The long awaited "SPAZI FUTURI" is RM's second LP for iDEAL and it is a massive, varied journey down one of Italy's most underrated electronic music composers. Riccardo Mazza is extremely skilled in making complex recordings where beats and atmospheres play naturally together. Mazza is also member of filth noise crew Lettera 22 which is a band we deeply love too. Edition of 300 copies. Design by Allon Kaye. Available SUMMER 2018!!!!!!!!!!!!!!!!!

RM - SONNO DROGATO (from "SPAZI FUTURI" iDEAL161 LP)

⠠⠋⠁⠝⠞⠵⠽

Variation 1

Track composed for a 16 channel diffusion system, using ambisonic within my maxmsp composition/peformance system: https://cycling74.com/projects/noxin-music-system
This is a stereo reduction of a 16 channel recording.

16 channel algo dub

3Sounds - Test 10.1

Blanco y Negro

"Alpha Beta Eros" (2020) __/ A composition by Michael Pisaro-Liu (USA)
__/
Philippe Lauzier (CAN): bass clarinet
d'incise (CH) : electronic, loudspeakers
__/
Opening this serie, Michael Pisaro-Liu, emminent member of the Wandelweiser composers collective & residing and teaching in Los Angeles, delivered a score where words and (love) letters transform into notes,  revealing in their dialog a delicat conterpoint, two voices slightly appart at the begining get soflty intertwined in the last third. Philippe Lauzier, clarinetist, improvisors and sound artist, from Montreal, precisely fomulated its reading on its intruments while d'incise, obstinate sound explorer and co-founder of Insub, reincarnated the score, and its electronic interpretation, by plugging it into various non-neutral, tenderly distorting, loudspeakers.
__/
More : http://insub.org/insub-distances/
Video : https://youtu.be/JrA0oXQGxkI
HD audio : https://insub.bandcamp.com/album/michael-pisaro-liu-alpha-beta-eros-insub-distances-1-8
Interview about the piece : https://youtu.be/CnlyVrooKmA
__/
Insub.distances - a project by Insub.asso & Insub.records - 2020
__/
Supported by : Prohelvetia ("Close distance" programm) / Fondation Suisa / Fondation Nicati-De Luze

Bandcamp

Michael PISARO-LIU "Alpha Beta Eros" __/ Philippe Lauzier & d'incise (insub.distances 1/8)

waiting 4 u

modular sketchbook 11-22-20

Edon - part 2

Emma Grace(https://soundcloud.com/emmaline-ginger-1), born in Assisi, 1994 is an American-Italian musician. She started studying cello at the age of 8, then continues studying violin for three years until she decides to proceed on her own independent way.  She lived in Paris and continued her music research in Venice with different projects and various artists and genres, involving music therapy studies. She attends Violin and Electronic Music at Conservatory, giving in to new creative experiences and collaborations, but the school structure it’s too tight to integrate all the rest of the projects, so she continues otherwise. At the age of 22, her first album "Backgrounds" is out, giving birth to her new chapter of raw compositions combining violin and vocals with the simple objective of being true to what she can give. On February 2020 she releases her latest work, Wild Fruits and Red Cheeks. She continues independently, searching for new material, and performing arts involving creativity and community. Now she is based in Nido, a place away from modern cities, an open house, in the middle of Italy, always chanting, always working on new stuff.

What was a crucial sonic experience in your life?

Listening to marbles. I must have been 6-7 years old. I remember I use to keep them in a jar inside the living room's wardrobe and I was going there to listen to them every once and a while, in some occasions, very often, as if it was the highest pleasure of the day. That sound of marbles hitting each other is the first sound where I actually felt almost a sexual pleasure just by listening. Sound as an isolated pleasure, separated from memories, from genres, from ideas and expectations. To stand still, and to listen. And i still love that marbles sound.

Link 
emmagraceofficial.bandcamp.com/
open.spotify.com/artist/3QEPnEDjS…J1T_ig4UdfvFeYMQ
www.instagram.com/ewmagrace/
www.facebook.com/emmagraceartist/
ewmagrace.tumblr.com/
soundcloud.com/emmaline-ginger-1/

Soundlist
Humming at a coffee machine— (00:00)
Acoustic family tree—
Venice walks—
Wooden lullabies—
Archive 1996, cassette of me at two years old—
Unknown piano session, Chiny, France 2015—
Sailor’s View—
Acoustic Family tree continues—
“Animated” raw slow take—
The Submarine Choir / interferenze corali (part1)—
Unknown piano session, Venice 2019— (15:40)
Climax 1— (17:20)
Rickshaw beat and Tibetan bells
Ahmednagar Streets
U. p. s., Chiny, France 2015—
Kindergarden—
U. p. s., Venice 2019—
“On top of out words” + harmonics— (24:40)
Climax 2— (25:20)
Violon Cave avec Léo, Paris 2016—
Harmonics + “On top of our words”—
Marbles—
Archive 1996, cassette of me at two years old—
Wooden lullabies 2—
The Submarine Choir / interferenze corali (part 2) — (34:00)
Latin Saint Marc’s Square
Climax 3 — (37:40)
Unknown guitar session —-
U.p.s. (unknown piano session) Venice 2018—
U.g.s. (unknown guitar session) Umbria 2019—
U.p.s. Chiny 2015—
The Submarine Choir / interferenze corali (part 3)
Vocal Memos Berlin 2018—
Shells — (45:15)
U.g.s. Venice 2017—
Vocal Memos, Venice 2016 —-
Rain + Harmonic- Climax4 (48:20)

modular sketchbook 11-22-20

BLogic

Related tracks