This recording was made in response to a prompt from La Meme Young as part of the LMY Patrons Monthly Project #1, and was also submitted as part of the Presque Tout project. 

Montreal (QC) - April 7, 2021, 3:54pm
Alleys are a defining feature of urban life in Montreal, and during the pandemic I've become especially sensitive to the gradual changes that take place in the alley behind my apartment building, which I watch from my balcony. Last summer, I noticed a Palestinian woman would often stop to pluck a few grape leaves from the vine growing on a neighbor's fence. The activities of the local squirrels and cats became daily entertainment. But the most dominant sound, at least when the weather is nice, is the boombox of the old man who lives across the alley. Forget about the groundhog; once this guy appears, winter is over. And once he stops wearing his shirt, you know it's summer. It was about 15 °C the day of this recording, almost 10 degrees higher than average, so I cracked open the window and made this recording. The man across the alley always plays awesome music, so I’m glad I captured some of that vibe, which also attests to the diversity of this neighborhood, which was built in the 1950s and has always had one of the highest percentages of foreign-born population anywhere in Canada. 

The first thing I hear is common bird song, probably sparrows.  The steady hum of automobiles on a nearby highway ebbs and flows on the edge of perception. A lighter flicks, and the door clicks shut. The clinks and clacs of kitchen sounds are faintly audible. Suddenly a radio is turned on, a hypnotic bassline and hand drum rhythm vamping while some sort of Middle Eastern horn solos energetically. The engine of a plane overhead is loud enough to be clearly heard; we’re right in the flight path of the airport. The song continues on for a while before changing, as vocals enter in a language I can’t recognize. Greek maybe, but the melismatic singing sounds more Arabic or Turkish. More kitchen noises become apparent, perhaps the clearing of plates. As the ninth minute is ending, a large automobile passes on the far side of the street. The bird song begins to increase in density, almost as if responding to the horn and vocalist which have increased in tempo. Some loud seagulls become audible towards the end of the recording, first screeching in the distance but coming closer, almost right overhead.  The gull reappears after a while, maybe it is circling, no longer shrieking but still crying out in almost regular intervals, moving further away. The birds pick up again. The door opens, and the recording fades out.

Montreal alleyway on the first nice afternoon of spring

Post-digital-hardcore-cyberpunk
Decentralized data will be ours again in the future
Meanwhile we can just well whatevery

Data Will Be Ours Again

Darkness Of Minds

I've missed the almost entire Noisevember, but here's one.

Radiant Data - 2023-11-20

I remember it was that Wednesday
Oh when it rained and it rained
They traipsed mud all over the house
It took hours and hours to scrub it out
All over the hall carpet
I took my mop and bucket
And I cleaned and I cleaned
The kitchen floor
Until it sparkled

Middle Mac 2's Album

Sparkle

THE WHITE ROOM BY KLF IN 1991 AT 200 BPMS BY DJ FREAKY FRANK

THE WHITE ROOM BY KLF IN 1991,AT  200 BPM   BY DJ FREAKY FRANK

KLF - Justified And Ancient (POWER Of The OCCULT Speed Mix)

We are very pleased to welcome Mind | Matter to the Kaos London podcast series.

MIND I MATTER is the main project of Paris based artist Théo Ferretti. With his roots in post-punk and black metal, MIND I MATTER blends existentialism, esoterism and brutality with industrial, EBM & techno. He has released on esteemed labels such as Detriti Records, Intervision, Area Z and Persephonic Sirens and has has played for Kaos at FOLD in London and for the Kaos 20th anniversary showcase at Khidi, Tbilisi last year.

Sparkle

Brian Combe

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