My 10th time submitting to DJ Wick-It the Instigator's "Everyone Flips" sample challenge - v13 overall.

Original sample for the challenge is "Half Forgotten Dreams" by John Cameron... which inspired the title and the other surprise sample. 

Snippet: 

What up fama-lama-ding-dongs?! 

Long time no talk... Too long, some might say. 

Special shout out to the late gang! I  " finished " this a week ago but was out of town since then on a birthday ski trip, so I am just sending it in now. 

Super stoked to be back for another E-flips! I've been having to work on other music, and do other remixes in the meantime..  but there's definitely nothing quite like hanging with the homies on a single sample and seeing what we all come up with. 

I always preach the slice n dice.. take a sample and slice it to a midi drum rack.. play with the slices.. find gold... get famous... make money! 

So I did it.. I sliced the sample up like a loaf of milk... Built up a few drum racks using the ill.Gates 3 rack methodology.. Made some tasty but tasteful basses in operator, massive, serum using images as waveforms, and phaseplant, plus the scarbee bass guitar from native instruments... did a tonnnn of frequency splitting and playing around with the plugins Portal and Thermal by Output (which are fucking epic by the way).. found another sample or four to make it a full vibe, and put the ole SAYWHAT?! touch into the abletones to make what I present to you as: 

"Halfway to Lucid Daydreaming"

I know it's a 2 min max submission, so I understand if you cut it short, but I also spent like 10+ hours on the first 2 mins alone, AND THEN made a filthy yet funky breakdown w/ vocals, a trumpet solo, and concise and detailed riser into an epic drop & ending.. so feel free to let it slide a little long 😘 I'll share the finished song in 3.5 years when I finally get sick of it enough to call it finished. (jk soundcloud link will be ready for stream time, but still feel free to let it run a little long haha I put a plethora of effort into this one).

Love ya.

Halfway To Lucid Daydreaming

First single off my forthcoming album “Jaguar Medicine.” Guitar work by Sam Klassik.

Go Follow @samklassik

Until Next Time (Ft. Sam Klassik)

Madison Ave.

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Madison Ave. (Ft. Adam Stehr)

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✨ “Repeat My Name” lives in that late-night space where feeling and rhythm blur together.
It’s the sound of wanting to be remembered — a soft loop of emotion echoing back with every beat.
Warm, hazy, and a little addictive — a moment you replay without thinking. ✨

#rnb #lofiRnb #smoothvibes #lateNightFeels #repeatmyname #undergroundartist 

Repeat My Name

crackedbutnotbroken

Halo Echo - Dream Pop Instrumental Beat

A journey into a psychedelic jungle. As you follow the mysterious path you walk further and further into the thick landscape. You reach an unexpected clearing... you come across an ancient temple that seems to be abandoned. You walk inside. Seems like you've found yourself inside a sacred structure once used as an energy generator to power all the ancient near by civilizations. There are markings of UFO's carved into the walls and clear signs of extra terrestrial life that once existed in this area. What REALLY happened here????? (inspired by the beauty of the Costa Rican jungle....Pura Vida)

Mastered by @Ovoid

Sacred Path

Mystic Grizzly - Hidden Temple

So Low (ft. Recess)

‘Welcome To Tripp St.’ is out now via Odyzey Music! Stream everywhere: https://odyzeymusic.lnk.to/TrippSt 

Artwork by Dr01D Visuals
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This Is Me

Pioneers of Colorado’s electronic music explosion, Break Science soars ahead of the curve, with a decade-plus trendsetting the game. Steeped in filial traditions of East Coast hip hop, and futuristic soundwaves of the now, the Denver-based duo continues to scale creative mountains. Comprised of keyboardist/producer/jazz pianist Borahm Lee (Pretty Lights Live Band) and funk/hip-hop drummer extraordinaire Adam Deitch (Lettuce), Break Science traces roots to the embryonic seeds that flowered the electro-soul movement. The pair have consistently ascended the cutting edge of live dance music culture with an array of blistering live performances in any number of settings or configurations.

Borahm Lee’s masterful use of Ableton Live and prowess atop an assortment of analog synths, Fender Rhodes, and digital plug-ins propel Break Science’s towards the new frontier. Lee has worked with cultural icons like Kanye West and The Fugees, he is well versed in reggae/dub vibrations. Adam Deitch keeps it thorough with classic boom-bap, and inventive patterns that employ his rhythmic wizardry, be it electronic drum programming or a traditional trap-kit. Deitch has worked with hip-hop legends like Redman, Pharoahe Monch and members of the Wu-Tang Clan, he’s manned the drum seat for jazz luminaries like John Scofield (Uberjam). Both members of Break Science bring classic hip-hop, dub, drum n’ bass, dancehall, jazz, funk, and genre-defying elements to coalesce in modern electronic soundscapes.

The sum of these parts has evolved Break Science into an amalgam of styles authentic, and an artistic aesthetic wholly their own, heard in the highest of definition on their titanic 2018 full-length LP Grid of Souls. For ever-further explorations in sound, the duo will form like Voltron, combining with several members of Lettuce for the wildly-kinetic Break Science Live Band. Whether the essential dynamic duo or a full-fledged ensemble, they continue to break down the science & move the arena, one gridlocked soul at a time.

Crystal Lake

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