Name: Evensong by Brett
Duration: 3 min 59 s
Description: I made this piece a number of years ago in L.A. on a four track recorder. I heard the melodies and counterpoint in my head and fit them together. Too bad I didn't have an orchestra handy to fill out the sound. Enjoy.

Thank you for reposting, Alicia. Best, Brett

[[[[      TELEPATHY     ]]]]
-----------------------------------


[[[[     I'll connect with you when I choose to     ]]]]

You're unaware of what's making you tick
All the cogs are slowing & can't be fixed 
Your feet are submerging in sinking sand
And sweat is forming on the palms of your hands

[[[[[   TELEPATHY     TELEPATHY     ]]]]]

Choice is a luxury that's up to me
To make you think what I want when I focus in
TELEPATHY   -   TELEPATHY

When you're wide awake you can't concentrate 
When your eyes shut down you'll see my face
TELEPATHY - telepathy - TELEPATHY

I'm in control of your every hour
It's an uphill struggle 'cos I'm wearing you down
TELEPATHY - TELEPATHY

CONNECTING - UNSUSPECTING    ]]]]]]]]]]]]]]]]]]

You feel uneasy and you don't know why
Do you see something moving out the corner of your eye?
TELEPATHY  -   TELEPATHY
Is your face being brushed by an icy hand?
'Cos you'll never, never, never get to understand 

                  [[[[[    TELEPATHY   ]]]]]

------------------------------------------------

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I made this piece a number of years ago in L.A. on a four track recorder. I heard the melodies and counterpoint in my head and fit them together. Too bad I didn't have an orchestra handy to fill out the sound. Enjoy.

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Brett’s path has been serpentine. He’s followed music wherever it led him. He started off playing saxophone in a western swing band, then clarinet in a jazz duet. He began to write songs. First, a trickle, then a torrent. He’s played in jug bands, bar bands, original bands, country bands and R&B bands. Performed in smoky bars, lounges, coffeehouses, rock clubs, street fairs, parks, parades, farmers markets, swanky birthday parties, halls, hotels, memory care facilities, auditoriums, and the Palace Theater in Los Angeles. He’s played for oldsters, toddlers, teenagers, hippies, bikers, moms, dads, rockers, off-their-rockers, dancers, doctors, dog-lovers, cat people, babies, lawyers, veterans, administrative assistants and the president of the United States (once). He has written over 400 songs, some of which have piqued the interest of Screamin’ Jay Hawkins, Michael Bloom (Joe Cocker’s manager and one of the founders of Woodstock) and Carlos Santana among others.

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