Bien en retard, comme dhab. Mais jai ma tune du jour hehe :) bigga

Magic Un Grand merci 👌🏿👍🏿✌🏾

Brain Damage meets Harrison Stafford
"Liberation time"

To gain some grasp of the genesis of this new project, that may seem surprising at first, let’s address what both artists have in common, rather that what differentiates them. Internationally recognized masters in the styles, respectively reggae & dub, that they are developing in parallel for almost 20 years, without BDxHrSfrd_LiberationTimeCover never really meeting each other, the two protagonists strive to challenge their codes in an ever greater respect to their Jamaican roots: two decades furthering a relentless fight against musical orthodoxy, to the benefit of interbreedings that have always been major contributions to music — and arts in general — History. This is evidenced by jazz and Jamaican traditional music fusion in the case of Harrison Stafford, and notably with his amazing adventure with Groundation, as well as by Martin Nathan countless experimentations, over Brain Damage prolific discography, always digging in more unlikely and audacious directions.

From this unexpected collaboration will stem « Liberation Time » album, an LP that will delight many fans of the two artists’ works, all what builds theirBrain Damage meets Harrison Stafford respective uniqueness being there so well intricated. Harrison Stafford unique voice supports, in a most elegant way, the delivery of a uniting message focused on self-empowerment through music and his universalist vision of Rastafarian faith. Brain Damage writing and production, on the other hand, appear always more subtle and personal, intellectualized yet visceral. Solid compositions, hit melodies and classy dub effects are among assets that will undoubtedly confirm « Liberation Time » as one of the most accomplished collaboration project of this year.

Brain Damage meets Harrison Stafford : "Liberation time"

Rocking Ship

Rocking Ship (feat. Alpha Steppa)

JEAN-PAUL DUB - FUCK WARS !!! - RMX Business Of War (Pupajim - Stand High Patrol ft Charlie Chaplin)

Obeah - Khöömei

Under Mi Sensi Remix By Digital Seal.
Under mi Sensi / Barrington Levy
Free Download.
2016

Under Mi Sensi Remix

first extract taken from the upcoming album
"Liberation Time" to be released on 20.10.2017
www.brain-damage.fr
www.harrisonstafford.com
----------
Liberation time

To gain some grasp of the genesis of this new project, that may seem surprising at first, let’s address what both artists have in common, rather that what differentiates them. Internationally recognized masters in the styles, respectively reggae & dub, that they are developing in parallel for almost 20 years, without BDxHrSfrd_LiberationTimeCover never really meeting each other, the two protagonists strive to challenge their codes in an ever greater respect to their Jamaican roots: two decades furthering a relentless fight against musical orthodoxy, to the benefit of interbreedings that have always been major contributions to music — and arts in general — History. This is evidenced by jazz and Jamaican traditional music fusion in the case of Harrison Stafford, and notably with his amazing adventure with Groundation, as well as by Martin Nathan countless experimentations, over Brain Damage prolific discography, always digging in more unlikely and audacious directions.

From this unexpected collaboration will stem « Liberation Time » album, an LP that will delight many fans of the two artists’ works, all what builds theirBrain Damage meets Harrison Stafford respective uniqueness being there so well intricated. Harrison Stafford unique voice supports, in a most elegant way, the delivery of a uniting message focused on self-empowerment through music and his universalist vision of Rastafarian faith. Brain Damage writing and production, on the other hand, appear always more subtle and personal, intellectualized yet visceral. Solid compositions, hit melodies and classy dub effects are among assets that will undoubtedly confirm « Liberation Time » as one of the most accomplished collaboration project of this year.

Liberation Time

Rebel Music

extracted from the upcoming album
"Liberation Time" to be released on 20.10.2017
www.brain-damage.fr
www.harrisonstafford.com
----------
Liberation time

To gain some grasp of the genesis of this new project, that may seem surprising at first, let’s address what both artists have in common, rather that what differentiates them. Internationally recognized masters in the styles, respectively reggae & dub, that they are developing in parallel for almost 20 years, without BDxHrSfrd_LiberationTimeCover never really meeting each other, the two protagonists strive to challenge their codes in an ever greater respect to their Jamaican roots: two decades furthering a relentless fight against musical orthodoxy, to the benefit of interbreedings that have always been major contributions to music — and arts in general — History. This is evidenced by jazz and Jamaican traditional music fusion in the case of Harrison Stafford, and notably with his amazing adventure with Groundation, as well as by Martin Nathan countless experimentations, over Brain Damage prolific discography, always digging in more unlikely and audacious directions.

From this unexpected collaboration will stem « Liberation Time » album, an LP that will delight many fans of the two artists’ works, all what builds theirBrain Damage meets Harrison Stafford respective uniqueness being there so well intricated. Harrison Stafford unique voice supports, in a most elegant way, the delivery of a uniting message focused on self-empowerment through music and his universalist vision of Rastafarian faith. Brain Damage writing and production, on the other hand, appear always more subtle and personal, intellectualized yet visceral. Solid compositions, hit melodies and classy dub effects are among assets that will undoubtedly confirm « Liberation Time » as one of the most accomplished collaboration project of this year.

Raw Talking Rebels

Available on 7" vinyl at https://batrecords.bandcamp.com

First vinyl release of Bat Records, Dub Shepherd's fine version of classic italian revolutionnary song "Bella Ciao" from 1951. 
Includes clean dub version for DJ's and MC's pleasure.

Original track by an unknown poet, Italia 
Version by Dub Shepherds & The Unique Horns : 
Alexandre Lafforgue (Trompette), Marco Gravejat (Sax, Trombone), Robin Mialier (Flute)
Drums : Jocos
Bass : Papé
Guitars : Prince Charty
Keyboards : Fabien Charbonnnier

Mixed at Bat Records
Mastered at Number One Foundation Studio with great help of JAHNO

Bella Ciao [BAT RECORDS 7 " BAT001A]

https://lnk.to/ConqueringSound-SpeedItUp-EP
Conquering Records new production.
Available on 12' vinyl, October 12th 2018

00:00 Spectacular [Speed It Up]
01:24 Jo Welders [Speed It DUB]
02:12 Mahom [RMX part.1]
03:00 Ashkabad [RMX part.2]

https://www.conqueringsound.com/
https://www.facebook.com/conqueringsound/
https://instagram.com/conqueringsound

Speed It Up

Spee it Up

Megamix Speed It Up / Spectacular - Mahom - Ashkabad - Jo Welders [Conquering Records]

Faya Vibration

Rakoon - Maybe I'll Go To Hell But You're Coming Too (Art-X remix)

DUBPL8002

Glory to the Dub (feat. Awa Fall)

Fever

... 𝟮𝟬+ 𝘆𝗲𝗮𝗿𝘀 𝗼𝗳 𝗱𝘂𝗯 & 𝗲𝘅𝗽𝗲𝗿𝗶𝗺𝗲𝗻𝘁𝘀 ...

𝗡𝗲𝘄 𝗮𝗹𝗯𝘂𝗺 '𝗕𝗿𝗮𝗶𝗻 𝗗𝗮𝗺𝗮𝗴𝗲 𝗺𝗲𝗲𝘁𝘀 𝗕𝗶𝗴 𝗬𝗼𝘂𝘁𝗵' : "𝗕𝗲𝘆𝗼𝗻𝗱 𝘁𝗵𝗲 𝗕𝗹𝘂𝗲" 𝗼𝘂𝘁 𝗠𝗮𝘆 𝟮𝟴𝘁𝗵 𝟮𝟬𝟮𝟭


With more than 14 albums and 750+ concerts behind him already, Martin Nathan ventures for 20 years now, into many artistic and stylistic experiments, under the name of Brain Damage.

Acclaimed as one of the founders of the French dub scene in the late 1990s, he soon appears as a major influence for a whole generation of musicians. But the artist is definitely not among those who forever rest on the models he founded, and he constantly reinvents himself, as his myriad projects flow, especially multiplying always more prestigious collaborations with figures like High Tone (fr), Vibronics (uk), Horace Andy (Ja), Harrison Stafford (usa), or Big Youth (jam) more recently.

Along with his many productions, it is also with his truly live and explosive performances, that Martin Nathan has grown a solid reputation throughout the international scene, and it is exceptionally rare to see an artist celebrating his 20th career anniversary, with so much vitality and creativity.

Rebel Music

Brain Damage

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NBR8

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