From the album BLUE RIDER by Zachary Cale.  Released Sept. 24, 2013.  Electric Ragtime / All Hands Electric.  Pre-Order LP/CD here: http://allhandselectric.com/bluerider/

Website: http://zacharycale.com
Facebook: http://facebook.com/zacharycalemusic



Hold Fast

Dream Chaser

Away single - Out Now
-> iTunes: http://apple.co/1cd5gv5
-> Spotify: http://spoti.fi/1IanIl5

~

www.reptileyouth.com
www.facebook.com/reptileyouth 
www.instagram.com/reptileyouth

Away

Lackluster No.

From new album "Syncope", out now on People Teeth.

Digital:  http://hyperurl.co/424fdr
CD release from Flau, Jan 27th, 2016:  http://www.flau.jp/releases/55.html
Vinyl Pre-Order:  https://peopleteeth.bandcamp.com

All Music Written and Performed by Nicholas Principe 
Alto Saxophone by Will Epstein (High Water, Nicolas Jaar)
"Fuzz" by Peter Silberman (The Antlers)
French Horn by Victor Nash (Point Juncture, WA)


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Recorded at DESTINATION: UNIVERSE! Portland, Oregon 
Engineered by Victor Nash 
Produced by Nicholas Principe 
Mixed by Victor Nash & Nicholas Principe 
Quality Control by Andrew Dunn 
Mastered by Jen Munson at Taloowa 
Photography and Artwork by Hana Tajima



Ordinary Pleasure

Midlake - Roscoe (Beyond the Wizard's Sleeve Remix)

Falklands

Glasser :: Apply

Jesca Hoop unveils her brand-new single “Red White and Black” taken from her forthcoming album STONECHILD. Order STONECHILD here : http://smarturl.it/stonechild

Having previously shared the Lucius featuring track “Shoulder Charge”, Red White and Black is perhaps the most overtly political track on the album, as Hoop explains: 
 
“Red White and Black is a poem, like a snapshot, set in post civil war USA when slavery was "abolished" and swiftly rebranded by the prison system.  It’s a personal acknowledgement and willingness to join the conversation for change.”

She continues “I write from personal perspective, about relationships mostly and I don’t find much music in politics, but as hate crimes increase, women’s rights are being rolled back, and the two nations I call home are building walls… well, the political has become deeply personal.”

Produced by John Parish (PJ Harvey, Aldous Harding, This Is The Kit), STONECHILD was recorded in Hoop’s long time home Manchester – a first, given previously she’s ventured back to her native California to record.  Parish’s minimal and purist approach helped clarify Hoop in her ideas subtly yet effectively realigning her sound. The simplified arrangements draw focus to the fundamental sophistication of the songs.

The album title was settled after a trip to a Philadelphia’s Mütter Museum, where the Stonechild is a sad, compelling display of an unborn foetus carried by a woman for over 30 years. “They become a hard ball of bones, a rock. Phonetically, it's a beautiful sounding word - hard and soft – but also, I am taken by the idea of carrying something for a long time, perhaps in secret and then giving it up. I hope I have made an album of substance. There is meat on the bone” 

While Hoop’s trademark finger-plucked guitar and ethereal textures remain, the songs and their presentation are ever more direct. “He – Parrish - was a gentle collaborator until he killed one of my darlings” Hoop jests. “I’ve never been so brutally edited, and I wasn’t shy about expressing my discomfort at the sight of my work on the cutting room floor. He said, you will forgive me, and in some way I think I actually enjoyed that treatment…being stripped back to the bare basics…albeit painfully.  ‘Stonechild’ ventures further into fresh territory with other voices joining the narrative, with Kate Stables (aka This is the Kit) Rozi Plain and Lucius singing the choruses and expanding the sensual depth of the sonic bloom.

These rich and curious songs derived from themes of our troubled times speak Hoop’s heart and mind from her empathetic yet tough loving centre point. With writing so fluid, so natural the result is an album where everything is truly meant.  

Jesca is touring throughout 2019 as follows:

06 Jul - Swadlincote, Timber Festival 
14 Jul – San Francisco, Shinefest @ Bottom of the Hill 
17 Jul – Los Angeles, Bootleg Theatre
22 Jul – Brooklyn, Rough Trade 
15-18 Aug – Brecon Beacons, Green Man Festival
01 Oct – Leeds, Brudenell Social Club
02 Oct – Bristol, Fiddlers
03 Oct – Manchester, HOME
04 Oct – London, Barbican
05 Oct – Cambridge, Storey's Field Centre
07 Oct – Gateshead, Sage
08 Oct – Liverpool, Leaf
09 Oct – Dublin, Soundhouse
11 Oct – Glasgow, Oran Mor
12 Oct – Edinburgh, Pleasance Theatre
13 Oct – Birmingham, Hare & Hounds
15 Oct – Paris, Petit Bain
16 Oct – Brussels, Botanique Rotonde
17 Oct – Luxembourg, Brandbau
19 Oct – Hamburg, Hakken
20 Oct – Copenhagen, Vega
22 Oct – Berlin, Privatclub
24 Oct – Prague, Café V Lese
25 Oct – Vienna, Haus Der Musik
26 Oct – Zurich, El Lokal
29 Oct – Utrecht, TivoliVredenburg, Cloud Nine
31 Oct – Oxford, The Bullingdon

Stonechild

Jesca Hoop - Red White And Black

"Your Life, Your Call", from upcoming self-titled Junip album, out this Spring on City Slang in Europe and Mute Records in North America.
VIDEO: http://www.youtube.com/watch?v=DYvKXVoAXmg
Buy on Amazon: http://smarturl.it/39tkqo
Buy on iTunes: http://smarturl.it/ylyc

www.junip.net
www.mute.com
www.cityslang.com

Lyrics:
She's over you
Boy you know it's true
But you can't stay here
You had it coming for years

Pull yourself together
And draw the line
Pull yourself together
Can't stand to see you crying

It's your life, your call
Stand up or enjoy your fall

It's over now
You've been taking your time
But you can't stay here
Boy dry up your tears

No point in looking back
Over your shoulder
Leave your worries behind 
For a while
You'll forget everything
As you get older

Buy on iTunes

Junip - Your Life, Your Call

Million Years from Alexander's Debut Self Titled Album - Available March 1st, 2011

Alexander

A Million Years

Founded in 2007 by Edo Van Breemen and Bryan Davies, Brasstronaut grew to its current six-piece configuration by 2009 following a residency at the Banff Centre for the Arts. Since then, the pack of mix-matched musicians have been creating an eclectically Canadian sound that is adored by fans and critics all over the world. They have performed across North America, the UK, Europe to as far reaching places as Reykjavik and Istanbul. Their latest release, the self-titled Brasstronaut, shows these six musicians truly embracing their identity as a time-tested band of brothers who can bounce between genres with an effortlessness that must be seen to be believed.

Falklands

Brasstronaut

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