Frenetics release 'Broken Hand' EP on 11 June 2012

'Ella' is a free download from their forthcoming EP

“Most brittle post punk bands forget the catchiness factor - Frenetics don't. ” Artrocker 

“Frenetics generate a muscular racket that has one foot in the 70s punk scene and the other in the pre-Britpop glam of Suede”  Sounds XP


There is something about the muscular rhythms mixed with the new wave punk leanings of Frenetics that make them a formidable prospect. An almighty crash of charging guitars, powerful drums and swaggering hooks entwine with chaotic angular riffs and vocals that simmer with a twisted romanticism that recall enigmatic figures such as Peter Perrett, Tom Verlaine and Pete Shelley.

Taking influences from bands such as Richard Hell, The Velvet Underground and Iggy Pop it provides them with the platform to flit from powerful stadium sized rock to more textured guitar spirals that hint at Magazine and Television.

Coming from the thriving Leeds and Sheffield scene they have crafted sharp swaggering pop songs that are infused with mountain sized riffs and climactic choruses.

Having recently supported Band of Skulls they have found the taste of the big stage too much to resist and with a taut and tight EP like this, its not going to be too long before we see much more of Frenetics.

Frenetics - Ella

DEATHLINE - New single ‘Ten of Clubs’ + Remixes
Released 28th May 2012 as a Free Download for a limited time

1. Ten of Clubs (Single)
2. Ten of Clubs (The KVB Mix)
3. Ten of Clubs (draGnet Motorik Mix)
4. Ten of Clubs (DangerouslyClose Mix)

“Post artrock rumble that purrs like a new born kitten and shreds your skin like a tiger on speed.” 
The Devil Has The Best Tuna 

“Imagine Leonard Cohen singing a Billy Corgan ballad while J Mascis turns up the distortion.” 
Camden New Journal 

Jennie Werlemar (Vocals/Bass) | Kaoru Sato (Guitar/Programming) 

A visceral blend of dirty electronica, throbbing garage rock and post-punk prowess make Deathline a formidable beast. The darkly textured mix includes heavy psych, shoegaze and kraut sensibilities with added elements of industrial influences along with Swedish born Jennie’s husky and nonchalant vocal delivery gave way to the press labeling this duo as “Rock Noir” drawing comparisons to Jesus and Mary Chain, Suicide and The Raveonettes with the beguiling front-woman being called a “punk rock Nico”. 

After the self-released debut album Sixty-Nine in early 2009 they threw themselves into the live circuit playing shows across the UK and Europe and hit the road for short tours of the US along the East Coast and Midwest before retreating back into the studio to pursue a darker and heavier path which led them to recoding new material with Josiah Mazzaschi (whose credits include Smashing Pumpkins/Built to Spill/Rilo Kiley). 

After meeting Josiah at a London show he persuaded the band to come out to record with him in his studio in LA where they band laid down their new material that offers a heavier Desert Rock feel whilst still retaining all of the qualities that made Sixty-Nine A striking record. 

The songs are given twisted remixes by The KVB, DangerousClose (Aka Muzz Fenton from Post-Punk Heroes Artery) and draGnet all giving their own fresh take on the single. 

“Noir Rock with grinding drums that spit out short sharp burst of venom and a broody as hell bass give this duo a minimal Jesus and Marychain like vibe” Artrocker 

"Sixty Nine rams rock’n’roll into electronica in the same delightfully confrontational way that Suicide have been doing for decades, delivering alternate bursts of grotesque beauty and sonic mayhem that insinuate their way into the consciousness." Mudkiss 

“Their unceremonious mash-up of guitars and technology sounds like the grinding in the gearbox of the modern world.” 
Nemesis to Go 

Bright Lights Management