SUPPORT LABOR UNIONS

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Consider that this song is ten iterations of a pattern, representing the hands of the laborer as well as ten-based systems of measurement.

Credits:
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PS Perkins: Guitars, bass, vocals, floor tom set 2, howl 1
R Thomas: Synth Guitars, backup vocals, floor tom set 1, snare drum, hi hats, howl 2
Mixed and Mastered by Mystic Tape Deck

Lyrics
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I cut the tree and I hammer the nail
I fetch the water and I carry the pail
Harvest the wheat, and I bundle the bale

Fasten the saddle, the bridle and bit
I shoe the horses and I shovel their shit
I dig forever in the bottomless pit

I'm turning wrenches and I'm fueling the jet
My brow is furrowed and it's blistered with sweat
I'm on a boat with a hook and a net

I'm in the engine room, I'm driving the train
I'm climbing poles in the wind and the rain
I load containers from a towering crane

Repair the derricks for the men who get paid
I'm tugging triples up a slippery grade
I built the factory where the factories are made

I'm in the kitchen now preparing your meal
With hogs to slaughter and potatoes to peel
I hone the blade and I sharpen the steel

BARDS:Of The Shimmering Seraphs

The Laborer

Kalter Mond

This is a mash of a couple of older tracks with some alterations.  The combination made me think to re-brand it.

Requiem Of Passage

I could not wait to jam on Paul's epic track (open collab) ....
Paploviante https://soundcloud.com/paploviante-and-friends/obfuscated-open-collab-offer
Here's my alto saxophone remix ! enjoy, and listen to the original track, which really needs no addition to unfold it's magic ! .... photo: Enigma code breaker

OBFUSCATED by Paploviante // Alto Sax Remix

Ebbe

I invite you to listen to my piano improvisation "Magic Lakes".
Find all my music here: https://linktr.ee/victorbirkan

Magic Lakes - Improvised Piano Piece

nouvel ambient (ambiance "forêt magique, rêve d'Alice, lièvre de mars) le titre aussi en raison de quelques décalages temporels entre les pistes

Toujours En Retard

All My Hopes and Dreams Fly Before Me

“A Dance with the Devil” was written for The One Who Watched from the Fire, where the Devil dismantles not with fire or fury but with poise. This piece imagines that moment as a slow, deliberate waltz: every phrase another step, every silence another turn, each one pulling the protagonist deeper into a choreography he never agreed to but somehow knows.

The music reflects that unnatural elegance:

A restrained rhythm keeps time like a hand on your back, guiding without force.Strings and piano circle one another in phrases that feel hypnotic graceful, but never free. Low textures linger beneath, an undertow reminding you that this dance is not yours to lead.

Where Never Was is the Devil’s memory of a broken man, and Human Too is the man’s own attempt to reconcile with his shadow, this track is the process itself, the seduction, the dismantling, the slow realization that every step you’ve taken has been on the Devil’s floor all along.

All My Hopes and Dreams Fly Before Me

Brian James McDonald

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