Name: Shepard-Risset infinite glide attempt with Absynth 5 by Brian Clevinger
Duration: 1 min 12 s
Description: https://en.wikipedia.org/wiki/Jean-Claude_Risset

Demo for the Synestia patch “Stringer Groove“, a pitch sequence from the expansion Tension for Synestia, available on patchpool.net. Processing a drum groove and a synth sound, automating some of the installed Synestia Macros and volume of the dry signals in Logic. Demo starts dry, then the sends to the Synestia bus open.

Stringer Groove

Demo for the Synestia patch “Gong Model 02“, a physical modeling patch from the expansion Tension for Synestia, available on patchpool.net. Macro automation in Logic, demo starts dry, then the FX signal fades in.

Buy Tension

Gong Model 2

Processing layered piano, English horn, synth pad with the preset Himalaya Verb from the expansion Tension for Synestia, available on patchpool.net - Synestia Macro automation and volume automation of the dry instrument levels.

Tension for Synestia

Himalaya Verb

Produced by  @ninon-dvslv 

Master by OTON/Baptiste Langlois
Artwork/CG/VFX direction: ITOAOI, @_itoaoi_
www.instagram.com/_itoaoi_/
TRNVA003
2025

Ninon - Katsinim Procession

all i see is you

This ambient piece was improvised live in one take by Machine Ghosts for the Winter Solstice 2025 online concert, hosted by The Rocky Mountain Synthesizer Meet and Moray Firth Synthesizer ClubScotland.

Machine Ghosts is an ambient improv ensemble featuring:

- Mark Mosher (Push 3 with Live for melodics) — Boulder, CO
- Langdon Crawford (Push 3 with Live for drones) — Denver, CO
- Michael O'Bannon (iPad with AUM for textures) — Atlanta, GA

We've been improvising together over Zoom since 2024 and have performed three online concerts.

The ensemble performs in real-time using Sonobus, with one member hosting the combined audio to Zoom using "professional audio" mode.

Huge thanks to Mark Dammer from Moray Firth Synthesizer Club for introducing us to Sonobus and helping us get started.

Since 2024, Machine Ghosts have done 11 sessions together, including 3 performances.

Sonobus with overhead cameras in Zoom makes us feel like we're in the same room, which allowed our roles to emerge organically. Despite being in different locations, we've developed ensemble intuition and now we simply agree on a root note, key, lengthy, and vibe—then listen and play. 

I really love where we've made it too so far.

"Winter Solstice 2025" by Machine Ghosts

https://en.wikipedia.org/wiki/Jean-Claude_Risset

Shepard-Risset infinite glide attempt with Absynth 5

universum est cor meum

The first of many pieces bearing the title "Absynth Chronicles".  I've been using Absynth by Native Instruments for a number of pieces.  This piece is freely structured, moment form, and explores particular recurrent intervallic combinations and sets.  The piece is written as a successor to other pitch-determinate synthesizer pieces of yesteryear, such as Babbitt's Philomel or Wuorinen's Time's Encomium.

Absynth Chronicles

Absynth Chronicles VIII for piano and absynth 5 synthesizer

Jeanette Louise Yaryan, Piano

Absynth Chronicles VIII

This piece was composed for Absynth 5 synthesizer and is written in memory of the late composer Charles Wuorinen.  It was inspired by his own seminal work Time's Encomium, a half-hour pitch-determinate piece for synthesizer in two parts, which won a Pulitzer Prize.  This piece, Absynth Chronicles XIV, is therefore a half-hour pitch-determinate piece for synthesizer in two parts.

Shepard-Risset infinite glide attempt with Absynth 5

Brian Clevinger

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