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Stream "EVERYTHING IS BUSINESS" on all platforms:
https://stupidbeats.carrd.co

BIG PROBLEM MAC:
@deceasedmac
www.instagram.com/bigproblemmac/?hl=de

Inquires:
https://instagram.com/stupid.beats
sb16@outlook.de

EVERYTHING IS BUSINESS

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STUPIDBEATS x BIG PROBLEM MAC - EVERYTHING IS BUSINESS

@pimpinplayaz
@pimpinplayaz
@pimpinplayaz

Spotify

IV. insomnia

Eager Buyers

Kindness Over Talent

Out now - 12 tracks: double vinyl and digital 

In 2013, Different Circles launched with Weightless Volume One, a compilation that helped define a new minimalist aesthetic in electronic music. 

Twelve years later and after a six-year pause, the label returns with its tenth release: Ping Volume One.

Like weightless, ping isn’t a genre. It's an approach to anchoring and propelling sound without relying on the steady pulse of a kick drum.

Instead, a single percussive hit — the ping — holds the centre. Dry and high in the mix, or echoing distantly through space, it becomes a temporal anchor. Around it, the rest of the track can undulate, bend, float or collapse.

The term first appeared on Mumdance’s radio show, where playing “the pingy ones” from the Different Circles back catalogue became a running joke. In the Discord community, it evolved into a shared language, with memes, lore and a mascot known as the Ping Devil.

In 2023, Mumdance aired The “Ping Report” a radio show that gathered everything into a coherent moodboard. It included original tracks made by Discord members for the show and set the foundations. From there, more producers began making ping intentionally, and over time, Ping Volume One took shape.

As the idea came into focus, Logos and Mumdance noticed that much of the Different Circles back catalogue, if not explicitly weightless, could now be understood through the lens of ping. It was a sound they had been drawn to long before they had a language to describe it.

Ping Volume One is a document of shared instinct. A collection of tracks connected by feel rather than formula, shaped by years of dialogue between a community of artists and listeners who were drawn to the same sounds & ideas before they had a name.

Xen Chron - Q’omatose

Following their contribution to Superclasico Vol 2., @tomsobolikmusic officially joins the Clasico family in a major way!

Five new tracks from one of the US underground’s most exciting voices, Heavy Eyes finds Sobolik refining their sound while reconnecting with their roots. Written over eight months between June 2024 and February 2025, the record came out of a moment of recalibration. After a run of dense, chaotic releases, Sobolik stripped things back and turned their focus to groove and percussion, gravitating towards techno, tribal house and dubstep for inspiration – but never long enough for any one genre to define them.

The result is a set of tracks that balance dissonance and playfulness, with a renewed emotional core. “I wanted to hone things down,” they explain. “None of them are straightforward bangers, but they’re all playful, charged, and connected to the deep reverence for pop music that’s always driven me.”

Musically, the EP takes influence from Trekkie Trax, 85 Acid and Yaleesa Hall, late-‘00s dubstep pioneers like Appleblim and Peverelist, and the DJ worldbuilding of CCL, Gigsta, Objekt, and Kiernan Laveaux. But at its heart, it’s rooted in Sobolik’s most formative experiences in the North American underground, channeling the unbridled spirit of DIY raves like Montreal’s Layer05 and STM, Philadelphia’s Chrysalis and Concréte, New York’s Groovy Groovy and TOSSD, and of course Sobolik’s own Antidote nights. “This music is for those floors,” they say. “The places that captured my heart.”

As their seventh EP, Heavy Eyes feels like a sure step forward. “It comes from me DJing more, deepening my knowledge of how dance music works on the body and on a crowd,” Sobolik reflects. “I feel more confident now, put less pressure on myself – and I think the tracks are cleaner, more distilled.” That maturity doesn’t come at the expense of personality, though: this is still music full of texture, humour, and an air of “why the fuck not?”

The EP closes with a remix from Swedish innovator Peder Mannerfelt – ‘business (techno) in the front, party in the back’ personified and one of Sobolik’s earliest inspirations. “He’s been flying the flag for freaky, fun, bassy techno for years,” Sobolik says. “His tracks set my gold standard for dancefloor music – I did not expect he’d be so immediately down to remix my material, and I’m really humbled by his support.”

With Heavy Eyes, Sobolik delivers their sharpest and most focused work yet: club tracks that are fierce and frenetic, but also deeply earnest.

Perc Loop Princess is the second single on the EP, before Heavy Eyes drops in full on October 2.

All tracks written and produced by Sobilik in Queens.
Mastered by Alex Gordon.
Remix mastered by Wordcolour.
Artwork by All Purpose Studio.
Cover photo by Thomas Sobolik Sr.
Released by Clasico Records | Catalog #: CCO011

☆

Heavy Eyes

Sobolik – Perc Loop Princess

Buy | Download
https://degrandi.bandcamp.com/album/testa-dura

As part of our ongoing efforts to look for top notch sound designers across the globe, we fell upon the auteur of our next release. The parisian De Grandi and his turbo-charged club beats serve us a filled platter of 4 Tracks and two remixes in ‘Testa Dura’.

Going through a thick bass + crisp percs combo and perpetual crescendos we start things off with the main course — and title track: a dubstep to tribal hybrid launching at full throttle across a universe of trickling electronics. A taster of what’s to come, a record packed with intricacies and high risk dubs.

This time we got two remixes from three producers in the UK:FR wavelength, Beatrice M. with their signature Dubstep elegance + the can you feel the sun duo Call Super + Parris injecting the house flare with the finger snapping vocals.

releases October 3, 2025

Artwork__ Alfie Allen & Max Marshall
Mastering__ Seph
*Call Super & Parris remix mastered by Beau Thomas

De Grandi — Testa Dura — TRA027

Naomi donne carte blanche à son invité du jour : le DJ et producteur danois HEDO HYDR8 !

Naomi invite HEDO HYDR8 - 03 Octobre 2025

https://grtw.bandcamp.com/album/10-years-of-gravitational-wawes

RAW TAKES - bbbb (GRTW020)

● Artist: Odpein
https://soundcloud.com/odpein
https://www.instagram.com/odpein

● Release: 2025.10.20

🛒 https://odpein.bandcamp.com/

📺 https://youtu.be/-Mf4GTEE2Tk

𝙅𝙖𝙙𝙚 𝙥𝙧𝙚𝙢𝙞𝙚𝙧𝙚 : Odpein - Love

Ghosttown presents a new remix by Trois-Quarts Taxi System, reworking the track “Strong Be Leaf” from Delta Division’s EP GTEP06.

Rooted in bass, broken rhythms, and experimental detail, the original is reimagined through Trois-Quarts Taxi System’s playful and unpredictable lens—true to the pun-laced, organic spirit running through the release.

Delta Division
@deltadivisionmusic
www.instagram.com/delta__division/

Trois-Quarts Taxi System
@troisquartstaxisystem
www.instagram.com/trois_quarts_taxi_system

Ghosttown
@ghsttwn
www.instagram.com/ghosttownsound/



GTEP06

Strong Be Leaf (Trois-Quarts Taxi System Remix)

Premiere: Delta Division - Strong Be Leaf (Trois-Quarts Taxi System Remix) | Ghosttown

A l'occasion de la sortie de son nouveau single sur [re]sources prévue le 7 novembre prochain, le DJ et producteur franco-irlandais Pinktaste est l'invité du label sur Rinse France. Après une collaboration avec l'artiste montante Shfoosja sur le puissant 3D Beach World, extrait de la compilation Club Hexagon IV, Pinktaste confirme son statut de newcomer à suivre de près au sein de la nouvelle scène UK bass à la française et il démontrera ce soir avec son set qui mêlera techno, breaks, juke et electronica expérimentale. La deuxième heure de l'émission sera assurée par Tom Ferraré.

[re]sources avec Pinktaste - 29 Septembre 2025

Artist: Low End Activist x Tia Talks
Title: Fake Idols
Label: Sneaker Social Club
Cat No: SNKR068.1
Release Date: Oct 31st

The Activist returns to Sneaker Social Club with a fresh drop of mutant grime futurism featuring a deadly flow from Tia Talks

Low End Activist first came through centred on link-ups with grime MCs before widening the scope of his sound with purely instrumental, conceptually-charged albums. This sure-shot single reaffirms his affinity for outsider grime production as a vessel for deft bars from breakthrough talent.

On 'Fake Idols' there's an emphasis on sharply angled, glitchy production that bends and warps well outside the established formula of MC-focused beats. Constantly shifting, hyper-detailed and front-loaded with walloping slabs of bass, this devastating cut is presented in either
vocal or instrumental form. Tia Talks pulls no punches here stating her truth assisting LEA in continuing his peerless run of avant-Grime.

Mastered by Miles Whittaker
Artwork by Ben Arfur

Fake Idols

throw da dice

Lost In Thoughts

Buy it homie

Dealership

Outro

Sakura EP

Sakura

Bookings
MX / SA: bookingsregal86@gmail.com
NA: nathan@awesome-agency.com
UK / EU / ROW: alex@3feethi.com

✨🪄🪞Alchemist / Aesthete  🐇 🕳

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Regal86

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