DYAMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNNNNNN

yeah yeah!!!

With less the 2 weeks until "Drown Out" is released on Anticon and today celebrating 15 year's anniversary of the label in Los Angeles' Echoplex here is Music Concrete.

The title, a play on the term for found sound features Chris Alfaro (of Free The Robots) and Phil Nisco skateboarding. I find the noise of which is speed incarnate. The sidewalk's texture, ollies and grinds, all evocative of a controlled fall. The track is that, barely holding on, crashing along, but also unabashedly free.

Drown Out is released on September 17th

http://www.anticon.com/item/drown-out

Music Concrete

J£zus Million's Error EP is out now on The Full Hundred.

Buy: goo.gl/9ewukq

Taught to Run: www.youtube.com/watch?v=cG3cm6m46fU

Taught to Run

Taught To Run (Magical Mistakes remix)

Alvaro & Wiwek - Fire OUT NOW on Dim Mak Records!!
iTunes: http://smarturl.it/fire_i
Beatport: http://smarturl.it/fire_b
Spotify: http://smarturl.it/fire_s

Renowned dutch DJ/producers Alvaro and Wiwek form an alliance to deliver “Fire.” The track features a dark beat, piercing synths, and poignant chord progressions that will burn up club dance floors worldwide.

@djalvaro
- facebook.com/alvaro
- twitter.com/djalvaro
- instagram.com/alvaro

@wiwek
- facebook.com/wiwekdj
- twitter.com/wiwekdj
- instagram.com/wiwekdj

Alvaro & Wiwek - Fire

R3hab vs Skytech & Fafaq - Tiger is out on beatport! http://bit.ly/tiger-bp 

R3hab vs Skytech & Fafaq - Tiger [OUT NOW]

Pre-order it here:  http://bit.ly/SSLegendsPRE

Shell Shock Legends

The OG

Downlink & Terravita - The OG

Taken from the album 'Portraits' released 1st June 2015 on Counter Records. 

Hype Machine: http://awe.sm/s94Wy

Buy 'Portraits' from:

iTunes: http://found.ee/portraits-it
Ninjashop: http://found.ee/portraits
Bandcamp: http://found.ee/portraits-bc

Follow us on:

Facebook: www.facebook.com/mariboustate
Twitter: twitter.com/mariboustate
Instagram: instagram.com/mariboustate
Spotify: bit.ly/1ITgYsF

http://counterrecords.com/

The Clown

HYPE MACHINE

'The Clown' ft. Pedestrian

Noisia Store: http://noisia.nl/store (digital / 2 x 12" vinyl)
iTunes: geni.us/INVSB013
Beatport: http://btprt.dj/1GV5XGa 
Spotify: http://sptfy.com/9S9
YouTube: http://youtube.com/invisiblerecordings  


Taken from the Invisible 013 Various Artists EP feat. Lockjaw, Subtension, Current Value and Survey.
Release date: May 4th.

@surveybeats
fb.com/surveydnb
twitter.com/surveyberlin

twitter.com/invisiblerecs
fb.com/invisiblerecordings
youtube.com/invisiblerecordings
open.spotify.com/user/invisiblerecordings

Invisible 013

The Hunter

[Order: Digital/Vinyl]

Survey - The Hunter (OUT NOW) [INVSB013]

Botany, 'Dimming Awe, The Light is Raw' out September 18th on Western Vinyl

Bandcamp: https://botany.bandcamp.com/album/dimming-awe-the-light-is-raw
iTunes: http://hyperurl.co/qzgj6u

Botany:
Artist Page http://westernvinyl.com/artists/botany
Facebook https://www.facebook.com/BotanyMusic
Twitter https://twitter.com/botanymusic

Under the Botany moniker, Spencer Stephenson creates rich psychological and emotional experiences through audio. When he started creating his own music at age 15, he was enamored with Four Tet, Stars of the Lid, Madlib, and Dilla.  In his late teens, he went through a heavy period of discovery with Psychedelic rock, Krautrock, and Brit-folk. "I started imitating a lot of those forms in my own music, sampling them sometimes, recording from scratch sometimes, but really just trying to bridge a gap between those worlds and sample-based hip hop, and I’m still trying."

On his latest effort Dimming Awe, the Light is Raw, the 27-year-old producer and composer continues dissolving the borders between his disparate-yet-beloved psych, hip hop, and ambient influences.  Unlike his debut LP Lava Diviner, which peaked and valley-ed through a narrative arc, Dimming Awe focuses on the artist's ever-unfolding, present state of mind.  As a former jazz student, spiritual/free jazz philosophy regarding what he calls “emergent” music has increasingly become a guiding light when he creates.  "The more emergent I let my music be when I'm making it, the more I like the result, it feels like a truer reflection.  I feel like I am getting closer to doing that with computer-made music," he says.  "This album is a document of what I do, not a statement in any explicit way. I feel like I'm moving closer to a jazz underpinning that I've always felt, philosophically more than aesthetically…making music feels more like exhaling as I grow older.”

Botany - "Jotu"

zonedout - GLITCHED TROJAN (prod. phntmzn bR)

Wien Pt 1

Download: https://www.xlr8r.com/mp3/2016/10/kiruma-silver-skull/

@KirumaJackson
@blackxmarble

Volume 5 [via XLR8R]

Download

Download: Kiruma - Silver Skull

Download: https://www.xlr8r.com/mp3/2016/11/scarper-lacuna-jani-r-remix/

@janirmusic

Lacuna [via XLR8R]

Download: Scarper - Lacuna (Jani R Remix)

can you believe how good this is ???

i'm a lucky man :)


http://soundcloud.com/deft/spotlight

CF 2191 (Deft Remix)

Buy / Stream: https://KidKoala.lnk.to/io
Catch Kid Koala on tour: http://kidkoala.com/upcoming-events/

Kid Koala’s Music To Draw To: Io is the second volume in the legendary scratch DJ’s transportive ambient-vocal collaboration series. Inspired by music that allows space for the listener’s own ideas, the Music To Draw To series is an unfolding universe of wintry soundscapes and enchanting vocal journeys. Io is a constellation of electronic meditations that glint with the otherworldly blues of singer Trixie Whitley on six of its eighteen songs. Heartrending poetry once again written by Kid Koala channel the turbulence of the modern global psyche using the Greek mythology of Io, an unwilling mortal lover of the god Zeus, as its compass. Transcendently personified by the force of Trixie Whitley, Io is a vivid universe of brilliant characters and inimitable voices. Written and performed entirely by Kid Koala a.k.a. Eric San on an array of synthesizers, including the trove of rare instruments at Calgary’s National Music Centre, Music To Draw To: Io reveals layer-by-layer what Whitley describes as “the bottomless depth of Kid Koala as a thinker, creator, and artist, with the incredible ability to invent new artistic dimensions, and fill them with uncanny characters.”

Music To Draw To: Io

BUY 2LP Vinyl

Circle of Clouds

In anticipation of the release of his debut full-length album Breakthrough, the Gaslamp Killer offers a taste of the ominous urgency that infiltrates his sound with “Flange Face / Seven Years of Bad Luck for Fun.”

“Flange Face (with Miguel Atwood-Ferguson)” rattles into being from a scratchy dissonance and soon descends into a distorted, doom-filled drama. Twisted with tension and hemmed in by a smack of solemn strings, the track operates on a frequency of pure horror. “Flange Face (Low End Theory Edit)” takes it to the club, a bass-heavy gut puncher stripped down to the beats.

With loose drums and a rash of razor-covered synths, “Seven Years of Bad Luck for Fun (with Dimlite)” unsettles into a bath of cold shudders. Inky shadows lurk just beneath the surface, dark reflections of the monsters that are strung between the beats.

Suggestively sinister, the Gaslamp Killer’s latest release is a glimpse of the artist’s contorted sonic landscape, a frightening world of chattering evil and chills that bite into the spine.

The Gaslamp Killer - Flange Face (with Miguel Atwood-Ferguson)

Rainer Veil are Liam Morley and Dan Valentine, two friends who met while studying contemporary music in the north of England. The pair began improvising and making drones in a dark basement before incorporating a broader palette and forming Rainer Veil as an ongoing concern last year. ‘Struck’ is their first EP and debut for Modern Love, following an appearance at the label Boiler Room takeover in August 2012.
The ‘Struck’ EP incorporates recordings made over the last year and extends from the rewired Jungle ruckus of the title track to the more emotive formation of ‘Wade In’ and ‘Bala’, through to the hazy closer ‘Yield’. There’s a melancholy pop pulsing at the heart of these tracks, coloured by a love of electronic mutations from UKG and Hardcore rave to House and Techno, most evident in the unusual recording process undertaken while constructing the EP. Each track was re-worked from radically different first drafts, often starting life as more recognisable and structured songs before being dismantled into more abstract shapes: percussion degraded and layered, vocals fed through analog delays, samples reworked at the wrong speed and re-sampled to tape for added warmth: the narrative all mixed up.

The Gaslamp Killer - Flange Face (with Miguel Atwood-Ferguson)

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