Brian has this very special way to use arpeggios. The vocals work well

Cool tune! thanks for sharing your awesome music.

hey Brian man this is an awesome collab! love the sound of her voice against your thrilling playing! excellent work, both of you!

Since “Particle Guitar” over a year ago, Steve and I have written and performed many new songs together.  And we’ve formed a new band called “Korima” which will soon release its debut EP: “Into Your World”.
 
Along the way, as Korima, we’ve created some short songs.  Not excerpts but, rather, complete pieces to be enjoyed briefly on their own - or as connectors exploring the relationships between songs.
We’d like to showcase some of them here.  This is the first one up: White Sail.  We hope you enjoy it!
 
Korima's songs are written, performed, arranged, engineered, and produced by SuZanne Ledwith (Ireland) and Steve Pumphrey (England).
https://soundcloud.com/candyside-arcade/white-sail-korima

White Sail

The Twist of the Tale

When I first heard this I instantly picked up a  blusey mid eastern flavour to it and decided to pick up on that theme. I used Pauls track "Remember" in it's entirety with no edits to do some post production work around it, picking up on that eastern vibe I was getting !! I hope you will enjoy it as much as I did making it.  
A BIG thank you to Paul for this opportunity and for all your great support!!

Track,music bed and inspiration :- Paploviante https://soundcloud.com/paploviante-and-friends/remember-paploviante-open-collaboration-offer
Additional guitars,orchestration,post production mix and arrangement :- Pablo

The Long Journey

The Long Journey // PAPLOVIANTE // CAMBERELLI

"Take aim at his heart now!" he yelled. "And shoot for the head!" shouted back his armed colleague. But with tears in the formers' eyes, he knew he had already lost the fight. The longer he wore on in the battle with his foe, the greater his uncertainty. 
This song is about a mercenary remembering an encounter with a fellow mercenary. They were both after the same target and the first, unarmed mercenary was forced to kill his armed colleague with a car.
Listening to the story of the song, one may get the sense that betrayal and regret are central themes; however, they are only one of the many threads unfurled in the song. Violence and mercy are more central, especially within the mind's eye of the protagonist re-living what had occurred on one fateful day.
A violent mind may not breed mercy, but mercy will never hold a place (or a candle, if you will) in the minds of those whose idea of violence is not honourable and just -- in a moral sense, of course. Moral compasses change direction from person to person, from time to time, and from situation to situation. They can even, sometimes, point to one's own fate -- mercifully or not.

LYRICS:
Somebody once told me
In a ripped-up rage
Had eyes like a monster, and it came
Like the wind against my head.
So Drive Like You Stole It
With nothing to say
Eyes runnin' like water, to this day
I could not relate.

Hearing slowed-down sounds
Of an engine roaring,
Wheels rollin' to a cliff's end
And shot out in escape.
So it seemed
Was a blow to my youth.

Somebody once told me
In a ripped-up rage
Had eyes like a monster, and it came
Like the wind against my head.
So Drive Like You Stole It
With nothing to say
Eyes runnin' like water, to this day
I could not relate.

Seeing moving parts
As it comes upon him,
Devoted locomotion
To bring about elimination.
What I've seen
I have created.

Somebody once told me
In a ripped-up rage
Had eyes like a monster, and it came
Like the wind against my head.
So Drive Like You Stole It
With nothing to say
Eyes runnin' like water, to this day
I could not relate.

Take aim at his heart now
And shoot for the head
A backstabber grieving his existence,
So tortured.
Hold up a candle
In a darkened cave
Canot fix what cannot be seen:
I refuse to replay.

Like You Stole It

Naryech

Narypul

Similar to R I.P.  A bit of fun with a Dylanesque type blues.

A Little While

Featuring the maestro that is Jamie Rhind! Originally written in Jan 1999 and re-recorded to mark the turn of 2024, showcasing Jamie's sublime laid back keywork.
Jamie Rhind - Piano solo
Andy McLean - Soprano saxophone, EWI, Keyboards, Bass, Drum programming, Composition

New Beginning (feat. Jamie Rhind)

Chants Métallurgiques (metallurgical songs)

Brian Butts - Guitar, Drums, Bass, Keyboards, Master Mix
Jess Johnson - Vocals, Lyrics https://soundcloud.com/jesjon47?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Morphometry

Bandcamp

Aura Shock (feat. Jess Johnson)

Folk number from way back merging a few concepts... Lammas is an August harvest festival and Martinmas a November cattle-slaughtering and salting-down for winter one. Plough Monday celebrates the burying of a corn 'dolly' made from the last harvest sheaf to 'embody' the corn spirit and provide a winter refuge prior to its summer rebirth. Kine is an old word for cattle. How in touch with the land were rural folk from centuries past, and how disconnected we seem today in our little plastic techno-bubbles.🙄My lyrics, Mr. L's music/vocals. Copyright 2008 Jay Rich and Mr. L. Lyrics below:

                John Barleycorn

V1:

Hail old John Barleycorn
Your once ripe earth is so forlorn
With weeds instead of grain it's overgrown
From its trials it seems so worn:
Planted seeds as yet unborn
Lie dormant in the soil in which they're sown

V2:

Come summer, crops stand tall and strong
With you to urge their growth along
So Lammas brings in rich and heavy yields
Reapers sing Thanksgiving songs
Nights are short and days are long
The harvest moon shines bright upon your fields

Ch1:

Hail old John Barleycorn
Arise and be reborn
John Barleycorn arise and be reborn

V3:

Lush pastures flush with feeding kine
And Mother Nature marking time:
Her rhythms and her cycles so well known
To you a reader of the signs
Knowing what she has in mind:
Horn of plenty for the harvest home

*****Break*****

V4:

Plough Monday's corn doll offering:
A ploy to ward off suffering
Tombed in the first furrow of the year
With Martinmas comes slaughtering
Of fattened stock now herded in
Feeling nature's bounty will bide near

V5:

As seasons pass embrace your fate
Of lyring low and enforced wait
Retirement though won't suit John Barleycorn
You'll do no more than hibernate
Your reappearance never late
Your spirit will return to be reborn

Ch2:

Hail old John Barleycorn
Arise and be reborn
John Barleycorn arise and be reborn

Ch3:

Hail old John Barleycorn
Arise and be reborn
John Barleycorn arise and be reborn

Outro:

John Barleycorn arise and be reborn
John Barleycorn arise and be reborn



John Barleycorn (Mr. L music/vocals)

First track from our new EP "Time Zones" now available on Engram Recordings: https://engramrecordings.bandcamp.com/album/time-zones
Premier morceau de notre nouvel EP "Time Zones" disponible dès maintenant sur Engram Recordings : https://engramrecordings.bandcamp.com/album/time-zones

Time Zones

1984 Cherche Soleil

Progressive Metal Guitarist, Drummer, Bassist, and Keyboardist.

Aura Shock (feat. Jess Johnson)

Brian Butts

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