18 minutes of pure joy, thanks for sharing, I really liked it.

This track released for the open remix project by :zoviet*france about his new soundwork "Hidden-by-the-Wall" commissioned by Green Croft Arts as part of its Collision and Conflict project.

More on :zoviet*france:
https://soundcloud.com/zoviet-france/sets/hidden-by-the-wall-open-remix?fbclid=IwAR23eVCF-8yRxJ3BPAw3kh5poKlArMhxfqr8chJf62vwLgqG1_yf2JoEYXo

More on Collision and Conflict:
www.greencroftonthewall.com/collision-and-conflict

The recordings are made available under creative commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) (creativecommons.org/licenses/by-nc-sa/4.0/)

Inside Ice Wind Fence, Oak Leaves Dropped Into Horsetail Ponds At Walltown Sur Rêve

Simona Castria — saxophone
Morgan Laplace Mermoud — percussion
Julia Sinoimeri — accordion
Moeka Ueno — piano

Fernando Palomeque — cond. 

rec & mix : A. Pétiard
27/02/21, Conservatoire de Paris CNSMDP

photo © B. Champeaux

Scorie (2020)

Léo Margue, direction

Flûte, Emmanuelle Ophèle
Clarinette, Jérôme Comte
Percussion 1, Gilles Durot
Percussion 2, Samuel Favre
Harpe,  Valeria Kafelnikov
Piano, Fernando Palomeque
Violon, Diégo Tosi
Alto,  Odile Auboin
Violoncelle, Éric-Maria Couturier
Contrebasse, Jules Bauer

Heterotopia I - Ensemble Intercontemporain

Performed by Riot Ensemble during Klangspuren Schwaz Festival, 2022

Riot Ensemble:
Klarinette: Horia Dumitrache, Alt-Saxophon: Amy Green, Schlagzeug: Sam Wilson Piano: Siwan Rhys, Violine: Sarah Saviet, Viola: Stephen Upshaw, Cello: Colin Alexander, Kontrabass: Marianne Schofield
Dirigent/Ensemble-Leiter: Aaron Holloway-Nahum

lost burdens, for ensemble (2022)

Métier d'art [Piano]

I added a track to @cjmcgregor 's submission

I recorded an improvisation in response to the initial track and then chose a 12 bar loop to cycle against the original 10 bar loop. To break the repetition I manipulated my loop with cableguys shaperbox. To top it off I added some depth with a bit of delay and a hint of vocoder.
C minor
117 BPM

Disquiet0592 CJM JZ Cm 117bpm

See https://youtu.be/KbGtz6B9CFc for visual explanation of EXACTLY why this sounds like this ...

More on this 601st weekly Disquiet Junto project, Hard Six (The Assignment: Let a roll of the dice determine the relative prominence of various parts of a track), at: https://disquiet.com/0601/

The project was inspired in part by recent correspondence with Junto participant Robert Precht. More to come in that regard.

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0601-hard-six/

visual explanation

halF siX [disquiet0601] - click link for visual explanation (YouTube)

Divertimento Ensemble - festival Rondò 2020
Mauro Bonifacio, conductor
Luca Avanzi, oboe

Lorenzo Missaglia, flute
Maurizio Longoni, clarinet
Corrado Coillard, trombone
Elena Gorna, arpa
Antonio Magnatta, percussion
Lorenzo Gorli, violin
Daniele Valabrega, viola
Luca Colardo, cello
Emiliano Amadori, contrabass
Maria Grazia Bellocchio, pianoforte

Publisher: Edizioni Suvini Zerboni - Sugarmusic, Milano

Dissipations…be(com)ing Memory - Oboe & ensemble - Divertimento Ensemble (2019)

This is a ~5 min segment from a recent recording session of an atonal ambient/drone patch, inspired by Jaap Vink’s ‘screen patch’ explorations. New territory for me, been trying out feedback patching for awhile and this is a first attempt in doing one on this style. The sound source is ring modulated feedback created by patching a handful of Eurorack modules together.

The key modules are a Doepfer BBD delay, Make Noise Mimeophon, Make Noise Maths, Make Noise Rxmx w/ Fxdf, and Mutable Instruments Blinds. Altogether, a simple "record head / playback head" feedback loop is created that slowly builds by itself, and using Maths to suppress/compress the signal by acting as an envelope follower that controls the overall patch amplitude.

Blinds is patched as a ring modulator, and Rxmx/Fxdf stand in for the 'third octave filter' suggested in the original Screen Patch. This allows the feedback to be processed through 6 bandpass filters, including being able to scan through one or more filter bands. 

I also added another multi-mode filter, wave folder, and through zero FM VCO into the patch, allowing for more timbral range and ending up with a metallic resonance that I was pleased with.

If you're interested, check out Jaap Vink's work in the 1970s at the Institute of Sonology in Utrecht, exploring ring modulated feedback patching with the 'screen patch'. More on the process here: https://www.youtube.com/watch?v=X_Bcr_HS9XM

Also see this inspiring collection of Jaap Vink recordings:
https://recollectiongrm.bandcamp.com/album/s-t

• • • 

More on this 613th weekly Disquiet Junto project, Test Drive (The Assignment: The Assignment: Do something you’ve been meaning to do), at: disquiet.com/0613/

About the Disquiet Junto: disquiet.com/junto/

Subscribe to project announcements: tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: llllllll.co/t/disquiet-junto-pr…ct-0613-test-drive/

Ring Modulated Feedback • [ disquiet0613 ]

Ex-Sentia Ensemble live in Bern, Switzerland

https://joshuamastel.com/Replica/

Replica (passage iv)

I Sing the Body Electric (2020)
by Claudia Jane Scroccaro
Florentin Ginot, double bass
Claudia Jane Scroccaro, live electronics
Arnaud De la Celle, sound engineer
Mikhail Malt, Encadrement Pédagogique

Recorded the 1st of July 2020 in the Grand Salle du Centre Pompidou
Manifeste Festival 2020 - IRCAM, Paris

I sing the body electric (2020) for Double Bass and Electronics - Florentin Ginot

Composer / clarinetist
CNSMD Paris / Kunstuni Graz

brendan.champeaux@live.fr

Scorie (2020)

Brendan Champeaux

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