l'alphalpha

Mixed by Brian Batz
Produced by Brian Batz, Mikael Johnston & Jeff Saltzman
All instruments played by Brian Batz except the violin by Lisa Light
Label:
Blood and Biscuits (UK/EU)
A:larm Music / Universal Music (DK)
Riot Factory (NO/SE)
White Wabbit Records and White Noise Records (ASIA)

℗ & © 2014 Sleep Party People under the exclusive license to A:larm Music, Universal Music (Denmark), Blood and Biscuits, Riot Factory, White Wabbit Records and White Noise Records. All rights reserved.

SLEEP PARTY PEOPLE - In Another World

Side A
1	Change In Time
2	Floating Blood Of Mine
3	A Stranger Among Us
4 	In Another World
5	Death Is The Future

Side B
6	I See The Sun, Harold
7	I See The Moon (Feat. Lisa Light)
8	Only A Shadow
9	Scattered Glass

Sleep Party People is: Brian Batz

Produced by Brian Batz, Mikael Johnston & Jeff Saltzman

Mixed by Brian Batz at Batz Studio.
Co-mixed by Mikael Johnston at Class A Recording (A1, B7, B8, B9)

Recorded by Jeff Saltzman, Mikael Johnston & Brian Batz
Recorded at Class A Recording and Skyline Studios, San Francisco, February/Marts 2013
Additional recording at Batz Studio, Valby, Denmark, April/May 2013
Mastered by Nikolaj Vinten at Supersonic, Copenhagen

All Music by Brian Batz
All lyrics by Brian Batz except B7 by Lisa Light
Co-writing on A2, B9 by Mikael Johnston

Brian Batz – Vocals, drums, guitars, bass, keys, piano, wurlitzer, theremin and fx.
Lisa Light – Vocal, Bass, Violins (A4, B7, B8)
Mikael Johnston – Guitars (A2, B9)

Cover artwork by Roby Dwi Antono

Thanks to Mikael Johnston, Jeff Saltzman, Elizabeth Jane Johnston, Lisa Light, Kaspar Kaae, Ask Bock, Rasmus Lindahl, Jessica Petersen, Jacob Haubjerg, Tim Sorensen, Stella Gelardi Malfilâtre, Thomas Ipsen, Jacob Høegh, John Greany, Bas Flesserman, Anders Wind, Roby Dwi Antono, Scarlet Chives, Cody, Nikolaj Vinten, Efterklang, Rasmus Stolberg, Jesper Quist Kaalund, Leif Bruun, Paw Ager, Michael Fierce, Kasper Finn, Peer Group, Stereo Sanctity,  Rosa – Dansk Rock Samråd, Music Export Denmark, DJBFA, Koda and of course everyone at Blood And Biscuits, A:larm Music, Universal Music Denmark, Riot Factory, White Wabbit Records, White Noise Records, Belmont Bookings, 3rd Tsunami Agency, Budde Music and family & friends, too many to mention but you have my deepest gratitude and love. 

May our journey be grand, beautiful and long. 

http://www.brianbatz.com
http://www.facebook.com/sleeppartypeople
http://www.classarecording.com


℗ & © 2014 Sleep Party People under the exclusive license to A:larm Music, Universal Music (Denmark), Blood and Biscuits, Riot Factory, White Wabbit Records and White Noise Records. All rights reserved.

All rights of the producer and of the owner of the work reproduced reserved. Unauthorised copying, hiring, lending, public performance and broadcasting of this recording prohibited. All Rights Reserved. Made in the EU. P&C 2014 Universal Music (Denmark) A/S - LC01846 - UNI 3780897

SLEEP PARTY PEOPLE - Change In Time

From the album Echo Other available now in an Expanded Edition http://hyperurl.co/1w0ul0

http://www.allindiaradio.com.au

Four Three

The newest single from the Belgian twosome is a dazzling dream voyage of folksy neo-psychedelic pop-rock. The track is the first taste of the next album in their ‘Inspired by’-series.

'Lost In Rèverie' →https://linktr.ee/musicfordreams

Connect with Reinhard Vanbergen
Spotify: https://open.spotify.com/artist/6uvyWuE7z8Rv93plqNWniu
FB : https://www.facebook.com/reinhardvanbergenartist/
IG : https://www.instagram.com/reinhardvanbergen/
YT : https://www.youtube.com/channel/UCkWx-jIAft8Xynkfa3_SJ9Q

Connect with Charlotte Caluwaerts
Spotify: https://open.spotify.com/artist/6tqwdjT5tBQxCIh994rNtq
IG : https://www.instagram.com/charlotte_caluwaerts/

Connect with Music For Dreams
Spotify: https://open.spotify.com/user/musicfordreams
FB : https://www.facebook.com/musicfordreams
SC : https://soundcloud.com/music-for-dreams
YT :https://www.youtube.com/channel/UCo8HNI0C0QGdOoHWrTqhVWA​
IG : https://www.instagram.com/musicfordreams/
TW : https://twitter.com/musicfordreams
BC : https://musicfordreams.bandcamp.com/
Home : https://musicfordreams.dk/

Reinhard Vanbergen & Charlotte Caluwaerts - Lost In Rèverie - s0690

My Sweet Pepper Land - Golshifteh Farahani Playing HangDrum

Feeling Floydish

Nocturnal Descent #174

L’alphalpha is a Dream Pop/Indie Rock band from Jakarta, Indonesia. The band consists singer-guitarist Herald Reynaldo , bass guitarist Yudishtira Mahendra, synthesizer player Citra Winitya , drummer Ildo Reynardian, pianist Byatriasa Ega, and violist Purusha Irma.  L’alphalpha musical influences are varied. Their musical style is link to various genres such as indie pop/rock, post-rock and shoegazing.   

L’alphalpha Began working their debut album in the mid 2010, continuing their unreleased EP at Black Studio, Jakarta. And in 11 February 2011 they self released their debut album entitled “When We Awake , All Dreams Are Gone”. 

L'Alphalpha - Cortex

L'Alphalpha - Wish

L'Alphalpha - The Day When Everything Around Us Fall Asleep And We Do Remember How To Awake

L'Alphalpha - Peace, Completeness, And Welfare

'Vantdraught 4' [CD|LP|DIGITAL]
Denovali Records · den256
available on all formats at [http://denovali.com/kubakapsa]

Kuba Kapsa is a Polish pianist and composer being the leader of the avant-jazz combo Contemporary Noise Sextet (2006-2014). Beyond that he is a renowned composer for film and theater plays. His latest venture is the first of a sophisticated series of projects of modern classical music bearing the common title "Vantdraught".

The first part of the "Vantdraught" series was called "Vantdraught 10 · Vol. 1" and featured ten classical instruments - 4 violins, 2 violas, cello, vibraphone, marimba and piano. The now appearing second part is "Vantdraught 4", a quartet album written for violin, clarinet/bass clarinet, trombone and piano. The minimalistic style of Vantdraught 10 is preserved although the music is less repetitive and much more intimate. Instinct and intuition is the main force behind the writing process, usually avoiding typical chord progressions and the classical cadential technique. In contrast to "Vantdraught 10 · Vol. 1", the rhythm domain is also less important, thus allowing the melody and harmony to come to the fore. The pieces of "Vantdraught 4" are mainly tonal music but Kapsa also makes use of atonal and polytonal harmonies which requires the listener to put more effort into listening to these parts. The unusual set of instruments is what makes this quartet album unique and fresh sounding. "Vantdraught 4" is certainly linked to classical and minimal music in general but one can find other influences such as jazz and "new music".

Much like its predecessor, "Vantdraught 4" features an astonishing artwork based on "The Reluctant Conscript" by the seminal artist duo Kahn & Selesnick.


Vantdraught 4

Kuba Kapsa Ensemble - Vantdraught 4 No. 5

a 1st track rerecorded for the Place of the Gods CD


The Winds Will Bring You Home

Spit It Out

Download 'Amnesia' Here - http://t.opsp.in/e02b7

DEAD CAN DANCE
NEW ALBUM ‘ANASTASIS’ OUT 13th AUGUST
FIRST RECORD IN 16 YEARS
ROYAL ALBERT HALL 26th OCTOBER
SHOW SELLS-OUT IN UNDER 48 HOURS

Dead Can Dance will release their new album ‘Anastasis’ through [PIAS] Recordings on 13th August. Available on CD, double LP and download, the album is their first since 1996’s ‘Spiritchaser’. The band, who embark on a world tour in August, have confirmed a show at the Royal Albert Hall on 26th October. Tickets for the show sold-out within 48 hours of going onsale. 

‘Anastasis’ track listing
1. Children Of The Sun 
2. Anabasis 
3. Agape 
4. Amnesia 
5. Kiko 
6. Opium 
7. Return Of The She-King 
8. All In Good Time 

On the cover of ‘Anastasis’, Dead Can Dance’s first album in 16 years: a field of sunflowers, ripened, and then blackened, by the sun, standing with sad, slightly crowned heads. Less dead than dormant, the heads and stems will one day be chopped, but then via the roots, will return. For ‘Anastasis’ is the Greek word for ‘resurrection’ and the seemingly dead will dance again. 

“I thought ‘Anastasis’ was a good title given our reunion,” explains Brendan Perry, who, with Lisa Gerrard, formed the band in Melbourne, Australia in 1981, releasing seven studio albums, and one live album, before going their own ways after 1996’s ‘Spiritchaser’. “’Anastasis’ also means ‘in between two stages’,” he adds. “Regeneration comes with the next season.”

‘Anastasis’ is perfectly apt given how the album is an astonishing regeneration of the legendary beauty, power and spellbinding nature of the duo’s unique sound and vision. Age hasn’t withered DCD, not the passing of the years; if anything, the album sounds bolder, stronger, more confident in its vision.. 

A Greek word to represent the album is equally derived from the music’s origins. While Perry can hear echoes of DCD past, “from right across our catalogue,” he reckons the core of Anastasis can be found, “slap bang” in the near-Eastern Mediterranean, from Greece and Turkey across to North Africa. “The music I listen to and research becomes both unconsciously and consciously part of a new project, and for this album, I’ve been fascinated by the classic immutable elements of Greek culture, the depth of their music and their love for song that you don’t get as much in the west; the way they combine philosophy and love songs, and throw a bit of science in there too. I love the eastern influence that comes from being a crossroads between east and west, the kaleidoscopic mosaic of those fused cultures, while the further west you go, the more it’s a mono-cultural society.

Perry says the duo have been talking about another album since Dead Can Dance’s world tour of 2005. But that extensive tour was exhausting, and the incentive was lacking, so it was put on the backburner until calendars could again be synchronised – not so easy since Perry lives in the centre of Ireland (the land of his ancestors), where ‘Anastasis’ was recorded (at Perry’s converted church studio Quivvy) and Gerrard lives in Southern Australia. Once upon a time, they left Melbourne for London, settling many floors up in a council block on the Isle of Dogs, putting whatever pittance they had into their music. 

Signed by 4AD and releasing their first album in 1984, the duo drew rapturous reviews for albums that spanned neo-classical and folk across time and geography, each album selling to a progressively larger audience, the emotional drama of their coming to the attention of the San Francisco ballet, Hermes Perfume and a documentary on Hitler and Stalin; likewise motion pictures such as Heat, The Crossing Guard and Baraka. Gerrard developed her own solo film soundtracks - The Gladiator and The Insider, for example – while Perry worked on solo albums such as 1999’s ‘Eye Of the Hunter’ and 2008’s ‘Ark’. The pair dissolved their physical relationship in the early ‘ 90s but something keeps them together – a bond of deep friendship and musical compatibility and understanding, and so Anastasis is born, and Dead Can Dance regenerated. 


SLEEP PARTY PEOPLE - Change In Time

Brian Batz

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