A 100% improvised live recording of work this summer by Bred in the Bone at the Grotowski Institute, Wroclaw, Poland. Using Darek Szymor's text as a starting point Daniel Gott (piano) and Alexander Scott (vocals) listen to the sound that lies beyond the voice, looking for what lies beneath. August 2011.

http://www.bredinthebone.co.uk

BRED IN THE BONE are a gathering of theatre makers from England, France, Germany, Iceland, Ireland, Israel, Japan, Mexico, Poland and Spain dedicated to bringing together and exploring their diverse theatre traditions.

Our work is rooted in the actor and derives from dedicated training, exploring and expanding the research on the actors’ craft.


The international nature of the company is fundamental to its identity, from which we seek to enlarge our understanding of each other’s culture, looking for what is common in who we are. Our influences are as varied as Peter Brook, Annie Castledine, Complicite, Jerzy Grotowski, Theatre du Soleil, and Anatoli Vassiliev, to name only a few, who’s work is inspirational to us.


We do not intend to develop a particular type of aesthetic or form of theatre but rather use within our productions a dialogue between our theatrical cultures best suited for the moment we are exploring.


Darek's Sonata

A 100% improvised live recording of work this summer by Bred in the Bone at the Grotowski Institute, Wroclaw, Poland. Using Keiko Yamaguchi's text as a starting point Alexander Scott (Shamisen) and Daniel Gott (piano) listen to the sound that lies beyond the voice, looking for what lies beneath. August 2011.

http://www.bredinthebone.co.uk

BRED IN THE BONE are a gathering of theatre makers from England, France, Germany, Iceland, Ireland, Israel, Japan, Mexico, Poland and Spain dedicated to bringing together and exploring their diverse theatre traditions.
Our work is rooted in the actor and derives from dedicated training, exploring and expanding the research on the actors’ craft.
The international nature of the company is fundamental to its identity, from which we seek to enlarge our understanding of each other’s culture, looking for what is common in who we are. Our influences are as varied as Peter Brook, Annie Castledine, Complicite, Jerzy Grotowski, Theatre du Soleil, and Anatoli Vassiliev, to name only a few, who’s work is inspirational to us.
We do not intend to develop a particular type of aesthetic or form of theatre but rather use within our productions a dialogue between our theatrical cultures best suited for the moment we are exploring.


Keiko's Theme

A 100% improvised live recording of work by Bred in the Bone at the Grotowski Institute, Wroclaw, Poland. Using Baerbel Aschenberg's text as a starting point Daniel Gott (piano) and Alex Scott (mandolin) listen to the sound that lies beyond the voice, looking for what lies beneath. August 2011.

http://www.bredinthebone.co.uk

BRED IN THE BONE are a gathering of theatre makers from England, France, Germany, Iceland, Ireland, Israel, Japan, Mexico, Poland and Spain dedicated to bringing together and exploring their diverse theatre traditions. 
Our work is rooted in the actor and derives from dedicated training, exploring and expanding the research on the actors’ craft. 
The international nature of the company is fundamental to its identity, from which we seek to enlarge our understanding of each other’s culture, looking for what is common in who we are. Our influences are as varied as Peter Brook, Annie Castledine, Complicite, Jerzy Grotowski, Theatre du Soleil, and Anatoli Vassiliev, to name only a few, who’s work is inspirational to us. 
We do not intend to develop a particular type of aesthetic or form of theatre but rather use within our productions a dialogue between our theatrical cultures best suited for the moment we are exploring.

Baerbel's Groove

A 100% improvised live recording of work by Bred in the Bone at the Grotowski Institute, Wroclaw, Poland. Using the actor's text as a starting point Daniel Gott (accordion) and Alex Scott (percussion) listen to the sound that lies beyond the voice, looking for what lies beneath. August 2011.

http://www.bredinthebone.co.uk

BRED IN THE BONE are a gathering of theatre makers from England, France, Germany, Iceland, Ireland, Israel, Japan, Mexico, Poland and Spain dedicated to bringing together and exploring their diverse theatre traditions. 
Our work is rooted in the actor and derives from dedicated training, exploring and expanding the research on the actors’ craft. 
The international nature of the company is fundamental to its identity, from which we seek to enlarge our understanding of each other’s culture, looking for what is common in who we are. Our influences are as varied as Peter Brook, Annie Castledine, Complicite, Jerzy Grotowski, Theatre du Soleil, and Anatoli Vassiliev, to name only a few, who’s work is inspirational to us. 
We do not intend to develop a particular type of aesthetic or form of theatre but rather use within our productions a dialogue between our theatrical cultures best suited for the moment we are exploring.

A Day at the Fair

A 100% improvised live recording of work by Bred in the Bone at the Grotowski Institute, Wroclaw, Poland. Using the actor's text as a starting point Daniel Gott (piano) and Alex Scott (vocals) listen to the sound that lies beyond the voice, looking for what lies beneath. August 2011.

http://www.bredinthebone.co.uk

BRED IN THE BONE are a gathering of theatre makers from England, France, Germany, Iceland, Ireland, Israel, Japan, Mexico, Poland and Spain dedicated to bringing together and exploring their diverse theatre traditions. 
Our work is rooted in the actor and derives from dedicated training, exploring and expanding the research on the actors’ craft. 
The international nature of the company is fundamental to its identity, from which we seek to enlarge our understanding of each other’s culture, looking for what is common in who we are. Our influences are as varied as Peter Brook, Annie Castledine, Complicite, Jerzy Grotowski, Theatre du Soleil, and Anatoli Vassiliev, to name only a few, who’s work is inspirational to us. 
We do not intend to develop a particular type of aesthetic or form of theatre but rather use within our productions a dialogue between our theatrical cultures best suited for the moment we are exploring.

Baerbel's Musical Theatre Debut

A 100% improvised live recording of work by Bred in the Bone at the Grotowski Institute, Wroclaw, Poland. Using the actor's text as a starting point Daniel Gott (piano) and Alex Scott (shamisen) listen to the sound that lies beyond the voice, looking for what lies beneath. August 2011.

http://www.bredinthebone.co.uk

BRED IN THE BONE are a gathering of theatre makers from England, France, Germany, Iceland, Ireland, Israel, Japan, Mexico, Poland and Spain dedicated to bringing together and exploring their diverse theatre traditions. 
Our work is rooted in the actor and derives from dedicated training, exploring and expanding the research on the actors’ craft. 
The international nature of the company is fundamental to its identity, from which we seek to enlarge our understanding of each other’s culture, looking for what is common in who we are. Our influences are as varied as Peter Brook, Annie Castledine, Complicite, Jerzy Grotowski, Theatre du Soleil, and Anatoli Vassiliev, to name only a few, who’s work is inspirational to us. 
We do not intend to develop a particular type of aesthetic or form of theatre but rather use within our productions a dialogue between our theatrical cultures best suited for the moment we are exploring.

Lost Cat

A 100% improvised live recording of work by Bred in the Bone at the Grotowski Institute, Wroclaw, Poland. Using the actor's text as a starting point Alexander Scott (guitar) and Daniel Gott (bodhran) listen to the sound that lies beyond the voice, looking for what lies beneath. August 2011.

http://www.bredinthebone.co.uk

BRED IN THE BONE are a gathering of theatre makers from England, France, Germany, Iceland, Ireland, Israel, Japan, Mexico, Poland and Spain dedicated to bringing together and exploring their diverse theatre traditions. 
Our work is rooted in the actor and derives from dedicated training, exploring and expanding the research on the actors’ craft. 
The international nature of the company is fundamental to its identity, from which we seek to enlarge our understanding of each other’s culture, looking for what is common in who we are. Our influences are as varied as Peter Brook, Annie Castledine, Complicite, Jerzy Grotowski, Theatre du Soleil, and Anatoli Vassiliev, to name only a few, who’s work is inspirational to us. 
We do not intend to develop a particular type of aesthetic or form of theatre but rather use within our productions a dialogue between our theatrical cultures best suited for the moment we are exploring.

Scott's Ram Jam

A 100% improvised live recording of work by Bred in the Bone at the Grotowski Institute, Wroclaw, Poland. Using the actor's text as a starting point Alexander Scott (shamisen) and Daniel Gott (accordion/synthesiser) listen to the sound that lies beyond the voice, looking for what lies beneath. August 2011.

http://www.bredinthebone.co.uk

BRED IN THE BONE are a gathering of theatre makers from England, France, Germany, Iceland, Ireland, Israel, Japan, Mexico, Poland and Spain dedicated to bringing together and exploring their diverse theatre traditions. 
Our work is rooted in the actor and derives from dedicated training, exploring and expanding the research on the actors’ craft. 
The international nature of the company is fundamental to its identity, from which we seek to enlarge our understanding of each other’s culture, looking for what is common in who we are. Our influences are as varied as Peter Brook, Annie Castledine, Complicite, Jerzy Grotowski, Theatre du Soleil, and Anatoli Vassiliev, to name only a few, who’s work is inspirational to us. 
We do not intend to develop a particular type of aesthetic or form of theatre but rather use within our productions a dialogue between our theatrical cultures best suited for the moment we are exploring.

Guess the Time Signatures

A 100% improvised live recording of work by Bred in the Bone at the Grotowski Institute, Wroclaw, Poland. Using the actor's text as a starting point Alexander Scott (guitar) and Daniel Gott (piano) listen to the sound that lies beyond the voice, looking for what lies beneath. August 2011.

http://www.bredinthebone.co.uk

BRED IN THE BONE are a gathering of theatre makers from England, France, Germany, Iceland, Ireland, Israel, Japan, Mexico, Poland and Spain dedicated to bringing together and exploring their diverse theatre traditions. 
Our work is rooted in the actor and derives from dedicated training, exploring and expanding the research on the actors’ craft. 
The international nature of the company is fundamental to its identity, from which we seek to enlarge our understanding of each other’s culture, looking for what is common in who we are. Our influences are as varied as Peter Brook, Annie Castledine, Complicite, Jerzy Grotowski, Theatre du Soleil, and Anatoli Vassiliev, to name only a few, who’s work is inspirational to us. 
We do not intend to develop a particular type of aesthetic or form of theatre but rather use within our productions a dialogue between our theatrical cultures best suited for the moment we are exploring.

Dig the Riff

The Space between Rodrigo's Ears

A 100% improvised live recording of work by Bred in the Bone at the Grotowski Institute, Wroclaw, Poland. Using the actor's text as a starting point Alexander Scott (guitar) and Daniel Gott (accordion) listen to the sound that lies beyond the voice, looking for what lies beneath. August 2011.

http://www.bredinthebone.co.uk

BRED IN THE BONE are a gathering of theatre makers from England, France, Germany, Iceland, Ireland, Israel, Japan, Mexico, Poland and Spain dedicated to bringing together and exploring their diverse theatre traditions. 
Our work is rooted in the actor and derives from dedicated training, exploring and expanding the research on the actors’ craft. 
The international nature of the company is fundamental to its identity, from which we seek to enlarge our understanding of each other’s culture, looking for what is common in who we are. Our influences are as varied as Peter Brook, Annie Castledine, Complicite, Jerzy Grotowski, Theatre du Soleil, and Anatoli Vassiliev, to name only a few, who’s work is inspirational to us. 
We do not intend to develop a particular type of aesthetic or form of theatre but rather use within our productions a dialogue between our theatrical cultures best suited for the moment we are exploring.

Martínez Passion

A 100% improvised live recording of work by Bred in the Bone at the Grotowski Institute, Wroclaw, Poland. Using Rodrigo Alfonso Miranda's text as a starting point Alexander Scott (shamisenguitar) and Daniel Gott (piano/laughing/crying) listen to the sound that lies beyond the voice, looking for what lies beneath. August 2011.

http://www.bredinthebone.co.uk

BRED IN THE BONE are a gathering of theatre makers from England, France, Germany, Iceland, Ireland, Israel, Japan, Mexico, Poland and Spain dedicated to bringing together and exploring their diverse theatre traditions. 
Our work is rooted in the actor and derives from dedicated training, exploring and expanding the research on the actors’ craft. 
The international nature of the company is fundamental to its identity, from which we seek to enlarge our understanding of each other’s culture, looking for what is common in who we are. Our influences are as varied as Peter Brook, Annie Castledine, Complicite, Jerzy Grotowski, Theatre du Soleil, and Anatoli Vassiliev, to name only a few, who’s work is inspirational to us. 
We do not intend to develop a particular type of aesthetic or form of theatre but rather use within our productions a dialogue between our theatrical cultures best suited for the moment we are exploring.

My Kingdom for a Horse

BRED IN THE BONE are a gathering of theatre makers from England, France, Germany, Iceland, Ireland, Israel, Japan, Mexico, Poland and Spain dedicated to bringing together and exploring their diverse theatre traditions.
Our work is rooted in the actor and derives from dedicated training, exploring and expanding the research on the actors’ craft.
The international nature of the company is fundamental to its identity, from which we seek to enlarge our understanding of each other’s culture, looking for what is common in who we are. Our influences are as varied as Peter Brook, Annie Castledine, Complicite, Jerzy Grotowski, Theatre du Soleil, and Anatoli Vassiliev, to name only a few, who’s work is inspirational to us.
We do not intend to develop a particular type of aesthetic or form of theatre but rather use within our productions a dialogue between our theatrical cultures best suited for the moment we are exploring.
Core Team
Alexander Scott - performer/musician
Amanda Collins - director/stage manager
Anna Mors - director/dramaturg
Arnie Gretar - director
Baerble Ashenberg - performer
Colin Ellwood - director/dramaturg
Daniel Gott - musician/performer
Dara Clear - performer
Darek Szymor - performer
Gudbjorg Huldudottir - performer
Jeremy Harrison - musical director/performer
Keiko Yumagushi - performer/musician
Krystyna Krotoska - performer
Matthieu Leloup - artistic director/performer
Muly Yechezkel - lighting designer
Nick Borsack - director
Rafał Habel - performer/musician
Rodrigo Alonso Miranda - actor/workshops and training
Stanisław Krotoski - producer Unreal City
Tanya Munday - Teacher of Acting Technique/Performer
Collaborators
John Ward - director
Marcin Rudy - workshop leader
Prezemyslaw Baszczak - lighting designer

BredInTheBone

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