Name: Threshold HouseBoys Choir - Cap Rot Taxi by brainwashedcom in ambient
Duration: 8 min 2 s
Description: An exclusive track recorded for Brainwaves 2008 by Peter Christopherson as Threshold HouseBoys Choir.

beautiful stuff. still hard to process the fact that there will never be more.

wow!! would be great if you could release it for download!!

Peter is one of the most genius in contemporary music of all time.....

HE has the ability to make everything make sense - Bless him in the eternal xxx

our beloved sleazy..may he rest in eternal peace!thank you brainwashed!

ambient

release on 16 April 2021 : https://bit.ly/3sprFeO
@lilvica

Fibre-Fusion is Vica Pacheco's second full-length album, following Symplegmata, released on the Belgian label KRAAK in 2020. It continues her work on mutation and the energies that are released from new forms of life. Mexican artist, now based in Brussels, Vica Pacheco combines archaic and technological elements to create a mythology of invisible spheres.

Vica Pacheco - Oruga

BUY NOW: https://leftalonelondon.bandcamp.com/album/everything-was-supposed-to-be-so-easy

TITLE: Various Artists - Everything Was Supposed To Be So Easy
Artwork by Peter Sutherland / Design by All Purpose
Format: Cassette
CAT: ALONE001
Mastering: Rupert Clervaux
Release Date: 25th May

Side A
from here on it's all - Vincennes
Malvern Brume - Broken Bow
Lathe Burin - Rosemarie & the Rhododendron
Malvern Brume - Tarmac Shakes Into New Shapes
Primitive Structures - Seasalt
Great Area - Over Again
No Vacancy - 0

Side B
Lathe Burin - Toothpick Splinter
Blic - Darkout (Instrumental)
Polido - Twig (Live @ Damas, 6.4.18)
Max Scholpp - 420 Hansa Malz
Gamba - County
Conrad Pack - Putting Down The Dog

Everything Was Supposed To Be So Easy

VA - Everything Was Supposed To Be So Easy (Preview)

Une Synchronisme ou Barbarie composée à 12 mains sous le signe de Vénus ce mois-ci : 2h de mix pour onduler avec Erika de Casier, Lolina, Leslie Winer, caro♡, Tirzah et bien d'autres...

@annamykonos, @flytodef, @sophie_sumire, boule2crystal, miniature

LYL Radio | Synchronisme ou Barbarie - Gurlz special ♀ | 22.02.2022

Thanks Radio Poison & Simple Music Experience for the invit. Blessed. <3 
-> https://lyl.live/episode/radio-poison-53
@violentquandonaime
@radiantepourpre
@simple-music-experience
@panoptique

LYL Radio / Radio Poison with Le Syndicat des Scorpions

Accession - amekcollective.bandcamp.com/album/accession

Accession

Vinyl / Digital

Ensemble podcast 010 by Marina Herlop, a conservatory trained composer, vocalist and pianist Marina Herlop began her career by giving a contemporary flair to compositions from Debussy and Chopin, tipping her hat to the canons of the romantic era.
The nature of our current time, amplified by social media and pop culture, has generated a concept of the artist as a winner or idol. In order to legitimize themselves, musicians are exhorted to follow ‘celebrity canons’: having a flashy image or making flashy music, being charismatic, being successful. The creative process is often seen as esoteric and associated with cryptic and vague concepts such as ‘inspiration’, ’talent’, ‘expression’ or ‘freedom’, so it seems music is created magically, in a spontaneous way. As a reaction to this phenomenon, the interview excerpts in this podcast come to remind us that the music profession still consists for a lot of us on a profound devotion. Parallelly, the tracks chosen for this podcast also resonate with this idea. This music arouses admiration and interest precisely because it doesn’t look like a desperate claim for attention but a beautiful consequence of this commitment with something pure that comes from a superior order. The popularity or circumstance in which the artist lives is something absurd in comparison to what is laying in the realm they can enter when they make music.
ensemble is a collection of original sound creations, building new collective imaginaries. With ensemble, artists takes a look at the state of the world and bears witness to the changes in our contemporary society. As a collection, this ensemble of sound creations and personal narratives invites us to listen and to share. It designed to construct a common referential and a new collective set of imaginations.

Ensemble, podcast

Ensemble podcast 010 by Marina Herlop [26.05.2022]

Maria Sommerville X Radio SUNNEI

Jettin' planets

zmeigarenich

[bleak029] - VA - Why Be Blake When You Can Be Bleak? --- Coil - Manifesto

Christoph Heemann
Edward Ka-Spel
Phil Knight
Andreas Martin

Cover artwork by Monika Kwiecinska

What it is that defines a supergroup? The fame of it's members, but I'm sure out there there are enough people who never heard of Edward Ka-spel, The Silverman, Andreas Martin, Christoph Heeman and Jim O'Rourke, yet from my perspective some of them gained real fame with whatever they are doing and their supergroup is therefore Mimir. Not that they are very active, since their releases in the last fifteen or so years can be counted on the fingers of one hand. Earlier this year they played a very rare gig, in Antwerpen, Belgium, guesting also Timo van Luyck (Af Ursin). The whole proceedings where captured on video and come on a limited DVD-R with this 7". The 7" captures two tunes, albeit very short, but a great showcase of Mimir's music, which is the sum of many influences: the krautrock psychedelia of The Legendary Pink Dots, the minimalism of Andreas Martin's guitar playing and the deep drone works of Mirror. The a-side is more Mirror and the b-side more Pink Dots. Two sides of the same coin. How they come together is best witnessed while viewing the DVD-R of the concert. Slowly it builds up through a web of drones, then slowly adding a rhythm and a counterpart of it, and an acoustic guitar slides in. Everybody is full on concentration and seeing your heroes sweat is always a good thing! - Frans de Waard, Vital Weekly

Brainwashed continues its 7-inch single series with an alluring slab of thick clear vinyl featuring two untitled pieces by Mimir (Edward Ka-Spel and The Silverman aka Phil Knight of The Legendary Pink Dots, Christoph Heemann, Andreas Martin, and Jim O'Rourke). Side one adopts an improvised psychedelic-folk feel as droning ripples segue into metronomic clicking pulses and Indian hand-drum rhythms overlaid by acoustic strums. More atmospheric by comparison, the other side is a haunted drone of peaceful thrums, swooping electronics, and natural field noises (moans and bird sounds). As befits its single status (though hardly characteristic of the drone genre), be aware that, while each piece conceivably could last a half-hour or more, Mirmir keeps them short. Still, get it while you can, especially when the first fifty pre-orders come with a DVD-R containing footage of the first Mirmir show recorded in Antwerp in February 2005. - Ron Schepper, Textura

Taken from a session recorded a few years back, itís difficult to pinpoint exactly who did what with which black box (Mimir's membership includes Christoph Heemann, Edward Ka-Spel, Andreas Martin, Phil Knight and Jim OíRourke) on this serving of quality single tone drone. Some milky shuddering movement in the aural undergrowth reveals distant pealing bells from some Shyamalan village just beyond the artworkís moody snowbound wood. Turning over, and again untitled, Mimir introduce a slow burning smattering electronic clicking that builds into a looking glass hip-hop beat with metal percussive touches. Mooring it even closer to convention is the growling buzzing sounds that are budged step by step into an unambiguous melody. - Scott McKeating, Stylus

Mimir, untitled side a

Tom Waits (on Jim Wilson): "Wilson, he's always playing with time. I heard a recording recently of crickets slowed way down. It sounds like a choir, it sounds like angel music. Something sparkling, celestial with full harmony and bass parts - you wouldn't believe it. It's like a sweeping chorus of heaven, and it's just slowed down, they didn't manipulate the tape at all. So I think when Wilson slows people down, it gives you a chance to watch them moving through space. And there's something to be said for slowing down the world."

Source: "Woyzeck to run at Freud Playhouse". Daily Bruin (USA), by Andrew Lee. December 3, 2002

Find more on the recording on this link: http://www.democraticunderground.com/10023815586

Tom Waits on Tom waits talking about this recording - http://gloriousnoise.com/2008/tom_waits_interviews_tom_waits

More on the recording - http://hearingvoices.com/transcript.php?fID=142

You can buy original recording here - http://www.amazon.com/Gods-Chorus-Crickets-Jim-Wilson/dp/1932192077?tag=viglink124132-20

Original recording from the author - http://www.constancedemby.com/godscricketchorus_f.html

And more: http://scienceblogs.com/startswithabang/2013/10/13/weekend-diversion-is-this-an-amazing-chorus-of-slowed-down-crickets/

Jim Wilson | God's Chorus of Crickets | crickets audio recording slowed way down

An exclusive track recorded for Brainwaves 2008 by Peter Christopherson as Threshold HouseBoys Choir. 

Threshold HouseBoys Choir - Cap Rot Taxi

À l’occasion de son exposition au Studio, Estelle Hanania invite le musicien et compositeur américain Stephen O’Malley à réaliser un programme radiophonique conçu spécialement pour la MEP, à partir des bandes son qu’il a conçues pour les pièces chorégraphiques de Giselle Vienne. 

Estelle Hanania et Stephen O’Malley poursuivent ainsi une collaboration de plusieurs années, qui a notamment donné lieu à la sortie du vinyle Eternelle Idole en 2015 et du vinyle The Pyre en 2019 aux éditions Shelter Press.  

Stephen O’Malley est un guitariste, producteur, compositeur et artiste visuel né en 1974 dans le New Hampshire (Etats-Unis). Il a participé depuis 20 ans à la fondation de nombreux groupes incontournables de drone doom, metal, musique expérimentale – SUNN O))), KTL, and Khanate comptent parmi les plus emblématiques. Particulièrement prolifique, l’oeuvre de  Stephen  O’Malley se caractérise par son ampleur, sa complexité, son approche expérimentale et minimaliste, son interdisciplinarité. 
Il collabore avec des artistes de tous horizons tels que le musicien et compositeur Scott Walker, la chorégraphe et metteuse en scène Gisèle Vienne, les auteurs Dennis Cooper et Alan Moore, le compositeur Alvin Lucier, le sculpteur Fujiko Nakaya, le cinéaste Jim Jarmusch, et avec les instituts de musique électronique IRCAM, INA-GRM (Paris), EMS (Stockholm). 

Artiste de scène incontesté, il ne cesse d’effectuer des tournées depuis 2003. Ses concerts en live sont une brume de réverbération née du minimalisme d’une guitare électrique, une sorcellerie sonore qui défie les frontières de l’espace et du temps.


Programme radiophonique réalisé par Stephen O’Malley pour l’exposition « It’s alive ! » d’Estelle Hanania à la MEP. Sélection de bandes sons des pièces chorégraphiques de Giselle Vienne qui ont été photographiées par Estelle Hanania. 

Durée : 2h43min45s

Titres des morceaux : 
Sexy Angel / This is how you will Disappear 2010
Glass X / The Pyre 2013
Hit / The Pyre 2013
Eternal Idol / Arrival of The Trainer / Eternelle Idole 2009
Lampshade / Crowd 2017
Last Spring / Last Spring: A Prequel 2011
Forest Floor 3, 4 / Kindertotenlieder 2007
Snow #4 / Kindertotenlieder 2007
Snow M+R / Kindertotenlieder 2007
Theme #2 / Kindertotenlieder 2007

Programme radiophonique - Stephen O’Malley

 An online music community with Web sites for numerous acts, weekly reviews, videos, music, podcast, festivals, and a small record label.

Threshold HouseBoys Choir - Cap Rot Taxi

brainwashedcom

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