Don't Abandon All Hope

Merry belated Christmas to all.
Due to a little indulgence this year this track is a little late being released 
I hope you enjoy.
Music,composition,arangement,mix and production ... Pablo.

Santa's Toyshop

Santas Toyshop

An instrumental lullaby that I wrote for my daughter who arrived recently and has turned my world on it's head (in the most amazing way) :)

Mia's Lullaby

All I ever wanted.
=========================
Rekha Iyern (Voice)
Manu (Delaflor) guitar riff
Midisound (Drums, bass, guitar, and synths).

Concept created in late 2022

When I heard Rekha years ago, I couldn't stop thinking about how I could adapt a song to her voice.

Thanks to Delaflor, who had already collaborated with her, she was able to contact me and offer me a song. After several weeks of work, Manu added an excellent guitar riff that partially camouflaged my horrible synth guitar.

thanks to my two traveling companions on this occasion for their patience and dedication.

Listen to ReKha and Delaflor's music at these two links.


https://soundcloud.com/rekha-iyern-fe

https://soundcloud.com/mercer-goldengalls


34 tracks MS2 and forum Xewton
3 Track Audiokit
4 tracks Sunrizer synth.
Software Music Studio 2
Hardware. iPad
Mix by Delaflor


Thank you everybody

All I ever wanted (Rekha Iyern [Fe], Delaflor & Midisound)

For Earth Day, an electro hymn at a chill 70 bpm

In praise of water 
Created before we 
of land and sea came to be 
Glory to water 
Magic elixir 
Life sustaining 
Half of it containing 
My body 
Fills oceans rivers lakes 
And thirsty tree
Fatefully 
Where it chooses 
Water never loses 

Sacred aquifer
Whose travels blaze 
the paths we sail
To raise a glass of wine
To water!
To living well 
To drink of grapes that streams 
Feed over time 
To the majestic flow 
On and on and on we go 
Like a slave’s escape to liberty 
Wade in the water, children
Set yourself free 

With props to Ramsey Lewis, Wade In The Water, 1966.

…………………….
 DAW: Apple Logic Pro X 
MIDI: Akai Professional Keyboard 
E-INSTRUMENTS: Concert Grand piano SoCal Ballad Piano
Mexican Guitarron
South African Singers  Momentum synth Lunar Strings synth  Deep Round Synth Bass 
E-DRUM KITS: Drum ‘N Bass Remix  Trip Hop Remix  Trip Hop Remix Phaser Trance Remix
2-Step Remix  African Kit Latin Kit

Audio of running water recorded live on April 20, 2025.

COVER ART is original CGI by SUNNYBECK using a composite derived from AI-generated images rendered as original CGI, then retouched and designed in Photoshop. ………………..
.

Water Hymn

This instrumental track, performed by GOLTZ (Gunther Benedict-drums, Christoph Musil-bass, Mario Palaschke-keyboards), is the result of a nightly improvisation over a poem by German writer Christian Morgenstern (1871-1914).

Gruselette

Original music, arrangement, piano, organ, bass guitar, drums, J.J. Terrell on.soundcloud.com/ErEWw3bHuvBBFXuw7
Guitar (Nylon electro-acoustic guitar Cordoba GK studio) and final mix by Neno J.

Tango passionato (Collab with J.J. Terrell)

This is an old traditional Malagasy song,
we did for you 

Kitana on vocals 
Rina on piano

Mifankatiava ihany
Raha mbola velona aina
Tsy misy toy izany ny mampifaly saina

Ny maty efa lasa
Tsy azontsika antsoina
Isika no mikasa
Ny ratsy hadinoina re

Ny maty efa lasa
Tsy azontsika antsoina
Isika no mikasa
Ny ratsy hadinoina

Koa raha tsy fotoana ela
No hipetrahana eto
Andeha re
Andeha re mba hifamela
Andeha hifamela mba tsy harahin-tsento
Mba tsy harahin-tsento
Andeha re(Andeha re)
Mba hifamela
Mba tsy arahin-tsento

tranlation:
Let’s love one another
While we are still alive
There’s nothing more joyful than that for the soul

The dead are already gone
We can no longer call them back
It’s up to us now
To let go of the wrongs

The dead are already gone
We can no longer call them back
It’s up to us now
To let go of the wrongs

So if our time here
Is not for long
Let us go
Let us go and forgive each other
Let us forgive, so no sorrow remains
So no sorrow remains
Let us go (Let us go)
To forgive
So sorrow won’t follow

Cover Solika - Mifankatiava ihany | by Kitana and Rina

Reminiscence – The Gentle Return
Sometimes the heaviest moments are the quiet ones.
When a single piano speaks louder than any voice,
not with words, but with the aching stillness left behind.

Reminiscence is the sound of looking back,
of revisiting the empty chair, the quiet room,
the laughter that once filled it – now just an echo.
It’s not a cry for comfort, but a slow exhale of memory.

This piece doesn’t try to escape the sorrow.
It walks beside it – unafraid, tender, honest.
Because some things cannot be forgotten.
They live on in sound, in silence, in the spaces between the notes.

Performed entirely on the Bechstein  –
a grand piano from EastWest, known for its haunting intimacy.
Its velvety resonance and delicate detail bring life to the sadness,
like a whispered goodbye that lingers in the air.
Every nuance was shaped by human hands – with reverence, with grief.

Part of the album Tides of Melancholy.
No AI. No shortcuts. Just soul, sorrow, and sincerity.

Composed, played, and felt by myself –
for all those who carry someone in their heart but can no longer hold them.
Thank you for listening – and for making space for this gentle return.


Reminiscence – Die leise Rückkehr
Manchmal sind es die stillsten Augenblicke, die am schwersten wiegen.
Wenn ein einziges Piano lauter spricht als jede Stimme –
nicht mit Worten, sondern mit dem Schmerz,
den nur die Abwesenheit kennt.

Reminiscence ist ein Blick zurück.
Zu dem leeren Stuhl. Dem stillen Raum.
Dem Lachen, das einmal darin lebte –
nun nur noch Erinnerung, verhallt im Nichts.
Dieses Stück sucht keinen Trost.
Es atmet die Trauer – langsam, behutsam, aufrichtig.

Denn manche Verluste verblassen nicht.
Sie bleiben – in einem Klang, in der Stille,
in dem, was zwischen den Tönen unausgesprochen bleibt.

Eingespielt auf dem Bechstein Sus Rep Lite DYN –
ein Konzertflügel aus der EastWest-Piano-Serie,
geschätzt für seine emotionale Tiefe und intime Klangcharakteristik.
Sein samtiger Ton und seine fragile Präsenz
verleihen dem Schmerz eine Stimme,
wie ein leiser Abschied, der in der Luft stehen bleibt.
Jede Note wurde mit Sorgfalt und Gefühl geformt – von echten Händen.

Teil des Albums Tides of Melancholy.
Keine KI. Kein Trick. Nur Seele. Nur Trauer. Nur Wahrheit.

Komponiert, gespielt und empfunden von mir –
für all jene, die jemanden im Herzen tragen, den sie nicht mehr in den Armen halten können.
Danke fürs Zuhören – und dafür, dieser leisen Rückkehr einen Platz zu geben.

℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
Unauthorized use, reproduction, modification or distribution of this track is strictly prohibited and will be prosecuted under applicable law.
℗ 2025 DestKorn | © 2025 DestKorn. Alle Rechte vorbehalten.
Jegliche unautorisierte Nutzung, Vervielfältigung, Bearbeitung oder Verbreitung dieses Tracks ist untersagt und wird rechtlich verfolgt.
Artist & Publisher: Matthias K. / DestKorn
SenneRecord – established 2012

Reminiscence

Well’s track Glycerine with Llanpsych guitar

GLYCERINE - with WELL

Dear friends, we lived close to the Cherry Valley when we were young - and now we are going back!

Back to the Cherry Valley

We meet in the cherry valley clime where cherries bloom
there is grandfather and our dear grandmother too
the small kids are there , and also dogs who will find
that this place is full of joy
and let the party move on 
and let all kids - run free
this is a morning that is grand

The path to this wonderful place on earth
is so tricky and hard and the old people need
all help they can get, we maybe put them in a wheel-
barrow for the tough transport
and let the party move on 
and let all kids - run free
this is a morning that is grand

We will go there when the cherry trees bloom - - they are so cute
and the morning sun must shine and cast shadows that make
the view magical - - it is a wonderful moment
for the generations to meet 
and let the party move on 
and let all kids - run free
this is a morning that is grand


Lyrics in Swedish:
Tillbaka till Körsbärsdalen

Vi möts i körsbärsdalen där körsbär blommar
där finns farfar och vår kära mormor också
de små barnen är där, och även hundar som kommer att finna
att denna plats är full av glädje
och låt festen gå vidare
och låt alla barn springa fritt
det här är en morgon som är magnifik

Vägen till denna underbara plats på jorden
är så knepig och svår och de gamla behöver
all hjälp de kan få, vi kanske sätter dem i ett skott-
kärra för den tuffa transporten
Och låt festen gå vidare
och låt alla barn springa fritt
det här är en morgon som är magnifik

Vi åker dit när körsbärsträden blommar - - de är så söta
och morgonsolen måste skina och kasta skuggor som gör
utsikten magisk - - det är ett underbart ögonblick
för generationerna att mötas
och låt festen gå vidare
och låt alla barn springa fritt
det här är en morgon som är magnifik

Back to the Cherry Valley - 2025-06-12 17.19

TO LISTEN TO FULL ALBUMS, LINKS TO YOUTUBE, SPOTIFY, AND ITUNES ARE BELOW:

Recorded / mixed / Mastered by Bart Koster - Midtown Recording -Westlake Ohio

Don't Abandon All Hope

BRIAN P MATHENY

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