Your music choices and execution are exquisite. How very ethereal and beautiful. This is the type of music that moves you to that special place between tears and ecstasy. It is like finally holding the love of your life and yet knowing you will never

really want to play this, this piece sound so amazing

Snowball Park | Super Mario 3D World | Piano Cover

Star Wars: The Bad Batch | Omega's Theme

Amnesia  The Dark Descent (FULL Soundtrack) [57 Minutes]

Fantasy Collection: 10 min Dungeon Ambient Music

Namine Harp Theme

02-BJ The Quest

This is the music theme from the intro of Fallout 4. Enjoy :)

Fallout 4 Intro Music

Inspired by the book 'Ready Player One' and its main character Parzival and his love interest Art3mis.

Parzival & Art3mis

There are some music Made by Adrian Von Ziegler

Dark Fantasy Music - Reign Of The Dark - Adrian Von Ziegler

I'm doing a remaster version of Dark Souls 2, so here's one for you listeners. Made with Massive plugin.

Dark Souls 2 Majula Remastered

Grade 1.5 String Orchestra

Based on the enchanting melody of Sakura, Sakura, this fantasy on the popular Japanese folk song winds through several harmonic shifts and melodic variations. The fantasy begins almost immediately. While the phrase structure of the original tune remains intact (one can superimpose the original melody over the initial 6 measures and hear how phrasing is the same), the melody itself develops subtly beginning in measure 3. The true melody of the folk song is presented almost verbatim at measure 9 before the music starts to develop and transform in the section beginning at measure 15. The first major harmonic shift of the piece occurs at measure 23, when the total center moves from B minor to D Major. This continues into measure 29, where the bass voices introduce an altered version of the melody based on the exact same rhythm of the traditional tune, but the overall melodic contour has been changed, now moving upward (whereas the original has an overall downward motion, especially by the end of the fourth measure). Finally, after the second (and most powerful) climax of the work, the music moves back into the opening tonality of B minor. This time, however, the B minor tonality embraces the upward movement of the melodic line (which began at measure 29). The fantasy concludes with a shift back to D Major in the last measure, making the transition smooth by using two notes as common tones to each chord (F# and D).

FANTASY ON A JAPANESE FOLK SONG

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Ana Chapman Productions

Ana Chapman Productions

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