Name: You're my Heart You're my Soul by Wet Dogs Music
Duration: 4 min 11 s
Description: I was always a bit of a romantic I suppose, can you feel it, original by Modern Talking

Love the positive atmosphere in this track

Super Fantasrtic Pop Vibes...Love this melody so much...Amazing!

great version, Brian - love those top end arps! nice melody synth too - love it! ♥

Music & Lyrics: Jan Schonander
Guitar: Davy Vance https://soundcloud.com/skub1955

Not much I can do about the tragic events in Ukraine. I've decided that the aggressors can't appropriate the Z, so I'm taking it back in this metaphorical musical battle.

This is a tweaked master (for some of you this may be basics). I moved both the organ and vocal noisegate from last to first in the effects chain. This allows the effects such as delay to work and sound as intended. Also tried a saturator on the lead "high" vocal to make it stand out more in the mix. You will all let me know if this worked (it is most noticeable at the end where you can hear the organ fade out with the planned delay). On a side-note if anybody is interested in how the "sucking" effect is achieved on the drums it is using a combination of regular and reverse reverb. 

TAKING BACK THE Z

I’m taking back the Z
You can’t have it
You can’t have it
You can’t have it
You can’t have it
You can’t have it
It’s not white 
Z belongs to U
Yellow and blue
U
Yellow and blue
U

I can’t let go, it’s all I got
I can’t let go, it’s all I got
I can’t let go, no 

I’ll move from place to place
I’ll zig and I’ll zag
I’ll duck and I’ll hide
I’ll stay alive
I can’t let go, no

I’ll weave and I’ll bob
Be a thorn in your side
I’ll run and I’ll jump
No river’s too wide
I can’t let go, no

I’m taking back the Z
It’s all mine
It’s all mine
It’s all mine
It’s all mine
It’s all mine
It’s not white
Z belongs to U
Yellow and blue
U
Yellow and blue
Yellow and blue

I can’t let go, it’s all I got
I can’t let go, it’s all I got
I can’t let go, no 

I’ll beg and I’ll pray, 
Turn every stone
I’ll rant and I’ll rave
I’ll never rest
I can’t let go, no

I’ll be your worst nightmare
No matter your might
Be your worst nightmare 
Both day & night
I can’t let go, no

It’s all mine…

Taking Back The Z

Taking Back The Z | Davy Vance 🎸

This is my submission for the Darksiders quarterly playlist, this time involving the theme of colours. Inspired by the Beach colour palette. Dark turquoise water, muted cool greys and the beige colour of sand. Thanks for listening

BEACH

Una Canción De Amor

I was always a bit of a romantic I suppose, can you feel it, original by Modern Talking

Oh I Wish

You're my Heart You're my Soul

Version 2.0
Can’t you just exist?

You are everything I love in life
You are everything I love
You are everything
You are
You

It’s unfair
But I don’t see you
As you are
Why don’t you care
That you can’t be them

In my mind
You personify perfection
A muse of my invention
Despite your best intentions
You are doomed to let me down

Try to let you go
But who can ghost a ghost?

Live and let me go in peace with you
Live and let me go in peace
Live and let me go
Live and let me
Live

It’s unfair
But I don’t see you
As you are
Why don’t you care
That you can’t be them

In my mind
You personify perfection
A muse of my invention
Despite your best intentions
You will always let me down

The only one who understands
What we’re going through
Is my phantom of you

It’s unfair
But I don’t see you
As you are
Why don’t you care
That you can’t be them

In my mind
You personify perfection
A muse of my invention
Despite your best intentions
You are doomed to let me down

Be Diminished Live Rehearsal Demo

Lyrics:

Not so long ago
I was digging a hole in the ground
And I'm digging it
Since then
You would be surprised
At what flowers in the mud
As I bury my hands
In the dirt 

I would welcome you
To my little hole in the ground
Where we could watch the stars
But I don't know where I am

I dug as far as hell
And I dug a hole in the hell
To get deeper than that
Where it hurts
I know the story well
I read it in your eyes
As I was heading down
Struggling to breathe

I would welcome you
To my little hole in the ground
Where we could watch the stars
But I don't know where I am

I think I'm gonna stop
And climb up from the hole
I think I'm gonna sit
In the wind
But I'm a bit confused
Between up and down
They all seem the same
From outside

I would welcome you
To my little hole in the ground
Where we could watch the sky
But I don't know where I am

--

Artwork: "Rainbow Man's Mortal Remains", rendered in Mandelbulber.

The Hole In The Ground

Melancholy of Tibetan

unresolved issues

Disquiet Junto Project 0593: The Charm
The Assignment: Record the second third of an asynchronous trio.

Please note: While this is the third part of a three-part project sequence, you can participate in one, two, or all three of the parts, which have occurred over the course of three consecutive weeks.

Step 1: This week’s Disquiet Junto project is the third in a sequence that encourages and rewards asynchronous collaboration. This week you will be adding music to a pre-existing track, which you will source from the previous week’s Junto project (disquiet.com/0592 7). Note that you are finishing a trio: you’re creating the third part of what two previous musicians began. Please keep this in mind.

Step 2: The plan is for you to record an original piece of music, on any instrumentation of your choice, as a complement to a pre-existing track. First, however, you must select the piece of music to which you will be adding your own music. There are tracks by numerous musicians to choose from. The majority are in this playlist:

--

It was an interesting balancing act, to add something fresh while still leave enough space for the original material to breathe.

This is my 2nd iteration.
Initially, I wanted to just record a drum part but wasn’t satisfied with the end result.
I wanted something more subtle.

So for the 2nd iteration, I came up with a process that allowed me to explore a few of my current interests at the same time. Probably that’s why I was willing to give this piece so much attention. Hm…

Below is a somewhat detailed description of the process and context.
It’s long & detailed, because I wanted to capture a few thoughts while they’re still fresh.

Context:

earlier this week, I studied interviews with Nils Frahm about his current improvised live concerts (How I Play Live: Nils Frahm | DJMag.com). My take-away for me was that playing all parts by hand (e.g. not relying on quantized sequencers) is a part of his organic sound that I like so much.
That motivated me to play keyboard a lot more - mostly piano & electric piano sounds with a touch of tape delay effect - and discover that this is currently my favorite thing to do, musically.

yesterday, I repaired the broken switch of the audio input preamp on my Buchla Easel, and my mind was naturally wondering about how to employ it in the next projects…

earlier today, I read an interview with Biosphere (In the studio with Biosphere | Headphone Commute) - another artist whose sound I like a lot.
I liked the idea of processing samples of acoustic instruments (he mentions sampling classical music) through synths/filters/etc.

yesterday, I found the perfect reverb effect pairing for the Easel - a modulated space reverb pedal.

All of the above coming together to form the idea for a process.

(continued on https://llllllll.co/t/disquiet-junto-project-0593-the-charm/62312/57)

You're my Heart You're my Soul

Wet Dogs Music

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