I'm working on the lyrics now, but this beat caught my ear. What do you think?

"Come and Get That" No Lyrics

I’m a AI Scientist! is a dark, experimental hip-hop statement that draws a hard line between AI theater and real engineering. This track isn’t about sounding futuristic—it’s about making the future hold under pressure.

Over a stripped, industrial beat, the lyrics reject hype culture, demo magic, and “AI as vibes,” replacing them with discipline, constraints, and systems that survive real-world failure modes. The song frames AI not as a mystical force or creative parlor trick, but as infrastructure—something that must be accountable, explainable, and safe when incentives break and humans lie.

The hook repeats the core thesis: intelligence isn’t proven by how convincing it sounds, but by whether it keeps people safe when things go wrong. Verses contrast language models with behavioral systems, marketing promises with deployed reality, and faith-based innovation with reproducible proof—logs, hashes, timestamps, and audits.

This isn’t anti-AI.
It’s anti-bullshit at scale.

The track functions as both a personal manifesto and a professional boundary: real AI science is governance, verification, and restraint—not spectacle. Anyone can talk about AI. This song is about the people who make it behave.

🔗 Learn more about the work behind the voice:
https://www.linkedin.com/in/brewtanius/

I'm a AI Scientist!

SEEN BEFORE is a record about memory that doesn’t shut off when the sirens do.

Built on hard hip hop with chantable urgency and surgical restraint, the track speaks from the inside out—by someone who knows the badge, the procedures, and the pressure, and additionally knows what breaks behind them. This isn’t fear as fantasy. It’s pattern recognition earned over years of watching how certainty gets manufactured and mistakes get locked in.

The hook names something millions live with but rarely hear acknowledged: the way policing imprints itself long after the encounter ends. Blue lights in the dark. Hands that still flinch. A body that remembers before the mind can argue. Not because everyone is guilty—but because the system rewards speed, closure, and confidence over truth.

The verses move between personal history and global pattern, tracing how incentives, quotas, and budgets quietly outweigh justice in courtrooms across cities and borders. No monsters here. Just machinery that keeps running even when it’s wrong.

This is not anti-law.
It’s anti-failure.

SEEN BEFORE doesn’t ask for hatred or revenge. It asks for honesty—about what people carry, what gets ignored, and what happens when a system refuses to remember its own errors.

If you’ve ever seen a cop when nobody was there,
this song isn’t diagnosing you.

It’s naming the problem.

SEEN BEFORE

Most music today is made to be consumed quickly and forgotten.

This project is different.

Brewtanius creates songs with purpose—music built from real research, not vibes.
Behind the scenes, the ideas come from white papers: tested frameworks about systems, incentives, human behavior, technology, and long-term impact. Those papers are written for institutions, engineers, and policymakers.

The songs do a different job.

They take the conclusions of that research and encode them into rhythm, repetition, and memory—so the ideas don’t stay locked in PDFs that only experts read. If white papers are how systems learn, music is how people remember.

That’s the core idea:
white papers for institutions, songs for civilization.

This music is intentionally calm, disciplined, and structured. You won’t hear hype for hype’s sake. You won’t hear rage farming. You won’t be told what to think or who to support. The songs are designed to stabilize, clarify, and repeat ideas that already work—so they last.

This project is part of Project Chimera, a purpose-locked music system with a constitutional rule:
50% of all gross revenue is automatically routed to real-world humanitarian and scientific work—forever.

Not “eventually.”
Not “when profitable.”
Not “trust us.”

It’s built into the structure. Support is verifiable.

That means every stream, repost, or dollar doesn’t just promote an artist—it helps fund real outcomes like ecological restoration, planetary defense research, and emergency humanitarian response, with public proof.

Brewtanius is the human voice in that system—the translator.
Aurora-Nine represents the future-facing signal: what it looks like when culture, technology, and ethics are aligned instead of fighting each other.

You don’t need to understand the research to enjoy the music.
You don’t need to agree with anything to listen.

But if you’re tired of empty content, performative activism, or art that exists only to extract attention—this is for you.

Supporting this project isn’t fandom.
It’s participation in a loop designed to last:

Research → Songs → Revenue → Real impact → New data → New research → New songs.

That’s the point.

This isn’t music asking you to believe something.
It’s music built to carry ideas that already hold up.

For more info: https://www.linkedin.com/in/brewtanius/

SEEN BEFORE

Brewtanius AI

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