jeff—vocals, lyrics, and original stem

TexMex Shaman–@texmex-shaman–Stephen–overdriven guitar, production, and mix

K2 and the Three [and the Four]--@k2andthe3, @k2-kara–Ken–drums and percussion

Llanpsych–@llanpsych–Tez–electric clean/effects guitar 

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1–four string fretless bass and synth           

This song orignated with Jeff, who wrote a poem, which he set to a beat and a key with some very cool vocal processing. He sent it to me, and I added the bass and the synth lines. I had to, of course, got the rest of the Eclectic Collective involved. Ken came up with a solid, distinct beat, based loosely on my first take. I then redid my bass line to match up with Ken's drums, which is the way they seem to work best, sometimes going back and forth like that several times until they're locked in. Then, Tez and Stephen each added very distinct, supportive guitar tracks to fill it in. Tez comes through with the very Strat sounding bells ringing throughout. Stephen really shines with his textural tremolo playing throughout, as well as the rocking end. He also produced and mixed it expertly, as always. 

  This is the first time the Eclectic Collective has collaborated with Jeff, although both Josh and especially Stephen (as part of the band, The Smoking Trout) have made music with him before. We really enjoyed making a song based on his vocals, and Jeff is a welcome addition to our sound anytime. We all really enjoyed making this one. We hope you enjoy listening to it.

Lyrics:


Naked Shoulders
l like the way the sun lights up
the naked shoulders of the Early morning
ln the Desert where we met-
ln the shack down by the muddy
where you said you waited
while l rambled on about the time
Youth and Sex and Beauty-
When the Real Revolution was the Music-

Slitting quietly and thinking
while the melancholy has lt's moment
letting longing linger longer than lt should
Took a little tumble ln the Bumble
when l got older
always just a little lucky
ln the middle of disaster
no longer sure lf l'm the spell or l'm the caster
only knowing that my feet are made of plaster-

Even though lt's getting late, even though lt's getting late
l'm still standing at the gate
hoping for a bit hoping for a little bite hoping for a little slice of Nlrvana Nlrvana-

Verse 2
You know lt's harder than lt looks
even though l read some books
l'm ln love with my Delusion, Naked and inviting
lt whispers sweetly ln my head and says
You're gonna live Forever, even though l'm almost dead-

Everything that came before
comes knocking at the back-stage door
demanding parts ln the production of the play-

What makes you think you have a choice?
The Director Said
you don't have to memorize the dialogue
the script ls ln your Head--

Naked Shoulders (Stonerjazz with Eclectic Collective)

Cast of characters:
Steve's Planet--@steve-vervaet—Steve—acustic guitar, vocals, lyrics, composition/arrangement
TexMex Shaman–@texmex-shaman–Stephen–electric guitar, production, and mix
J.J. Terrell--@j-j-terrell—JJ—organ
K2 and the Three [and the Four]--@k2andthe3, @k2-kara–Ken–drums, percussion, and low vocal harmony
Llanpsych–@llanpsych–Tez–electric guitar 
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1–Fender precision bass  
This song began as an acoustic guitar and vocals stem written and performed by Steve. He sent it to Josh, who added the undulating staccato bass line, with the help of Ken's always well-suited drums. They went back and forth a couple of times, as is their process, until it clicked. Tez added some really dynamic leads and fills throughout, and Stephen filled in the rest of the electric guitar in a Keith/Ronnie kind of way, which is very tasteful. JJ then added some perfectly complimentary organ. Finally, Ken pleasantly surprised us with the low vocal harmonies. 
Stephen also mixed and produced this one for us. He's brilliant behind the board, and we're lucky to have him aboard. This one came together in a matter of a relatively short period of a fortnight, which is rare for the Eclectic Collective. But, when something is hot and already put together, it comes quickly. We all hope you enjoy listening to it as much as we enjoyed putting it together.
Lyrics:
Fallin’
Wandering aimless
Couldn’t shoot straight
No ability
Not much to say
There was no sign of me
Good times, bad times
Leaving out the sad times
Easily
That’s what they’re telling me
Mend or break
Looking over rooftops
Coming to a full stop
Suddenly
On a sad height
Raging endlessly
Breakline, beeline
Picking up the freeline
Easily
Follow my way
Leavin’ the fast lane
My- My mind is fallin’
When I think about, losing out
There’s no doubt, you started fallin’ x2
And I – I’ve been going my way
One more time, only today 2x
My- My mind is fallin’
When I think about, losing out
There’s no doubt, you started fallin’ x2

Fallin' (Eclectic Collective)

I love you big sister,be strong as you always have been.

Sister Sue

Cast of Characters:

TexMex Shaman–@texmex-shaman –Stephen–guitar, mix, and production

J.J. Terrell–@j-j-terrell –electric piano, organ, and arrangement

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion

Llanpsych–@llanpsych –Tez–guitar

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1–four string fretless bass, guitar, arrangement

  This is a song that began as a drum track that Ken came up initially as a beat for another SoundCloud user, who respectfully declined it. Instead of letting a solid go to waste, Ken set it loose with JJ and Josh, who came up with an arrangement for the music over top of what they felt was a very killer beat. What was originally a jam, turned into a showcase of the entire Eclectic Collective. Josh also did some guitar work in this one, and with Stephen's brilliant harmony, came up with the opening theme that reoccurs about halfway through. His guitar can also be heard briefly right after the opening theme. Along with Stephen's other half of the theme, he is also responsible for the dynamic, climactic leads through most of it. Tez added his incendiary guitar to the final section, when all else was said and done, as a cherry on top. After all the tracks were in the digital can, we were lucky enough to have Stephen produce and mix it for us. 
  We hope you all had a wonderful Thanksgiving and are looking forward to the winter holidays. We also hope you enjoy this ride as much as we enjoyed assembling

Trip In

Boxy 2

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