**The 45th Anniversary Anthology: A Celebration of Brian Walton's Musical Journey**

Get ready to groove through the music of Brian Walton! Painstakingly restored from reel-to-reel and even cassette tapes, the 45th Anniversary Anthology showcases the full spectrum of Brian's incredible compositions to date. This comprehensive collection includes tracks from the iconic “Made in the Shade” album, all professionally restored and digitally remastered to bring you the best listening experience possible.

It all began back in 1980, when the talented Brian Walton was just a student at Juilliard. Little did he know that a chance encounter with the legendary producer Phil Ramone would change the course of his career forever! With an invitation to work at A&R Records as a session musician and composer, Brian embarked on an illustrious journey that would span over four incredible decades.

Fast forward to today, and Brian has amassed an impressive catalog featuring over 450 compositions! With five Billboard Top 200 hits under his belt and appearances on 11 internationally acclaimed albums (ASCAP and Billboard), Brian is a living legend in the music industry.

So, whether you’re a long-time fan or just discovering his music, the 45th Anniversary Anthology is a must-have in your collection. Dive into the melodies that have captivated audiences for years, and let the celebration of Brian Walton's journey inspire you!

Anthology

Digitally Remastered 10th Anniversary Edition! 10 years after its initial release, the 'What the Hell' album is still one of the most relevant and iconic compilations of Brian Walton's massive collection of original works.

What the Hell (2025)

Wrap it up by Jimmy Vaughn's Texas Blues Band the Fabulous Thunderbirds was recorded in 1986 and wraps up the first installment of the 'Still got my Mojo' collection

Still Got My Mojo

Wrap It Up

Nestled deep in the mountains is a little mining town where the folks drink as hard as they work and empty mines are haunted by the lost souls of ill repute. This made-for-radio remake of Brian Walton's 2021 Top 10 Hit features the Fiddle Wizardry of Jaize the Violinist and the Drum mastery of Taylor Harris.

Brian Walton: Vocals, Guitars, Bass, Keys (ASCAP/SCL/SGA/MPA)
Jaize the Violinist: Fiddle (SOCAN)
Taylor Harris: Drums (SOCAN)

Recorded at Musty Dungeon Studios in Challis, ID USA for Sony Records.

In My Little Town

Reprise (Long Version)
Friend, let me tell you about my little town
She’s a downhome beauty, second to none
The prettiest place that you ever have seen
Friendliest folks if you know what I mean

Well, there’s big drama in my little town
Where the rumors go on round and round
Got the sniffles at noon, you’re dead by 9
You don’t lose your partner, you lose your place in line

Where a little bit of indiscretion
Can lead to a nasty reputation
Where too much drink and too much song
Is guaranteed to treat you wrong

In my little town
Yeah, In my little town

There’s this smoking hot blue jean baby
Loves to drive all the cowboys crazy
But there’s more to her than meets the eye
All the shadow and rouge disguise a lie
Well there’s something else you should know
Her hubby's propped up there at the door
Drunk as Hell, he won’t do a thing
But, the babies at home will ruin your swing

In my little town
Yeah, In my little town

Well, there’s big drama in my little town
Where the rumors go on round and round
Got the sniffles at noon, you’re dead by 9
You don’t lose your partner, you lose your place in line
Where a little bit of indiscretion
Can lead to a nasty reputation
Where too much drink and too much song
Is guaranteed to treat you wrong

Well, A good time can be had by all
Just check your conscience at the door
Just know this and know it well
You mess around here, it might be hell

In my little town
Yeah, In my little town

In my little town
Yeah, In my little town

'Merica

In My Little Town (A Night at Bux's - Radio Edit)

Black Widow is one of Brian Walton’s most prolific compositions. First recorded in 2006, it has been featured in over 200 sports and lifestyle videos, 16 major motion pictures, and countless television shows. Winning multiple awards for its lyrics and composition, Black Widow has been featured by everyone from Adidas to Warner Bros. to electrify audiences and energize action scenes. As relevant today as when it was first recorded, Black Widow consistently holds the top spot on worldwide rock and metal charts, first reaching #1 in Europe and Asia in 2007.

Black Widow

A touching coming-of-age story, 'Fly Higher' tells the tale of a daughter's first date, her marriage, and her own daughter from the father's perspective. Nominated multiple times at the SGA Foundations American Standards Awards, this touching song by Brian Walton has been featured in countless Disney productions, and next to Black Widow is one of his most prolific works.

Fly Higher

Critically acclaimed Cowgirl Thang is Brian Walton's most popular hit holding a top spot on the charts and achieving record sales!

Cowgirl Thang (Let's Skin a Buck)

An ode to MTG. Honky-Tonk Country with a modern twist. This SCL/SGA award winner for best lyrics harkens back to the days of the double entendre` and hidden innuendos More: https://bgw.lsnto.me/karen

The Karen Song (Ode to MTG)

**The Song That Started It All!**

Back in 1988, while cruising along the open road with his young family, Brian found himself tapping out a beat on the steering wheel of his car. That’s when the magic began! He started improvising lyrics for what would become “Made in the Shade.” Before he knew it, his wife and baby son were joining in on the fun (with the baby mostly either laughing or napping), and a road trip anthem was born!

Fast forward to 1993, Brian shopped around a rough demo of the song to various record companies until he finally struck gold with Sony, who agreed to fund the project. It was then that work began on the album of the same name. Interestingly, the lyrics had only comprised a few lines of the chorus at that point, but true to its humble beginnings, Brian kept those initial lines intact.

The remainder of the lyrics came to life in a pub, where Brian was enjoying a drink with some fellow musicians from the studio. He aimed for a nostalgic 50s flair in the music, especially to highlight those sweet piano solos inspired by Keith Headley. Originally, he even contemplated bringing in a horn section, but alas, budget constraints put the brakes on that idea. However, fans were delighted when horns made their grand entrance in the later ‘Redux’ version of the song.

Although “Made in the Shade” might not have topped every chart, its infectious melody and irresistible hook secured it a spot in the charts for over 16 weeks! It’s no wonder this track has been a fan favorite for over 40 years, celebrating those carefree moments on the road. Here’s to great songs and even greater memories!

Made in the Shade

Made In The Shade

### Brian's Journey Through Country Music: A 1994 Flashback

By 1994, Brian was truly making waves in the country music scene. With his hit album "Made in the Shade" still climbing the charts a year after its release, and fresh off receiving his second "Performer of the Year" award, it was clear that he was becoming a household name. Not only was he thriving in the United States, but he had also just wrapped up his third USO worldwide tour. This time, he shared the stage with big names like Johnny Paycheck, Joe Diffie, and Dwight Yoakam. Their memorable 1994 performance in San Francisco even laid the groundwork for what would later become the beloved "Dwight Live" album.

The excitement didn’t stop there, as Frankfurt, Germany, served as the launch pad for the European leg of his tour. It was here that Brian joined forces with Dwight’s band, which featured the legendary Doyle Holly, and an impromptu recording session took place with the talented Thomas Schmitt-Zijnen. “It was actually more of a drinking session,” Brian chuckled while reminiscing. “The takes got worse and worse as the night progressed, and we finally gave up or passed out around dawn.” 

Interestingly enough, this little adventure led to a recording of their rendition of "Fast as You.” However, the tune never saw the light of day and remained tucked away, gathering dust in a box in Brian’s basement for years. Fast forward to 2025, when Brian decided to unearth those raw tracks, diving into the restoration and mastering process for an exclusive release on the much-anticipated "Anthology 2025" album. A long-overdue revival, this release is bound to bring a smile to the faces of old fans and new listeners alike!

Greatest Country Hits

Fast as You

Fast As You (Cover)

Back in 1990, in the cozy confines of Dave Bell’s living room studio tucked away in Braunshart, Germany, a momentous recording took shape. Using the vintage magic of a Tascam 85-16B recorder, Brian Walton revisited the sounds of Hank Williams Jr.’s 1987 hit, laying the groundwork for a thrilling journey in country music. This intriguing remake was just one piece of a three-song demo that Brian would present to various record companies, hoping to catch their attention.

And catch their attention it did! This demo played a key role in securing the 'Made in the Shade' recording deal, which opened the doors to a remarkable 45-year relationship with Sony Records. Joining Brian on this venture were the talented duo of Dave Bell and Christine Leon, who shared bass duties, along with Keith Headly on piano and keys. Of course, the spotlight was firmly on Brian, who lent his guitar skills and captivating vocals to the mix.

While Brian had already been strumming along to country tunes for over two years, the demo marked a significant transformation: it was his first professional leap into the genre, swapping his long hair and t-shirts for the iconic cowboy hat and boots. And what a savvy move that turned out to be! Since then, Brian has amassed a staggering 17 performance awards, solidifying his status as a formidable force within the country music community. So, here's to those early days—the start of a journey that would see Brian Walton earn his rightful place among country music greats!

Born to Boogie

Born To Boogie (Cover)

This exquisite revamp of Brian Walton's "What The Hell" features Lance Moss on lead vocals, Durga McBroom, Lorelei McBroom, and C.C. White on backup vocals, and Taylor Harris on Drums. Guitars and Keys performed by Brian Walton. Written, Composed, and Produced by Brian Walton for Musty Dungeon Studios

What The Hell feat. Lance Moss

In this latest installment of Brian Walton's top hit 'Strange Sensation', Joanna Leaton delivers a command performance with undeniable skill and power ala Reba or Wynonna. Ripping guitar riffs, powerful drums, and strategically placed brass hits only enhance the energy even more!

Brian Walton first wrote and composed 'Strange Sensation' in 1986 in collaboration with singer/songwriter Jill Colucci (Travis Tritt/Wynonna Judd) elements of which were featured in the ABC television series "America's Funniest Home Videos" (1990) and Wynonna Judd's top country hit "No one else on Earth" (1992). Brian rewrote the lyrics and included the song on his debut album "Made in the Shade" in 1993 which rose to Billboard's top ranking in 1994.

Written and composed by Brian Walton (ASCAP/SGA/SCL) for Musty Dungeon Studios. Joanna Leaton: lead vocals, Loreli McBroom: backup vocals, Brian Walton: vocals, guitars, keys and drums.

Strange Sensation feat JoAnna Leaton

Start the summer off right with this awesome track from multi-award-winner recording artist Brian Walton.

Turning Up The Weekend

Nestled deep in the mountains is a little mining town where the folks drink as hard as they work and empty mines are haunted by the lost souls of ill repute. This made-for-radio remake of Brian Walton's 2021 Top 10 Hit features the Fiddle Wizardry of Jaize the Violinist and the Drum mastery of Taylor Harris. Remixed at Musty Dungeon Studios in Challis, ID USA.

In My Little Town (A Night at Bux's)

The Old Fart is at it again! This parody of Def Leppard's Hysteria was inspired by my last Colostomy.

Diarrhea

Out of touch, out of reach, yeah
The toilet roll could be closer to me
I'm in pain, Man it reeks, yeah
I realized I'm quakin’ to my knees

Bridge
My head is getting light
My colon lost the fight
Here comes this feelin'
Here comes this fart

Chorus
Oh, I get explosive, Diarrhea
Oh, can you smell it? (Yes, I can smell it?)
Can you conceive it? (You better believe it?)
It's such a terrible situation
When it starts kneading (My ears are bleeding)
The sweat starts beading (My nose is pleading)
My ass is lyrical
I’ll stay until, ooh crap

Diarrhea here it goes again

Out of me, to the bowl, yeah
Nowhere to hide, the splash is guaranteed
No relief is in sight, yeah
Spread ‘em wide, that's right
Now it's on my feet
Oh, believe you me

Old Fart - Diarrhea

The scourge of every city-dwelling dog owner, cleaning up Fido's gift to society. This parody of Brooks & Dunn's famous 1992 hit "Boot Scootin' Boogie" pokes fun at those unlucky folks who have to comply with militant city ordinances and homeowners associations that ignore the natural call of the wild and force peeps into the crappy job of picking up dog poop.

Performed by: Brian Walton (Old Fart)
Composer: Ronnie Dunn
Lyrics: Brian Walton SGA, SCL, ASCAP, MPA
Produced at: Musty Dungeon Studios, Challis ID 'Merica

Lyrics:
Out in the country near the city park sign
Where owners walk their mutts on a line
The place starts reeking every night when the sun goes down
There’s soccer moms, peeping toms, and thorny old pokes
It's where all the canine folk do their poop-scoopin’ duty

I've got a good job but I ain’t got no money
So, When it's quittin’ time I grab the line running
Fido’s eyes are a-floating and I’ll be damned if he’s got the runs
So, we go flyin' down that alleyway to that hide-a-way
Right in the neighborhood ready for poop-scoopin’ duty

Chorus
Yeah, here we go, let it flow, come on let's get to scoopin’
Whoa, it’s alive, what a prize, king-sized, better find a bucket
Oh, get down, turn around, go to town, poop-scoopin’ duty

The store tender asks me “Hey. Man, what'll it be?”
I want an extra-large bag, ya know you better make it 3
Fido’s bowels are a-poppin’ louder than the Fourth of July
There’s Pitbulls, Dachshunds, Pugs & Danes 
all out taking a shake doin’ their poop-scoopin’ duty

Chorus

Aw. Don’t do that. That was my beer you crosseyed fartknocker.

Poop Scoopin' Duty

Old Fart - Poop Scoopin' Duty

Initially written as a jingle for a popular country music venue in Austin Texas, 'Wear them Blues' celebrates hard drinking, hard loving, hard partying women and catapulted the venue to national recognition in July 2014. The full version of the song first appeared on the Billboard Top-200 charts in April 2015 and remained there for 6 weeks reaching 147 on the country charts. Since then the song has appeared in many History and Discovery channel documentaries.

Wear them Blues

Featuring Grand Ole Opry Performer Christal Wheelock. Composed, Performed, and Produced by Brian Walton for Musty Dungeon Studios.

Can Love You More feat. Christal Wheelock

Damn Good Looker is Brian's latest single, full of attitude, girls, and face-ripping guitar solos, perfect for ringing in the New Year!

Tight blue jeans and high heel shoes
A hot Cowgirl a-shoutin’ Whoo!
That’s the show I got walking in that bar

Moseyed on over to the old barman
And said to him can you tell me friend
What the hell’s going on right over thar…

Ya know he said… That’s old Wade’s niece. Back home from school

Yeah she is a damn good looker
And I fell for her hook, line, and sinker
Shakin’ her thang
Lettin’ it out
Yeah, this is what it's all about…Now!
It don’ matter if she’s only on simmer
All the cowboys here will stop and linger
Slackin’ their jaw
Toein’ that line
Cause, that’s what they do here all the time…Now!

I bought two drinks and walked on over
The music Man! That really drove her
I caught her eye and handed her a glass

She took my hand and winked at me
Pulled me close n’ said quietly
‘Take me home boy n’ you’ll get some ass’

And ya know Man… That’s what I did. Grinning like a fool

Yeah she is a damn good looker
And I fell for her hook, line, and sinker
Shakin’ her thang
Lettin’ it out
Yeah, this is what it's all about…Now!
It don’ matter if she’s only on simmer
All the cowboys here will stop and linger
Slackin’ their jaw
Toein’ that line
Cause, that’s what they do here all the time…Now!

Yeah she is a damn good looker
And I’m the one who got to take her
Out to my truck
To the County line
Where we had a damn real good time…Now!
Party’d out there all dang night
When dawn came what a beautiful sight…Wow!

List’n here Now…Y’all can guess the rest..

Damn Good Looker

Written as the soundtrack for Boobs: An American Obsession, What the Hell quickly found its way into other broadcast media and remains, to this day, one of the most popular backing tracks in advertisements and film. So much so that even Disney used it in the series Andor and The Mandalorian.

What the Hell

By far the most popular track off the 'What The Hell' album. Originally recorded as a jingle for a popular Colorado Country Radio Station in 2006, I Love My Truck was penned right after Brian took his new F-150 4x4 off-roading for the first time. Since its release, it has appeared in over 70 documentaries, reality shows, and TV/Radio Ads on The History and Discovery Channels, CMT, and AMC.

I Love my Truck

I Love My Truck

Time to start the weekend in style! This song was written explicitly just as a jingle, and I didn't really push it much because I thought it was too commercial. However, fans want to hear it, so I included it on the album. Like with every other song on the album, I played all the instruments on this one and am pretty proud of how the drum track turned out.

Feels Like

GET READY TO BOOGIE! Made in the Shade Redux explodes with excitement from the moment you press Play. At the song’s beginning, Brian Walton’s guitar roars like a mighty lion. Plus, Terry Hall’s earth-shattering percussion section will hit your ears like a shotgun blast. And that’s only the first nineteen seconds before the legendary singer appears, with superb vocals and memorable lyrics. 

“I got an old pair of Dingo’s on/And a wore out Stetson hat.” 

Beyond that, the influential vocalist then takes command and dominates the production. At critical moments, the legendary singer takes a vocal break to let the classic keyboard and iconic guitars shine like a vintage 1969 Ford Mustang. Not to mention, Vilac and Lilo Miloslav played the Brass flawlessly. Later, the final seven seconds are like a cinematic movie ending, leaving you speechless.

— MEGA MUSIC DETAILS:
Artist Name: Brian Walton.
Song Title: “Made in the Shade Redux.”
Date of Release: November 19, 2022.
Music Genre: Modern Jazz Swing.
Songwriter: Brian Walton (ASCAP/SCL/SGA).
Producer: Brian Walton (MPAA) for Musty Dungeon/Disney Studios.

— SUPREME DREAM TEAM:
Vilac and Lilo Miloslav: Brass.
Terry Hall: Percussion.
Brian Walton: Vocals, Keyboards, and Guitars.

Made in the Shade (Redeux)

The original inspiration for the song was to write a kind of “Greeting Card” to my wife and family from the road. An instrumental version of the song was used in radio and TV ads for insurance, airline, and cosmetic companies, as well as on the Discovery Channel in diverse documentaries.

From the Road Again

From The Road Again

Initially written for a CMT Music documentary that required a “Guitar Army” feel, the song was inspired while traveling the Rocky Mountains, where I discovered this lake I used to hang out at as a teenager in Upstate New York.

Where the Dirt Road Ends

Before the What The Hell album came out, the song debuted when JetBlack opened for the Black Crowes at the Red Rocks Amphitheatre in Morrison, Colorado. During this concert, Brian polished what would become one of his most successful songs. The song's upbeat energy quickly won over the commercial music industry, earning 14 awards and appearing in lifestyle videos and major movies. That night, however, the audience was electrified. Percival Johnston's ripping bass riffs set the tone for Brian's screaming guitar solos. The crowd stayed standing in their seats, pointing and shouting, 'What the Hell!' all the way to the thrilling ending.

What The Hell

What The Hell (Live)

Brian Walton’s Watch That Girl Go first breathed life as a Jingle for the Maybelline 'Go Girl' Campaign in 1984. Written and composed by Brian in collaboration with Burt Bacharach and Phil Ramone, the original version of the song was much more orchestrated. It didn’t much resemble the later Country version. However, both have been staples of the Maybelline brand since their inception, making Watch That Girl Go one of the longest-running Jingles ever recorded—38 years and counting at the time of this writing.

While working on the Made in the Shade album in 1993, Brian needed a “filler” track to round out the compilation. So he, Micky Henke, and Udo Guckelsburger sat down in a late-night recording session and completely rewrote the original as a Country song. After the album was released, much to Brian’s surprise, Maybelline immediately licensed the song and featured it in its worldwide advertising campaigns. And it is still being played today in Europe and South America.

General Information:

Title: Watch That Girl Go
Album: Made in the Shade
Release Date: June 1, 1993
Re-Release Date: September 30, 2022
ISRC: usdy41953384

Written and Composed by Brian Walton

Releases:

Jingle version: A&R Recording Studio, A1, New York, New York, August 1984. 
Country version: Giessener Rundfunk Studio in Giessen, Germany in January 1993
Digitally remastered: Musty Dungeon Studios in Challis, Idah,o June 2022

Musical Credits:

Brian Walton: Vocals, Rhythm, and Lead Guitars
Micky Henke: Bass, Vocals, and additional Guitars
Udo Guckelsberger: Drums

Watch That Girl Go Lyrics:

Well, it's a steamy hot Friday night, and I’m ready to go
All dressed up to take my babe to the show
I was just out the door, there went the telephone line
“If you’re gonna get here, better be here on time.”
So, I jumped in my truck, and I threw it into drive
Pulled up to her house and thought, “Man alive!”

Chorus
Whoa-Ho, Man overboard, I just went for a dive
Whoa-Ho, Here comes that girl, and I’m barely alive
She’s got me a-shaking and a-stuttering, Sweating like nothing
She’s got me tickled down to my toes
Madonna ain’t nothing on her
Just watch that girl go

Well, as she oozed in the seat, I picked my eyes off the floor
Every move calculated, closing the front door
She had a tight top on and tighter blue jeans
I thought, “Give it up to me, girl, just give it up to me, please!”
She pushed her hair back with her fingertips
Rubbed her tongue along her red-ruby lips

Chorus
Solo
Chorus
Outro

Watch that Girl Go

Watch That Girl Go

First composed in 1983 alongside the talented Jodi Mitchell, 'She's Gone' initially started as a playful jingle for a feminine hygiene company. It’s fascinating how songs often evolve, and this one is no exception! Like many tracks on the 'Made in the Shade' album, the song underwent a transformation during intense marathon studio sessions, all in an effort to meet the record company's tight deadlines. 

If you listen closely, you can hear the unmistakable influence of Keith Headley’s piano mentorship infused throughout the album, adding a rich layer to the music. The lyrics took inspiration from a humorous anecdote about drummer Udo Guckelsberger, who found himself in a bit of a predicament after being caught in a compromising situation by his then-girlfriend. The events that unfolded were so entertaining that Brian decided to dedicate the entire song to telling that quirky tale. 

While 'She's Gone' might not have reached the heights of popularity that some other tracks on the iconic album achieved, its catchy, upbeat vibe certainly caught the attention of producers eager to complement lighthearted acting scenes in their projects. It's a charming piece that adds a sprinkle of joy to the album's overall feel!

Demographics
Title: She’s Gone
Album: Made in the Shade
Year: 1993
Track #: CBD
Recorded at: Hilmar Pauley Studio, Giessen, Germany
Engineering: Hilmar Pauly, Mickey Henke
Distribution: Sony Records
Composition: Brian Walton
Lyrics: Brian Walton, Udo Guckelsberger
Performers: Brian Walton: Vocals, Guitars, Keith Headley: Piano, Mickey Henke: Bass, Udo Guckelsberger: Drums

Lyrics
Now she’s leaving, out that front door
She’s taking my heart, she don’t want me no more
And I’m pleading for one more chance
Just one last dance, to show her what for
But she’s leaving, she turns her head away
And I see the tears she was holding at bay

Bridge
Now it doesn’t matter how I look
‘Cause I lost her line, sinker, and hook

Yeah, she’s gone
And she has every reason
It’s her heart that’s been bleeding
Since I kept doing her…

It all started down at the local bar
Where I pushed it too far, cause I wanted my way
And she saw me, caught me hands down
She threw me a frown. I knew it wasn’t my day
Then came the fight, when I thought I might
Just talk my way out, put things back again

Bridge
Chorus

I was fooling around, playing games with her heart
Steadily losing more ground
‘Til she threw it all in, to make a new start

Gone
And she has every reason
It’s my heart that’s now bleeding
Since I kept doing her…

Gone
Ain’t no use in complaining
Just toughen up and start explaining
Why I kept doing her…wrong

I kept doing her…wrong

She's Gone

For “Jody and Joey”, Brian collaborated with lifelong friends and mentors Keith Headley, Christine Leon, and David Bell. At the time, bassist Christine and Keith, who previously played piano for Roy Orbison, were performing as the popular country duo “Pick-Up”. They also frequently performed with the legendary “Dave Dudley and the Drifters Caravan” whenever they came to Europe. Meanwhile, Dave was keeping busy as a freelance sound engineer and musician, working with the European rock band “Break Point” and contributing his expertise at the renowned Dolphin Studios in Moerfelden, Germany. 

While recording the album “Made in the Shade,” Brian found himself navigating the tricky waters of blending his classical training with a more laid-back country style. Seeking guidance, he would often turn to Christine, Keith, and Dave for help. So, it was common for the four of them to gather at Dave and Christine’s home for creative sessions. It was during one of these meet-ups that the initial concept of “Jody and Joey” began to take shape. Initially, they penned lyrics that humorously parodied the ‘Redneck’ themes prevalent at the time. However, the record company stepped in, feeling the original context was a bit too risqué, prompting Brian to polish the lyrics for a more audience-friendly version before the recording.

And thus, “Jody and Joey” emerged as a fun and catchy track that highlights the rich collaboration of these talented musicians, blending their unique backgrounds into something truly special!

Demographics
Title: Jody and Joey
Album: Made in the Shade
Year: 1993
Track #: 6
Recorded at: Hilmar Pauley Studio, Giessen, Germany
Engineering: Hilmar Pauly, Mickey Henke
Distribution: Sony Records
Composition: Brian Walton, Christine Leon, Keith Headly, David Bell
Lyrics: Brian Walton, Christine Leon, Keith Headly, David Bell
Performers: Brian Walton: Vocals, Guitars and Fiddle, Keith Headley: B3 Organ, Mickey Henke: Bass, Udo Guckelsberger: Drums

Lyrics
Let me tell you a story ‘bout Joe MacCready
Built like a horse and twice as steady
Throwing a Bull was for him second nature
A slick-heeled rider and first-rate wrangler
It was about to come to an end
As Jody became his first real girlfriend

Now Jody acts like a good pastor's daughter
But she and the Book were like oil and water
Sneaking out after her folks were in bed
She’d go to meet Joey out back in the shed
He was twenty, she just sixteen
And they thought nobody in the world could get in between

Well, they were thick and thin through any kind of weather
With the world at their feet, when they’d get together
Stepping out, dancing, having a whole lot of fun
A-Romping in the Barn, and when they were done
They’d walk hand in hand to the Dairy Queen
Not knowing trouble was a-brewing, if you know what I mean

Jody and Joey gettin’ down on the Farm
‘Doing it’ all along in her Daddy’s Barn
Pushing their luck ‘til the broad daylight
Jody and Joey gettin’ down on the Farm

Aww. Watch them get down now…Huh!

Jody’s Daddy he’s a hard-working man
A god-fearing Christian doing the best that he can
Out in the field eighteen hours a day
Strong as an Ox in a quiet way
That all changed when he got the news
Like a stick of dynamite with a fresh lit fuse

Well, the kids were up to romping in the hay
And it ended when Daddy blocked the doorway
A-screaming and a-yelling and a-whole lotta noise
A hell of a ruckus, I can tell ya, boys
When the dust cleared well, the whole town agreed
To a shotgun wedding, and they were married

Jody and Joey gettin’ down on the Farm
‘Doing it’ all along in her Daddy’s Barn
The baby’s a-crying ‘til the broad daylight
Jody and Joey gettin’ down on the Farm

Jody and Joey

Have you ever stumbled upon a hidden gem that just needed the right moment to shine? Well, that's exactly what happened with the catchy tune “Kicking It.” Originally crafted as the theme song for the 2007 WB TV series pilot “Moonlight,” this upbeat track unfortunately never hit the airwaves. However, it did find its way onto the DVD release in 2010. 

Before being revived, “Kicking It” found a cozy home in a few independent films and shorts, yet it remained largely under the radar—until now! While piecing together tracks for the highly anticipated 45th Anniversary Anthology album, Brian made an exciting discovery: a nearly complete country rendition he had re-composed years ago for a friend's birthday celebration. With a bit of digital magic, he overdubbed some backing vocals and dusted off this long-forgotten treasure.

The result? The first worldwide release of “Kicking It”, ready to welcome listeners old and new! So, whether you’re a longtime admirer or just embarking on your musical journey, this delightful track is poised to charm its way into your heart.

Demographics
Title: Kicking It
Album: 45th Anniversary Anthology
Year: 2025
Track #: CBD
Recorded at: Capitol Records. Los Angeles. California
Engineering: Brian Walton
Distribution: N/A
Composition: Brian Walton
Lyrics: Brian Walton
Performers: Brian Walton: All Instruments and Vocals

Lyrics
Mow the lawn, wash the car
And I better not think to wander too far
It’s just one of them days

A ten-foot list of Honey-Do’s
Change a light bulb and change a blown-out fuse
Puts my mind in a haze

Well, my part-time job as handyman
Is starting to come to an end

Chorus
I’ll start a-Kicking it
With a cold beer in my hand
Trying not to understand
The nagging in my ears

Take the kids to Sunday school
Rush on home to clean the pool
And we’re shopping again

Stumble around with both arms full
Peeking around the kitchen rolls
Short of popping a vein

Well, with all this work, it sure ain’t no wonder
She’ll outlive me by a little bit longer

Chorus 2x

Well, with all this work, it sure ain’t no wonder
She’ll outlive me by a little bit longer

Chorus


Kickin It

Digitally remastered from the original tape, Brian wrote: "You're the one" in 1987 for his then-girlfriend, and now current wife while battling a 24-hour flu bug. He obviously appreciated the Chicken soup!

Recorded at Giessener Rundfunk Studio in 1993, "You're the one" was one of many collaborations with Tommy Zidjen Schmitt and the Frankfurter Rock Orchestra featuring Brian on Piano and Violin.

You're the One

In early 1991, Brian began working for 5 Star Productions based in Kaiserslautern Germany 'Weekend Moon' was written in collaboration with Christine Albert and Chris Gage

Made in the Shade (25th Anniversary)

Weekend Moon

It's 2009, and JetBlack is opening for The Black Crowes at the legendary Red Rocks in Morrison, Colorado. They decide to throw down an unrehearsed cover of Foghat's "I Just Want to Make Love to You." But this wasn't just any cover! Brian Walton and M.L. Jones apparently got into this epic, improvised guitar duel that just blew everyone away. The crowd was so stoked that JetBlack kept that guitar-battle format going for the rest of the tour with members of the ‘Crowes’ sometimes popping on stage to throw in a lick or two.

The Black Crowes Tour
In 2009 Brian was offered an amazing opportunity to open for the Black Crowes. He pulled together some old friends, Marvin Huntsmann and Nadundo Abasi, and even got Chris Lawson to join in since they had just finished some recording sessions. With no time for rehearsals, Brian just gave them a list of cover songs he knew, and they hit the road with the Black Crowes as JetBlack, rocking the tour all the way to the end!

I Just Want to Make Love to You

I Just Wanna Make Love To You (Live)

The Toad Tavern, nestled in suburban Littleton, Colorado, was a regular gig for the trio Brian, Ken, and Will, a.k.a. “GeeDub”. During one memorable event, the band's live performance of “Crossfire” reached exhilarating heights with the addition of Marty Wallace on keyboards. Known for his dynamic style, Marty seamlessly integrated his talents with Brian's face-melting guitar riffs, Will's rock-solid drumming, and Kenny's melodious bass lines. The chemistry among the musicians was electric, and the audience was treated to an unforgettable night of music that left many in awe.

Crossfire

Crossfire (Live)

Written by Gloria Houston and Nina Shackelford, A Good Fool Is Hard To Find was initially recorded by Bobby Kimble in 1966 but found its popularity with Albert Collins' 1983 cover. Brian first recorded A Good Fool Is Hard To Find in 2015, and it peaked at #5 on Billboard's Blues Charts in the first six weeks of 2016. 'A Good Fool Is Hard To Find' has since been featured in over 30 Documentaries and TV/Radio Ads.

A Good Fool Is Hard To Find

Brian G Walton Jr. is an American Country, Country-Rock and Blues, multi-instrumentalist, vocalist, composer, and producer best known for his highly publicized tour performances with u.a.: The Bellamy Brothers, The Mavericks, Dwight Yoakum, Vassar Clements, Willie Nelson, Joe Diffie, and Johnny Paycheck.

Brian studied at The Juilliard School and became a staff writer for A&R Records and later Capitol Records penning jingles for u.a.: Maybelline, Baskin Robbins, and Pan American Airlines. Brian is a Songwriters Guild of America (SGA), Society of Lyricists and Composers (SCL), Motion Picture Association (MPA), and American Society of Composers, Authors, and Publishers (ASCAP) member with over 450 released works.

Brian has been awarded Country Artist of the Year (1993, 1997), Band/Group of the Year (1994), Male Vocalist of the Year (1991), and ‘Most Versatile Musician’ three years in a row (1996, 1997, 1998).

Brian Walton

Pinned to spotlight

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