Bleep 100 Tracks 2023

Labyrinth

ITSAME

ad interim

One year on from their debut, Rainer Veil explore deep, brittle rave variants on their 2nd EP for Modern Love. The five tracks of 'New Brutalism' are a product of their Northern environment, making pointed reference to the kind of deep-rooted rave heritage documented in Mark Leckey's 'Fiorucci Made Me Hardcore' soundtrack through a prism of angular, vulnerable club music. Conceptually, It adopts a similar perspective on British nightlife to Burial or Lee Gamble, surveying the 'floor as if during an out-of-body experience or through closed eyes from a corner of the club at 5am. Opening track, 'UK Will Not Survive' captures that sensation beautifully with its tape-saturated layers of wistful vocal, woody 2-step and daubs of Reese bass, whilst 'Three Day Jag' isolates that curious blend of hedonism and introspection innate to early UK 'ardcore, albeit without the narco-sweats. Closing number 'Run Out' doffs a cap to grey building sites and strobe-lit clubs alike, channelling diffuse field recordings and half-heard breakbeats with a bleary-eyed, tired and emotional quality.

UK Will Not Survive

Millie & Andrea are Miles Whittaker and Andy Stott, fellow labelmates at Modern Love who collaborated on an occasional series of 12” releases between 2008 and 2010. It’s been four years since we last heard from them but they now return with “Drop The Vowels”, their debut album. Produced fast and loose through late 2013 / early 2014, it’s an album that recalls the strict and stripped funk of Anthony Shakir as much as it does Leila’s incredible debut ‘Like Weather’, eschewing the dark aesthetic both producers are best known for in favour of something much more visceral. It’s an album borne from a love of both pop and club music, made to evoke an adrenalised, hedonistic, as well as an emotional response.

Opener GIF RIFF brings to life a Gamelan edit stripped bare before the over-compressed ‘Stay Ugly’ breaks out with a tumbling, broken arrangement situated somewhere between Richard D James and Jai Paul. “Temper Tantrum” and “Spectral Source” follow, versions of tracks originally released on the second and third Daphne EP’s respectively, the former a rugged rave anthem tempered by blue strings, the latter a proper dancefloor destroyer recalling Shake’s mighty ‘Madmen’. ‘Corrosive’ flits between a fillibrating, arpeggiated steppers rhythm and a brutal jungle breakdown, while ‘Drop The Vowels’ further explores and strips bare bass & drums before the slow but jacking warehouse killer “Back Down” provides pure percussive abandon. Quay ends the set with something quieter, a sublime coda made entirely from field recordings.

Spectral Source

Royal Wavetable Mellodies & Old TDKs

good endgar

It Must Change

It Must Change (feat. Antony and the Johnsons)

Till The Sun Down

'Push Power ( a 1 )', out now on Ninja Tune: https://actress.lnk.to/push-powerSo

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Push Power ( a 1 )

Blast of Sirens

Moonday

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Hydra

Notturna

crush my bones (REAP MY SOUL)

DESPEDIDA

2nd track on 'Intact' (Jj funhouse, 2016)
http://www.jjfunhouse.com/catalogue/jj010

Data

It's Ok (RICKY TRAVOLTA Compilation)

Abstract Thought - Bermuda Triangle

My EP comprised of a few old tracks "Royal Wavetable Mellodies & Old TDKs" is getting a vinyl release on FILM Check it out here:
https://futureislisteningmusic.bandcamp.com/album/royal-wavetable-mellodies-old-tdks

good endgar

Brainwaltzera

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