these are all little half songs or jams or ideas that never made it into proper tracks. most of them are going to be a bit unpolished but i hope yall enjoy anyways

bits, doodles and noodles

from album from last april. 

One thing i don't like about soundcloud is seeing the amplitude of the track while listening. It gets rid of any suspense from the unpredictible future of the track. by seeing it all at once you can see when it goes to the drop or explosion, crescendo or whatever. I'll rather not even see the runtime of a track. Also it propably makes you want to click around more?... whatever

7 Waking-field (MWTBH 8)

101 thinky doodle

superdrum/mlog/303 little beat

A1 - Rising Sun (Clip)

VINYL → https://bit.ly/3wH26Il
Artist: Karsten Pflum
Title: Jupiter Oil
Remixes: Squaric & Serge Geyzel
Format: Vinyl, 12", 33 ⅓ RPM
Catalogue: DRC4
Artwork: Jantus
Tracklist:
A1.More Fun [Lyn Collins Mix]
A2.Together Reap 
A3.Bellman 
B1.Obercast 
B2.Luv Letter 12 
B3.Utah Is Gone 
B4.Obercast (Squaric Esa Mañana Celestial Remix)
B5.Together Reap (Serge Geyzel Remix)


Limited 12'' Lathe Cut handmade.

All vinyl orders include two Diffuse Reality stickers and digital downloads of the full release.
www.diffusereality.net

Karsten Pflum with remixes from Squaric & Serge Geyzel [Vinyl, 12'']

playing around with break mixing, spring reverb and routing 303 through the bs2 filter with midi sync for egregious levels of squelch.

(¬‿¬)

k2 cute springverb acidbrkB@158

6mlog kunkin VH

a thing
https://soundcloud.com/breadyscarethrough/dexedbrkverbs

basspat drm [breaks]

basspat drm [dxVOC]

Nightfall Lounge

Synthetic Garden-Zonar-(Mellon Place Records)

https://secretthirteen.org/stm-256-nina/?cn-reloaded=1

Nina is a Hamburg based dj, label owner and promoter behind the famous Hamburg Golden Pudel Club event series Nina trifft… Nina is one of the main people behind the V I S label, which she co-runs with Good News. Within the large number of mixtapes for labels such as Blackest Ever Black offshoot Krokodilo Tapes or JSMЁ Records, Nina explores the thin boundaries between industrial, drone, acoustic experimentation and proto-techno, with frequent excursions to the fields of synthwave and ambient sounds. Her live sets also burst with similar dynamics and turn venues into immersive listening chambers filled with floating sounds. Her excellent set during the 2015 edition of Unsound Krakow was described by Philip Sherburne as “steel-wool ambient”, where the punkish noise of Wolf Eyes was overlaid with Helm’s cutting-edge drone voyages. Similarly adventurous is her cassette label V I S, which has released music varying from rare Greek ethno (Greek Ethno Music Location Recordings compilation) to Basic House’s atmospheric post-industrial.

Secret Thirteen Mix 256 is an ambientish trip focusing on the darker areas of the genre. It is a continuous string of monolithic hypnosis with layers delicately shifting, replacing each other with microdynamic twists and turns. The mix sounds very coherent despite the diversity of artists included, illustrating Nina’s capability to identify similar sensibilities across divergent styles, melding them together to form surprising, beautiful chimeras. The sonic surfaces have a strong sense of physicality, with each track a microworld coalescing with its surroundings. Starting from the airy pulsations of dark d’n’b masters Flxk1 & DB1, it then shifts towards a more claustrophobic mode with Deep FridgePita (where they place mics in a fridge to capture its sounds). Jonny Nash and Lindsay Todd’s collab brings some organic freshness, while Francois Bayle’s transparent transmissions remind us of the timeless Recollection GRM explorations. Due to its microscopic patterns, subtly changing surface tones and immersive/hypnotic nature, Infinite Waves by Kazuo Nakamura could serve as a good visual companion for Nina’s mix.

"I’d like to thank all those wonderful musicians that made it possible for me to play this kind of music." (Nina)

Secret Thirteen  256 - Nina

This record is an extension of a foray into trance ritual music.
It's structured as a companion for film, meditation, vision seeking & sound rest.

It's by nature a nature worship record, combing acoustic percussive improvisation, sensory foley, vocalized staccatos, and a specific brew of physical/metaphysical sound relations....mind hush/thought flush/spirit rush/sun rise.

Inspired by an initiation ceremony of the Bwiti/Fang people of Gabon. This collection relays a fragmented branch of timings of this ceremony. Plus proposes alter paths for the sacred (Mougongo) instrument.

Recoded + Restructured + Reflected as a time capsule.

With fullest respect/blessings to breeze the Bwiti understandings through current climate.

Proceeds of this record will be donated to Tata-Yo (Nganga), Ebando.

http://ebando.org/fr/presentation.htm

Words & Music - Mahbunzi Nahgo Pihndi 
("All the Healing Green Leaves of the Forest")

A1 - Awating (11:02)
B2 - Bwicoming (19:28)

Our inaugural 12" coming soon with distribution via Honest Jons Records.

Big shout out to Will @the-trilogy-tapes for the support.

Mahbunzi Nahgo Pihndi - D Ebando (GMV01 ) - Snippets

From "Zanclean" (TBF01)

50 cassettes limited edition coming in hand-painted trust envelopes and photocopied boards.
All tracks by Pierre Edouard Dumora
Mastered and transferred by Lorenzo Targhetta
Designed by Ethan Assouline

K7 out April 11th

Metta World Peace - Desiccant

Let Me Put Myself Together

Ultima Resonance

For those interested the field recordings contained within Mac-Talla Nan Creag 1 & 2, here is a further contact mic recording by Lindsay Todd from August 2020.

Dun Carloway is currently under conservation work with a huge amount of scaffolding and security fence. There was a fair wind blowing and the whole structure was resonating wildly.

Equipment used:

2x JrF contact mics with Hosa MIT-129 impedance transformers
1x Sound Devices MixPre3

** Headphones or studio monitors recommended for full frequency listening **

Dun Carloway is an excellent cross-section of a broch – a type of structure found only in Scotland. It overlooks Loch Carloway and is built on a rock on a steep south slope at the height of 50 metres and is the best preserved broch in the Outer Hebrides. At 9m tall it still stands close to its impressive full height. It was probably constructed about 200 BC. Broch-building ceased around AD 100, but they may have continued in use.  Evidence from excavations suggests it may have been used until about AD 1000. It’s also said to have been used as a stronghold by members of the Morrison Clan during the 1500s.

Dun Carloway Broch Contact Mic Recording August 2020

hello


Email me with polite messages:
-> mausebtn@gmail.com <-


                                             - REKKIDS AN STUFF -
DEMUX SEQ:
https://xephem.bandcamp.com/album/demux-seq
XOR EP:  
https://npmlabel.com/Mause-XOR
|RUN/STOP|:
https://massagebraincult.bandcamp.com/album/mause-run-stop-ep-remixes
Xephem Records Compiler lvl2: https://xephem.bandcamp.com/album/compiler-level-2
Massage Brain Cult - VA1 Vinyl : massagebraincult.bandcamp.com/album/1
Fxbip x Mause - Colors collab : https://x4records.bandcamp.com/album/colors
Ubal EP! : http://analogicalforce.bandcamp.com/album/af023-ubal-ep
The mausezone: https://mausebrighton.bandcamp.com/

superdrum/mlog/303 little beat

ᵐᵃᵘˢᵉ

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