epic ,symphonic ,hard , melodic ,unique. I like it ! Yäiii!

Shock the Algorithm

This track is a remastered and better mixed version of adrift but it is supposed to show the fluctuation of emotions overtime

Regretful Devotion

Morphometry

Bandcamp

Ambiplasma

'dead. exposed.'
https://www.instagram.com/p/C2aVEy7ujHM/?next=%2F

You can't extract water from a stone.
Oh, no.
This once ever-flowing river is now dried to the bone.
Dead. Exposed.
And memories fossilized in the riverbed begin to erode...
...as my whole world implodes.

dead. exposed.

5 Star Commended Entry in the 2024 UK Songwriting Contest
Graham Williams - Vocals, guitars & bass; Katie Gill - Piano; Israel Pereira - Cajón.

I found a demo of this song from 2018 - just a run through for The Peace Band really - recorded on my Tascam DR-05. It was just me on acoustic guitar and vocals with help from Peace Band members Katie Gill on piano and Izzy Pereira on Cajón. I loaded up the recording into Cubase and recorded a new double tracked lead vocal over the top. I then added some backing vocals, electric guitar, bass and strings. There's an ocarina track in there as well. Katie's piano has got a bit lost in the mix unfortunately. I was originally going to record this song from scratch until I came across the demo.

If you're looking for a heaven on Earth, you can make it so,
Like planting seeds in a garden with love, flowers bloom and grow,
To make this world into a better place, all you need is just a little faith,
If you're looking for a heaven on Earth, you can make it so,

Heaven on Earth, heaven on Earth, we’re looking for a heaven on Earth.
Heaven on Earth, heaven on Earth, we’re looking for a heaven on Earth.

When you’re looking for a heaven on Earth, things of things you know
Rain falls upon the mountains above, makes the rivers flow,
To give this world the magic stroke, all you need is just a little hope,
When you’re looking for a heaven on Earth, things of things you know

Peace and love, peace and love, peace and love come from heaven above,
Peace and love, peace and love, peace and love come from heaven above,

If you're looking for a heaven on Earth, you can make it so,
Like planting seeds in a garden with love, flowers bloom and grow,
To make this world a better place, all you need is just a little faith,
If you're looking for a heaven on Earth, you can make it so,
If you're looking for a heaven on Earth, you can make it so

Heaven On Earth

Heaven On Earth (Graham Williams)

Cast of characters:
Llanpsych–@llanpsych –Tez–Elecrtic guitar, mix, and prodcution
TexMex Shaman–@texmex-shaman –Stephen– acoustic and electric guitar  
J.J. Terrell–@j-j-terrell -- Piano, synth, and organ
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1–five-string fretless bass and lap steel
  This is a remix that Tez did of a song JJ wrote, and we released a couple weeks ago. He extracted the coda, expanded it, and mixed an ambient groove into it. Basically, he took the sweetest part of the fruit and made a salad with it. Everyone is doing the same thing they were a couple weeks ago, except this time what you're hearing has gone through the filter of Tez's brain. It sounds like almost a completely different song now, and a really fun ride at that. Tez is into ambient music, so this touches on that proclivity, too. When all heard it on Christmas day, we decided immediately that we wanted to share it with all of you. We hope you enjoy listening to it as much as we enjoyed making it, and Tez enjoyed crafting it into something new.

Red Sun Ambient Mix - (Eclectic Collective)

Cast of Characters:
mistermark-- @user-432503709 -- Mark-- VST sax solo, harmonica solo, organ, tremolo guitar (synth), composition, arrangement, mix
Mysterious Decibel--@themysteriousdecibel --MD—lyrics & vocals
TexMex Shaman–@texmex-shaman –Stephen– second electric guitar solo, and mastering
J.J. Terrell–@j-j-terrell –piano and electric piano solo
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, first electric guitar solo, rhythm guitar comping 

This song originated with a slower more Jazz oriented track Mark had previously written ('1 For The Money, 3 For The Blues' https://on.soundcloud.com/BtSS4). However, he wanted a more 'suped up' version with solos turns, so he turned to The Eclectic Collective (EC) to fill in the pieces by replacing some of his solos with their own. Mark had some lyrics in mind too, however, once he heard The Mysterious Decibel's excellent lyrics and vocals, the song totally changed the direction and the vibe, for the stellar. 

   Once we had a basic structure, Ken, as always, came up with the rhythmic foundation for the song, allowing Josh to add his version of Mark's bass line. Then, after MD gave us the vocals, we got down to adding the solos. As more EC members jumped on board with new parts, Mark kept lengthening the song, moving the solos & vocals around until it's final current arrangement. JJ opens the song with his thrilling piano solo, as well as the electric piano solo where he joins Mark on VST Sax right after the first singing verses. Then Josh added a melodic and very clean toned guitar solo with a very clean tone - the first of the two guitar turns. After that, Stephen added his fiery guitar solo with a more overdriven tone. After one more vocal verse from MD, Mark stepped back in to close it out with his nasty harp solo at the end. After Mark handled the mixing on this song, we turned once again to Stephen to take care of the final sound production and mastering, which he fulfilled expertly.  

  We hope you enjoy this jazzier side of the EC as much as we enjoyed making it. MD's lyrics are about a psycho killer artist who hides clues about his murders in his paintings. 
-Original Lyrics by The Mysterious Decibel:

Some might say he's crafty and planned
With a shade of black and a brush in his hand
Some might say the world is his oyster
But no pearl lays inside just a conjuring blur

He'll paint you a murderous scene
With the blending of  sin all between pigments of green
He's a shady fella who hides behind the canvas!
I spy something with my little eye
This art might show just where he died

Will you find it?
The secret
Some freak shit
are you so sure you'll really wanna Keep it ?
The secret
Are you so sure you'll really wanna keep it?
Ahhh a little secret
Are you so sure you'll really wanna keep it?
It'll haunt your mind like it does him too
He's a swifty one he'll come for you!
The secret
The secret
The secret
Are you so sure you'll really wanna keep it?

I spy something with my little eye
This art might show just where he died

His art might show
might show
might show
just where he died 

----- ----- ----- ----- ----- -----
Side Note:
This past Tuesday, we released a fun little series of interviews over a 20 minute medley of some of our favorite musical moments. If you want to hear our voices and some of our thoughts about music, check it out! You might really enjoy it, especially if you follow us, and have been for a while. It's a celebration of all of our work over the past almost year together in various forms. This song was supposed to be a showcase of all of our skills to accompany that medley, except Tez isn't in on this one. He'll be on the next one, though, for sure! 
Thanks for listening!

----------------------------------------------------------
All comments welcome, and don't be shy to be critical or suggest ideas to help me improve. :)

Mark's Album (post-2020)

'A Brush With Death' Blues (with The Eclectic Collective)

Taken from the upcoming debut full length album (planned to be released mid-2024 - "Rock and Roll Kills").
(p) & (c), 2024.
youtube link: https://www.youtube.com/watch?v=jtnXGGtwzSQ
--------------------------------------------
lyrics:
Like we used to
---------------
We don't play in gigs like we used to
We don't play in the streets like we used to
We don't hang out in squares like we used to
and we don't drink ice cold beers like we used to

and now we grew up, became strangers we fell on trap 
and the days are not the same, like we used to...used to

We don't jam at all, like we used to
we don't grill outside the yard, like we used to
we don't party as friends like we used to
we don't say hello like we used to....used to

and now egos stood up, became cold and all that crap
and the years are not the same, like we used to...used to!

Rock and Roll Kills

Like We Used To

Lyrics by Tony Harris
Vocal, music and mix by Chuck Aaron (New version by Chuck)

WE DON'T KNEEL WHEN THE FLAG IS BEING RAISED
WE DON'T WANT OUR FREEDOM TAKEN AWAY
WE DON'T BURN AND LOOT DOWN ON MAIN STREET
WE LOVE OUR COUNTRY CAN'T YOU SEE

WE DON'T LIKE WHERE THE COUNTRY IS GOIN'
WE LIKE IT THE WAY IT USED TO BE
THE MUSIC BROUGHT US ALL TOGETHER
WHY CAN'T IT BE LIKE IT USED TO BE

(CHORUS)
AND I'M PROUD TO LIVE IN THIS COUNTRY
A PLACE WHERE ANYONE CAN HAVE IT ALL
YOU'LL FIND US AT CHURCH ON SUNDAY
AND GOD AND FAMILY IS THE MOST IMPORTANT THING OF ALL

BOOTS ON THE GROUND ARE NEVER POPULAR
WE DO WHAT WE HAVE TO DO TO KEEP US FREE
WE HAVE TO PROTECT THE HOMELAND
I THINK MOST PEOPLE WILL AGREE
AND GOD AND FAMILY IS THE MOST IMPORTANT THING OF ALL

(REPEAT CHORUS 2 TIMES)


2017 © Lyrics by Tony Harris

God And Family - Collaboration by Tony & Chuck Aaron - Original

Cast of Characters:
The Mysterious Decibel-- @themysteriousdecibel –MD-- vocals and lyrics in the choruses
TexMex Shaman–@texmex-shaman –Stephen– guitar, production, and mix
J.J. Terrell–@j-j-terrell –piano, synth sax 
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums, acoustic guitar intro, and vocalized tones at the end, verse lyrics and melody, composition
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, vocals on the verses

This is a song that originated with Ken several months ago. He wrote the whole thing on piano, guitar, and drums and presented it to the rest of the band. Of course, everyone was very excited to add their spin to it. 

Josh added his bass part first, as the foundation. Ken also left his catchy original guitar intro as it was. Then JJ added his dynamic piano part, which ended up being both foundational and stylistic, along with the sax that you hear in there, too. Stephen added his solid foundational guitar to it, too, soon after. Then it sat, stalled out for need of some vocals. Of course, we asked TMD to add some, which he did in grand fashion for the choruses. All that was left were the verses. Ken wrote lyrics, and gave Josh an idea for the melody, so he sang the verses to wrap it up. Of course, we asked Stephen to produce and mix it for us, which he did so well, as always.

  We hope you enjoy listening to this song as much as we enjoyed making it.

Homeboy - (Eclectic Collective)

Aenigma

„Akkordeon Gedicht in C Moll (19.03.2024 )

Zart und Weise zugleich vermag auch der Klang eines Akkordeons ein Klanggedicht zu erzählen.

Das Akkordeon.
Ein Musikinstrument das nach meinem Empfinden völlig in seinem Nuancenreichtum an Klangfeinheiten unterschätzt wird.

Minimalistisch und zart zugleich habe ich versucht eine kleine Komposition dem Akkordeon zu widmen.
Dies ist eine Fortsetzung meiner eigenen Klangreise mit den Namen Accordionata.

Hier findet Ihr eine weitere Komposition für Akkordeon
https://soundcloud.com/cloppenburg-music/lost-chapel?si=aa57320fec37411883c1a5fb614bb28b&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Hier verwendete ich einen Musette Slovenian Klang in 3Hz.
In einen Klangkontext mit einem Indian Harmonium sowie Shruiti Box.

Ein Klanggebet der ganz besonderen Ausdrucksform.

Hören Sie bitte von Anfang bis zum Ende. Das Akkordeon erzählt eine feine, meditative Geschichte. Die jeder frei interpretieren darf.


Vielen Dank für Eure geschätzte Aufmerksamkeit.
SOUNDCLOUD: https://soundcloud.com/cloppenburg-music

Musik :  Björn Cloppenburg  Alle Rechte vorbehalten
Foto	:     Björn Cloppenburg
Es wurden für dieses Projekt virtuelle Instrumente der folgenden Firmen verwendet:
https://cinematique-instruments.com  Interval  Les Femmes /    
https://xperimentaproject.com  La Fisarmonica Akkordeon / Indian Harmonium / Shruiti Box / Bass
https://westwoodinstruments.com  NOVELLA  ORIGIN “The Foils Choir” 



“Accordion poem in C minor (March 19, 2024)

Delicate and wise at the same time, the sound of an accordion can also tell a sound poem.

The accordeon.
A musical instrument that, in my opinion, is completely underestimated in its wealth of nuances and subtleties of sound.

Minimalist and delicate at the same time, I tried to dedicate a small composition to the accordion.
This is a continuation of my own sound journey called Accordionata.

Here you will find another composition with accordion:
https://soundcloud.com/cloppenburg-music/lost-chapel?si=aa57320fec37411883c1a5fb614bb28b&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Here I used a Musette Slovenian sound in 3Hz.
In a sound context with an Indian harmonium and Shruiti box.

A sound prayer of a very special form of expression.

Please listen from beginning to end. The accordion tells a delicate, meditative story. Which everyone is free to interpret.


Thank you for your valued attention.
SOUNDCLOUD: https://soundcloud.com/cloppenburg-music

Music: Björn Cloppenburg All rights reserved
Photo: Björn Cloppenburg
Virtual instruments from the following companies were used for this project:
https://cinematique-instruments.com Interval Les Femmes /
https://xperimentaproject.com La Fisarmonica Accordion / Indian Harmonium / Shruiti Box / Bass
https://westwoodinstruments.com NOVELLA ORIGIN “The Foils Choir”

Accordeon Poem in C major

Accordion Poem In C Major

CHOKE

Bastions of the Quantum Riftspire

ALPHA

dddddddddd (1)

⚡ Synthwave energy unleashed! ⚡ Shock the Algorithm returns with a brand NEW album — Ultraviolet Cosmos.
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

🌌 Available NOW on Bandcamp — grab your digital copy today and step into the neon! 🌌

Progressive Metal Guitarist, Drummer, Bassist, and Keyboardist.

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