Name: J.R.R. Tolkien read from "The Hobbit" by brainpicker in ادبیات
Duration: 9 min 50 s
Description: Background, context, and more: http://www.brainpickings.org/2015/08/06/tolkien-reads-from-the-hobbit/

ادبیات

396 Hz ❯ LET GO of FEAR ❯ Remove NEGATIVE BLOCKS ❯ Marimba Meditation Music.m4a

Chicago Symphony Orchestra
Riccardo Muti, conductor
Robert Chen, violin

Muti, Chen & Mozart Gran Partita - Broadcast

Background, context, and more: http://www.brainpickings.org/2015/08/06/tolkien-reads-from-the-hobbit/

MORE / STORY

J.R.R. Tolkien read from "The Hobbit"

My full medieval album: https://soundcloud.com/pianissimo/sets/vox-populi
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General Track Notes
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"Vox Populi" is a latin phrase meaning "voice of the people". The name of the song, combined with the image chosen, are meant to serve as a reminder to leaders that their power is not absolute and that the will of the people can only be ignored for so long.

Since I started composing two years ago, medieval influences have formed the backbone of nearly all of my ethnic pieces. That being said, up until this time only once have I attempted to compose a piece that not only conjured up images of medieval times but sounded as though it might have actually been composed during that time frame. In my opinion, that piece, www.soundcloud.com/pianissimo/ad-domum-dei, is one of my best ... though I personally feel that this second attempt at the medieval genre has eclipsed the first. Hopefully you all will agree :)

My sincere thanks for listening!

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Instrument Discussion
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This track, like so many of my medieval-influenced pieces features a hurdy gurdy that supplies both a steady drone and the characteristic rhythmic buzzing that makes that instrument so unique. New in this track though is my usage of that same instrument's melodic functionality. You can hear it playing during the choruses and it's most easy to hear it when it initially joins in at 0:20. 

Also new in this track is my usage of a Chriminia (which plays during the choruses). You might mistake it for a bagpipe as it is also a reed instrument, but the tone and style differ somewhat. That instrument lent itself well to the somewhat "eastern" medieval vibe I wanted to achieve in this track.

The plucked instrument you hear is a Gittern, which I use pretty frequently in my ethnic tracks. Meanwhile percussion is supplied by many of the usual suspects: tambourines, frame drums, snares and hand drums.

Vox Populi

Mash up for Sahar
June 20th 

(Barahani,Howard) collage
تمرکز نشئه | لوک هوارد ,رضا براهنی

چقدر و چند ازين پرنده ها بغلت داري بپروازان همه را من آمده ام
آماده ام
از آسمان کاغذ خالي ميبارد آغشته کردي آغشته مرا به خون خود بپروازان حالا
کاشکاش آمد کلاغ هاي جهان نيستند و آسمان ميباراند روح تو را بر روي من
چقدر و چند ببينم و هيچ گاه سير نشوم
مي آمده اي انگار با غنچه ها از گوش هايت هر چه با چشم هايم تو را بخورم سير نميشوم
بسيرانم
بگو بپرانُنُدم و دور تو چرخانُنُدم و دامن هايت را به تکان بريزانم من ـ ميوه هايم را
که پيش مرگ تو باشم که بوي گردن آهو را بپيچانم به جانم که پيشِ پيش مرگ تو باشم
ب ي شکسته با الفِ قد تو ميرقصد حالا همه کلمه آن تو ميان من بالاي ما
چقدر و چند ازين چيزها بغلت داري چقدر و چند
به خودت او گفتي مرا به او در خيالش بغلتان که خوابش با خوابم آيد
حراميان رؤياهايم را بيدار کن که دروازه هاي زمان باز شده زن و زمان و زبان همسفر
و شهر را خبر نکن که جنونش بر سطح رنگ ميسايد جنون من نگراني است
مرا به روي انگشتت بچرخان بچرخانم بچرخانممان که هر دو بيماريم
به کجا که برگردي کجا آن کجاست کجاهم نيست
در نهاد زن و شاديِ او اوييدن
به گردن خود ببوسانم از کجاهايم به ساحل آمده ام حتي هنوز هم غرق طراوت نامت
يارم نباش، خودت باشم خودم باش خود پيش مرگ تو بودن
خبر کن موسيقي را که گرههاي انگشتانت به ماه گره خورده اند
که ناخنت هلال ماه شده چيزي نيست هلال و ماه در شب واحد بودي چيزي نيست
مرا به سود خود بتابان بچين، رسيده و نرسيده بچين و پنجره را باز کن
جهان به سود جهان است ببيندت حالا بچينم
برو به هوا، به هواي اين که من از پشت پا نگرانت شوم
و آمدي که بيايي بيا و چنگ وار منحني ام را بگير و باز بغل کن بزن که بخواند
بِدُم به من بِدُم پهلوهايت را و شانه هايت را
بِوُزانم بتوفانم و برنگردانم و هيچم کن که هيچ نداندمان
و شهر را خبر نکن که اين که من گويم جنون نداند
و يادگارم کن به ديوارهاي هيچ و بنويسانم
و بگو ديوارها را به زير پاهايت دراز کنند
خود را به سوي آسمان مثل هميشه ها بدرازان کسي نداندمان, من آماده ام.

چقدر و چند ازین پرنده‌ها بغلت داری

Gregorian Chant

Ave Maris Stella (Gregorian Chant - Roman Liturgy)

"Hail, Star of the Sea": The most popular of several chant settings of the medieval text  found in 9th-c manuscripts (text of unknown authorship, variously attributed to St. Bernard of Clairvaux, St. Venantius Fortunatus, or Hermannus Contractus).

Sung by Rebecca Górzyńska

This recording can be found as a video on my YouTube channel: https://bit.ly/2KtB1Sg
Text and musical notation: https://bit.ly/2rkI5Ze
Info and translation: https://bit.ly/2JSfCRE

"Hail, Star of the Sea
Blessed Mother of God
and Ever-Virgin
Happy Gate of Heaven..."

Ave Maris Stella (Gregorian Chant - Roman Liturgy)

This is a segment from Compline (or: Evening Prayer) for Friday, sung in Latin by Ralph Oballo and some parts sung with Andrew Ulicki.

Compline for Friday (Chanted)

Composed by Sascha Knorr 2018 All Rights Reserved
Production & Mix: Sascha Knorr

Produced with virtual instruments from StrezovSampling.com

Christmas Lullaby

داستان خانه سنایی
نویسنده و خوانش: احسان عبدی پور
میکس و مستر: مهدی ستوده
صدابردار: سیامک شاه کرمی
تهیه کننده: دیالوگ باکس

DialogueBox;

DialogueBox - The House in Sanaei

J.R.R. Tolkien reading from The Lord Of The Rings: The Fellowship Of The Ring, book 2, chapter I: Many Meetings A Elbereth Githoniel!

This clip is written in Elvish.

To buy the audiobook of The Lord of The Rings, read by Rob Inglis, click the buy link.

J.R.R. Tolkien reading in Elvish from The Lord Of The Rings: The Fellowship Of The Ring

منی که دست ندارم - رضا براهنی

Basilica Schola
Basilica of St. Patrick's Old Cathedral, New York
Advent Concert
Live, 12/16/12

J.R.R. Tolkien read from "The Hobbit"

brainpicker

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