Lounge

Coastin'

Sahara

The Beach House Sessions, Vol. 4

Rainy Day (Extended Beach House Mix)

Miami (Beach House Mix)

Cygnus A

How We Do It

Natural High

Propulsion

A stripped-back journey through minimal and micro house grooves. Deep basslines, subtle percussion, and hypnotic rhythms designed for late nights, afterhours, and low-light dancefloors.
This album focuses on flow, texture, and groove — minimal elements with maximum feeling.

Headphones recommended. Play it loud. Let it loop.

#minimalhouse #microhouse #minimal #deephouse #housemusic #afterhours #underground #groove #hypnotic #subtle #dancefloor #djmix #minimix #soundcloudmix #electronicmusic

Monday XII - AZRO [Minimal/Micro/deep house music 128bpm]

ULTIMATE GOLD RETURN 125 BPM

released on my label steadfast with a remix by SIGHA

echologist - slow burn

True dedication is difficult to find these days, as is motivation when digital media has overthrown old school methods, which makes running a label an even more sinuous mission. Despite a wealth of hurdles that increasingly come with the territory, this hasn’t put an end to people’s desire to push out their own imprints. Concurrently, the same digital revolution that has thrown off the industry has also made it possible for many projects to come into the spotlight, and many of these have made a spectacular difference. Whether it’s smaller side projects of well known artists, serving up quirkier, more experimental tracks, enabling further sonic exploration, or newborn collectives doling out fresh takes on contemporary sound, 2017 has been a prolific year for record labels.
But it’s not just the approach related to creating and promoting labels that has shifted recently. In recent times, the way we make and consume music has transformed as well. A label’s role has changed into that of a full on curator, influencing current musical trends based on their selection of outputs. But it’s not a status that is easily achieved, by all means.
Moving at its own pace, ten years in the world of dance music come as a century in real life, as dancefloor trends fluctuate. In such a surrounding, creating timeless pieces is essential when maintaining a high calibre establishment. But thanks to platforms such as Soundcloud or the ever-pervasive social media channels, it’s easy to showcase tracks and kick off labels without needing the once coveted record deal. Nevertheless, record labels serve as beacons in a world where we’re inundated by more and more content.
More than just a release platform, labels are indispensable partners in artists’ careers as the one to curate only the best music, accompany it with according designs, as well as bringing in new marketing ideas or even music videos. Shir Khan’s Exploited label has been a true example of such a label, hand-picking new producers to showcase, nurturing them from early beginnings into popular household names.

Shir Khan’s strong ear for talent has seen him responsible for launching the careers of Claptone, Adana Twins, Joyce Muniz through their releases on Exploited, the label also providing a platform for established remixers and artists such as Siriusmo, Freeform Five, Munk, Modeselektor, John Tejada, Phil Weeks, Cosmin TRG, Locked Groove, Deetron, Detroit Swindle, Acid Pauli, Ralph Lawson...
Now the label Exploited celebrates ten years of releasing amazing eclectic club music with some of the best tracks from its catalogue (from 2007 until 2017). 

Artist: Various Artists
Release: 10 Years Exploited 
Label: Exploited 
Cat: EXPDIGITAL160
Publishing: Exploited Ghetto Music Publishing
Releasedate: 25.12.17 (Beatport) / 25.12.17 (I-Tunes)

10 Years Exploited

We Belong (Together)

Urulu - We Belong (Together) | Exploited

Rhythms EP

Rhythm#1

All It Takes

All It Takes (Kai Alcé Distinctive Vocal) [feat. Zano]

Freedom

'Old School' House

Discotron & Disko Junkie - I Need Your Lovin' (Radio Mix)

Buy the full package or stream here https://smarturl.it/TRD538

I Need Your Lovin'

Buy or Stream

Discotron & Disko Junkie - I Need Your Lovin' (Radio Mix)

Brendon Moeller is a boundary-pushing producer whose sound is rooted in dub and techno and incorporates subtle undertones of jazz, shoegaze and afrobeat.

Brendon grew up in Johannesburg, South Africa. Throughout his childhood and teenage years, he learned piano and drums, finding particular inspiration in the music of artists such as Fela Kuti, My Bloody Valentine, De La Soul and Kraftwerk.

However, it was not until 1993, when Brendon moved to New York City, that his own individual style began to develop. With NYC as his base, he has worked with several prominent labels and collaborated with artists like Mikey Dread, Speedy J, Mutabaruka and MATRiXXMAN.

With dozens of EPs, singles and albums to his name, Brendon’s love for experimenting with sound has created an endless source of inspiration to continuously self-reflect and advance his music. Brendon is consistently striving to reinvent himself and skillfully influence the dub scene in the process.

“I’m incredibly blessed and fortunate. Without my wife, none of this would be possible.”

How We Do It

brendonmoeller/echologist/beatpharmacy

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