Fascinating discordant combination of analog sounding percussive elements, with purely electronic whiz, bleeps, bloips and sproings ... sounds almost like an organic amalgamation  awakened in a virtual existence somehere - in some exotic netherland..

alien sound, imaginative integration of sounds :)

Nice track.. Listening to our space brothers!!! 10

Ethereal, sparse but big. A haunting, eerie song of, well, love essentially, but as it may be experienced if you were just a ghost.
How could one keep interacting? 

No need to be afraid
A breath of air by your right shoulder
Trying to make you feel me
Let you know I'm there
Hear me 
See me 
Know me
Trying to let you know I care
Practising up my poltergeist tricks
But no body makes it so hard
Scratch the back of your neck
Blow a stream in your ear
Pull a single hair
Oh you will know 
I'm always there
I'll think your thoughts as you do
I'll give you mine to think to 
And you will know I'm close 
Through all of time
A breath of air 
By your right shoulder
Trying to make you feel me
Let your know I'm there
See everything
Hear every sound
Get the feel of your surroundings
Practising up my poltergeist tricks
But no body makes it so hard
Scratch the back of your neck
Pull a single hair
I'll think your thoughts as you do
And you will know
A breath of air
A breath of by your right shoulder
Trying to make you feel me
I'm just a ghost 
Behind your right shoulder

3 Just A Ghost

Cut Cut

This song started as a jam session between me and Nahlej creating a nu metal sound by mixing hip hop, alternative with metal. Simon added further guitar licks and a solo. Our working title "Heavy Jam" inspired StevieJ to rap lyrics about drug abuse due to low self esteem and mental health issues. All thoughts running through the narrator's mind mind created a sticky heavy jam. Instead of tackling the issues, he prefers to numb the pain with meds and weed. This doesn't solve any problems, so better not try! 
Starting with a guitar theme, I could never have guessed the heaviness of the instrumental and lyrics both. Thanks for your collab, I am very pleased with the result!

The artwork has been generated with DALL E 2, but I invested some work cleaning it up and adding details with a graphics tablet.

Nahlej: composition, guitar, bass, drum programming
Nadine de Macedo: composition, arrangement, drum programming, production
Simon Ashby: guitar, solo
StevieJ: lyrics, vocals

Where to find us:
https://soundcloud.com/nadinedemacedo
https://soundcloud.com/nahlejmusic
https://soundcloud.com/sdashby
https://soundcloud.com/user-586564289

==== LYRICS ====

I'm not ready for the world today
Already going through hell today
So anyone who tries to talk to me
They'll be hell to pay

I got a mental list of all the shit 
I'm dealing with
I know I'm not the only one 
who'll be feeling this nah

I don't need politics 
adding to the stress
Finished school time ago
so why another test

Trying to focus on me just being the best 
but I can't 
when there's so much
shit running through my head

Numbing meds so I don't feel the pain
Even little miss sunshine 
couldn't stop the rain

Ain’t lifting the finger, nah
Not today, so get away from me
seems you got a lot to say
and I forgot to say

I'm staying in one place 
all it takes 
is one look at my face

I'm not playing,
There’s nothing you can do
to change that
So just stay back

and accept that that's who I am
Staying in bed with a head like
Like heavy jam

Yeah, heavy jam
I’m in bed with a head like
Like heavy jam

The doctor's prescription 
just ain't enough for me
I need some king size Rizla
and some Godfather OG

Yeah, now I can say that my life
is so sweet
Just one thing missing,
that one thing's me

I'm existing 
but I'm not living
I'm resisting 
cause I'm not giving

Anything away 
about the state of my brain 
I'm just saying 
you can't take it away

Like all good artists
I'll just harness the pain
and create a set of lyrics
that make people say
Man, I feel the same way

I'm sure I'll smoke my way through this
Always the optimist, 
advice from the doctor is 
at some point you're gonna
have to put a stop to this

Will I listen? 
Nah that's not who I am
It's just another day in bed
with a head like heavy jam

Heavy Jam
Heavy Jam
I’m in bed with a head like
In bed with a head like
Heavy jam

I'm not ready for the world today
Already going through hell today
I'm not ready for the world today
Already going through hell today

So anyone who tries to talk to me
They'll be hell to pay

Heavy Jam

Heavy Jam (with Nahlej, Simon Ashby and StevieJ)

Deep In The Woods

This track was created in response to someone's inquiry about what our sonic interpretation would be of Robert Frost's poem, The Road Not Taken. We felt this tied into our planned topic for our upcoming release of Acceptance, perfectly.
We all "find ourselves" at the proverbial "fork in the road," throughout our lives. We can choose to sit there and "drown" or become "paralyzed" in worries about which fork will be "the right one," while trying to "sift through the evidence" of what's worked well for others... or we can do what simply feels right for us, radical Acceptance of Self. 
Additional choices will have to be made by us, upon reaching each impending upcoming fork, and we can become more "in tune" with the wisdom we've gained in life... looking at everything we know, everything we thought we knew, everything we want to learn, experience, feel, express, etc. and realize maybe the purpose of C19 "on a grander scale" was to help us realize the brevity of life, what's truly important to us underneath everything... all the judgments, fears, facades, aka... the absolute BS... and help hopefully more people figure out it's up to each of us to set boundaries we want and deserve for healthier living. 
If we want all people within our life purview to respect and honor us with honesty, loving, and fully supportive relationships, etc. then, we need to set the boundaries of intention to not be treated as a game, as an option, etc. no matter the relationship type. It's up to us to make our wants and needs of support known to those within our circles and make the necessary changes when we are shown anything "less than" what we know and have stated in clear, (not uncertain or "disguised" terms or methodologies,) we need. Stating what we want or need and honor those who have the forthright energy and awareness to tell us exactly what they want and need and whether they are in alignment with our wants, needs, goals in living healthily... and make the best decision for us. 
The frequent misinterpretation of Robert Frost's poem is The Road Not Taken has changed to The Road Less Travelled, whereby folks believe in one fork or path is better than the other. Evidently, that was not Mr. Frost's intention, as this poem was a sort of mockery at a friend's indecisiveness and choosing military service; and where because of his indecisiveness, in part, it caused his friend's swift demise. Therefore... for me/us, our interpretation is to simply not stand "forever" at the forks in the road. Don't be dwelling upon every shoulda, coulda, woulda... but, know who we are, stand firm in all we are, know what and who it is we want in our life, and be bold and brave enough to clearly and decisively tell them... not play games or "try to protect ourselves" from potentially being turned away, having our feelings hurt by being "rejected" which is never truly about us anyway... it's about each of us being who we are and feeling and living fully into ourselves being who we are called to BE and HOW we are called to BE. So much of life can be spent in riddles and going in circles; but, if we'd stop "spinning our wheels" and simply choose the fork that we are drawn towards... it is ALWAYS the right one, at the right time, going the direction for the life lessons we need in that timeframe. The roads are similar and may often go towards the same destination. It's all about the different lessons and scenery we'll see along the way. Some may have more waterside, some more rocky cliffs or terrain; but, it doesn't make one any less beautiful or worth taking. Our forks are the forks that spoke to us in each moment, new forks always arise... and one may eventually traverse towards the same path or road we chose not to initially take, if and when the timing is right for us. Until then, follow the fork or road of our heart's whisper... it doesn't ever steer us wrong. Even in the potholes along the way... there can BE BEautiful reflections in the puddles from any rain.

Road Not Taken

eddy gave Josh and me a rocking and  skanking organ/guitar track to get us started - this is what we came up with :)))))
Beats are from Looperman - many thanks to the creators!
WuTang Drums by mk12345 and CalmariaXBoom-Bap Drums by Zeth9

5ynt Dub - with eddyoffline and Entheogenic Psychonaut (Josh Clary)

Greed-OdinsLair

Cloudbursts Of Acid Rain
As the Planet is warming Acid rain and cloud bursts of Acid rain is becoming more frequent.
Electronic Track depicting this and the damage it is slowly causing

Cloudbursts Of Acid  Rain

Electronic M1567

Bonus track from the new album: Blink Twice - Other Locations [Expanded Edition]

https://moodexhibit.bandcamp.com/album/blink-twice-other-locations-expanded-edition

Other Locations was originally released in 1996 on the German record label Broken Seal. It was the first CD release from Blink Twice and the label's second release.
At the time there was a zine culture in electronic music, where artists would send their cassettes through the mail to different underground music zines for review across the globe. It was really the only way to get one's music heard.
After putting out numerous cassettes in the early to mid 1990s, Blink Twice had earned a reputation as a unique dark ambient artist in America.
www.discogs.com/artist/48238-Blink-Twice

The dark mysterious sound of Blink Twice resonated in European countries, with favorable reviews in the Slovakian zine Crewzine, the Belgian leading electronic magazine Side-Line, Phosphor, and Wounded magazine from Lithuania. Blink Twice was also featured in American industrial magazines Outburn and Industrial Nation, as well as sonic-boom
sonic-boom.com/review/blink.twice-1.html

The sound of Blink Twice earned comparisons to artists like early Delerium, Dead Can Dance, Nightmare Lodge, SPK, and some of the Cold Meat Industry roster from Sweden such as Raison d'etre, Morthound, and Deustch Nepal. Although generally classified under the genre of "dark ambient", Blink Twice utilized much more melody and percussion than most ambient. Many tracks display the melodic layering and tribal percussion that are showcased in some current Mood Exhibit material.

"Other Locations" is finally available here on the Mood Exhibit Bandcamp page, Robert Salchak's official distribution for all his music.
It includes a large selection of bonus material from the era (1993-1996) that was either never released or only available on cassette.

Hidden as the last track is an epic nearly 15 minute tribal ambient excursion that can only be described as Dead Can Dance era Spiritchaser" (1996) meets Delerium era "Spheres I"(1994)

It is an essential historic document for followers of Mood Exhibit, as well as any fan of dark ambient/neoclassical/tribal/cinematic sounds.

Electronic M1567

Boxy

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