Demo of the Korg Mr Multi FK-2 phaser/wah/double wah pedal. Track uses the riff of the Jean-Pierre Massiera/Les Chats Renaissance song "Bizarre". Two guitar tracks. Right track uses a Faustone Fuzz Unit and the Mr Multi in pedal/phaser mode, basically using it as a fixed or parked phaser. Left track uses a jerms Fuzzstainer and the Mr Multi set at double wah (phaser plus wah, first in auto mode, so the treadle controls the sweep of the LFO, then in pedal mode (solo at the end), so it's a kind of vocal/synthy wah. Recorded straight into GarageBand.

Korg Mr Multi JPM Bizarre Demo

Demo of an early 60s Airline 62-9013A amp, made by Danelectro for Montgomery Ward. Same amp as a Silvertone 1482 (made by Danelectro for Sears). Two 12AX7s in the preamp, 6V6s for the output. Tremolo is done with a 6AU6 and is really lovely. Guitar is a Harvester aluminium hybrid, recorded straight into an iPad.
Just strumming away and fiddling with the trem controls (intensity and speed) before settling into a pattern. That's my wife coming in at the end and spoiling a perfectly fine demo by telling me she's going out to buy cheese. Cheese. Really?

Airline 62 - 9013A Amp Tremolo Demo

A better quality demo of the Airline 62-9013A amp recorded into GarageBand with a Rode M1 microphone. Amp is channel jumped and pushed past 12 o'clock for some tube crunch. Track is "Reach Out I'll be There" with the arrangement ripped entirely from the great Lee Moses. Guitar on this one is the Harvester aluminium hybrid, with both pickups.

Reach Out I'll Be There Airline Amp Harvester Guitar Demo

A better quality demo of the Airline 62-9013A amp recorded into GarageBand with a Rode M1 microphone. Amp is channel jumped and pushed past 12 o'clock for some tube crunch. Track is "Reach Out I'll be There" with the arrangement ripped entirely from the great Lee Moses. Guitar on this one is a 67 SG Jr with the volume rolled back a touch. Settings on the amp are exactly the same.

Reach Out I'll Be There Airline Amp SG Jr Demo

Cover/condensed version of "Nasty Sex" by La Revolución de Emiliano Zapata recorded with GarageBand. Guitar is Harvester 41, amp is a 1970 VibroChamp, mic is a Rode M1. One clean guitar track, two fuzzy, both using a Jerms Supa MkI fuzz. Rhythm fuzz has the volume rolled back around 7 or so and uses the bridge pickup. Lead uses both pups with volume up full.

Nasty Sex Jerms Supa MkI Demo

Quick (and dirty) iPad recording of the Supa MkI with my late 70s Jen Cry Baby wah in front of it. Not the world's greatest wah (sweep isn't much) but, aside from the true-bypass switch, it's a straight-up Cry Baby. Recording ain't much either, just an iPad (using the built-in mic) on the floor by the amp, but it should give you an idea.
Guitar is a hybrid Harvester, amp is a VibroChamp.

Jerms Supa MkI Cry Baby Wah

Cover of an old Jay Robinson track. Guitar is a Harvester aluminium hybrid, amp is a Da Vinci/Magantone 413, through a Rode M1 mic straight into GarageBand. Idea was to show off the amp's vibrato. Two guitar tracks, one clean (panned left)with a nice does of vibrato. Second track (panned right) uses a Jerms Supa MkI fuzz box and just a little amp vibrato (because, why not?)Then it's just vocals and finger drumming on a wooden floor.

You Are Mine (Magnatone Amp Demo)

Demo of the mighty Bug Bear Violet Ram's Head fuzz box from Monolith Fuzz. Track is a cover of a righteous 1974 instrumental called "Paper Man" by a band called Jade.
Recording setup was guitar> Bug Bear> amp> Rode M1 mic> Garage Band. Every track uses the Bug Bear. Used two guitars, my aluminium Harvester and a Firebird, and two amps, a VibroChamp and a Da Vinci/Magnatone 413. I also used a Korg Mr Multi (phaser/wah) on one of the tracks (with the Firebird) an Endangered Audio Research AD4096 delay (you'll hear it) and an old DeArmond volume pedal on four notes in the middle.

Monolith Bug Bear VRH Paper Man Demo

Very quick iPad recording, Greco Les Paul into jerms FZ1 into VibroChamp amp to cop the fuzz sound from a 1969 Spider-Man cartoon.

HorseyBoy

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