Mes preferes

“Lost”, much like its predecessor “Into the Great Wide Yonder” (2010), serves not only as a logical continuation of his work, but also as yet another fuck-you to whatever genre you thought you had him boxed into. The Trentemøller sound is definitely left intact, yet as a whole it really doesn’t sound like anything he’s ever produced before. Few artists seem to possess that special talent of leaving the audience just as baffled as they are satisfied, but hey, that’s what’s great about Anders. He may alienate a few heads along the way, but it wouldn’t be interesting for him if he didn’t.

“People wanted something similar to the last album, but if you’re getting to the point of listening to people and what they think of your sound...Well, that's not for me.”  -Trentemøller

“Lost” boasts a dozen tracks with something of interest for anyone who’s ever been a fan of the Copenhagen based producer. You can’t really compare it to “The Last Resort”, but the club elements are there. It definitely isn’t “Into the Great Wide Yonder” either, even if it’s equally guitar driven. It’s as original as it is classic, mixing the tried and tested with all sorts of sonic surprises. And making it look easy in the process.

Differing from “Into The Great Wide Yonder”, which was a rather bold cinematic landscape, “Lost” is definitely a far more streamlined affair and way more “song structured”. It’s the kind of record one can only produce after endless months of studio isolation. Just where his creativity flourishes best.

That said Trentemøller has also found a new home – and it’s on stage with a band. “Lost” relays this epiphany in pitch perfect circumstances, finally merging the extrovert and introvert qualities the man has in his command.

Of course, none of his productions would be complete without those unique guest appearances, spanning a multitude of musical categories. They’re all given equal treatment when they’re dropped bang center into the middle of Trentemøller's very own musical universe, having to harness the potential of their talent on Trentemøller’s terms. It certainly isn’t that many folks who are capable of convincing Jonny Pierce (The Drums) or Sune Wagner (The Raveonettes) to appear on a club track and even fewer who are able to pull it off. Anders is in the top percentile of that lot. 

”I think it’s fun to take people out of their own musical comfort zone” he exclaimed to VICE earlier in the year when explaining his seemingly erratic choices. ”Actually, when I begun writing the songs, I had their voices in my mind all along. They just didn’t know it.”

Aside from Sune and Jonny, Trentemøller has managed to bring on board a whole rake of fantastic peers, personal influences and sprouting talent. Co-conspirators such as Kazu Makino (Blonde Redhead), Jana Hunter (Lower Dens), Marie Fisker, Ghost Society and none other than the legendary slow-core pioneers Low are all to be found on the record.

That trademark haunting feeling that defined both ”The Last Resort” and ”Into the Great Wide Yonder” hasn’t been neglected on “Lost”. It’s just been redefined and made way more ferocious, the signature glitchy bass being replaced by sub woofer frequencies far more pounding. Almost punk rock. Instantly conjuring up thoughts of the more droning SUICIDE tracks or even contemporaries like The Soft Moon.

”Lost” documents an artist really hitting his stride. An intricate musical tapestry woven over countless sleepless nights in his Copenhagen studio. Nights invested in instrument experimentation and trashed analog consoles.

You can without a shadow of doubt call this release a genuine study in the art of attention to detail. No matter how many times you press play on this one you’re going to find something you missed the previous time around. Something that suddenly shines a whole new light on what you’re listening to.

Lost

Trentemøller - Deceive (feat. Sune Rose Wagner of The Raveonettes) [Clip]

https://open.spotify.com/intl-fr/artist/5vaZGYuc5W4jKOcQZkyhk4

In this world - Version-N - Moby - Remix

For more on Dorian Wood: http://dorianwood.com
Twitter: @dorianewood
Instagram: @dorianwoodmusic

Watch video: http://youtu.be/4bH7tLk0ffc

Recorded at Blaster Master Productions by Ali Nikou

"Chandelier" was written by Sia and Jesse Shatkin
I do not own the rights to this song

Chandelier (Sia cover)

Pass This On

POUSTOVIT - http://poustovit.com/
www.facebook.com/MAMADIASPORA
www.patreon.com/derbastler

Bonus Tracks  :
http://soundcloud.com/derbastler/sets/mama-diaspora-vs-yuriy-7

MAMA DIASPORA - Remixes Collection  :
https://soundcloud.com/derbastler/sets/mama-diaspora-remixes-free-dl


Extra-Estrada Records :
www.facebook.com/Extra.Estrada.Records
https://extraestradarecords.net/mama-diaspora

artwork by Katyusha Bocharova

Mama Diaspora vs Ruslana Khazipova-Metelyk Feyerverk (version for POUSTOVIT soundtrack)

Out Now on Beatport: pro.beatport.com/release/nobody-k…-remixes/1533782

Joris Voorn's third studio album "Nobody Knows" saw him embark on a atmospheric odyssey, departing his club comfort zone to be named Dance/Electronic album of 2014 by Billboard.

A masterpiece of indie and electronic influences, "Nobody Knows" is now re-presented and remixed by an impressive array of studio talent; a dynamically diverse selection of producers and artists across many genres.

Exquisite reinterpretations ranging from Guti, Roland Klinkenberg, Christian Loeffler and Nightmares on Wax amongst many others; choices which not only represent new fusions but have now come to be a point of pride for both Joris and the label Green in propelling the LP's core personal message even further.

Buy on Beatport

Joris Voorn - So Long feat. Kid A (Christian Löffler Remix)

clarinet: Valeria Conte
guitar:  Hörður Hermann Valsson

Image Eric Kilby, Embrace Sculpture

embrace me

Tito & Tarantula - After Dark

The Knife 'Pass This On'

Like the track? Click the [↻ Repost] button!

All the rights of the original work belong to the original artists.

July 28, 2017, has seen the release of Atomic Blonde, the action movie starring Charlize Theron. The soundtrack includes both Nena‘s 1983 anti-war protest song “99 Luftballons” along with a cover by Anglo-German electronic duo Kaleida. 
Köschk here provides a beautiful Remix for Kaleida's downtempo version of the song, turning it both bouncy & upbeat.

Free Download

FREE DOWNLOAD: Kaleida - 99 Luftballons (Köschk Remix) 🎈

oliver koletzki - hypnotized (feat fran)

Mistake

Exciter

Depeche Mode - Freelove

It's unfortunate that when we feel a storm
We can roll ourselves over 'cause we're uncomfortable
Oh well, the devil makes us sin
But we like it when we're spinning in his grip

Love is like a sin, my love,
For the ones that feel it the most
Look at her with her eyes like a flame
She will love you like a fly will never love you again

It's unfortunate that when we feel a storm
We can roll ourselves over when we're uncomfortable
Oh well, the devil makes us sin
But we like it when we're spinning in his grip

Love is like a sin, my love,
For the one that feels it the most
Look at her with a smile like a flame
She will love you like a fly will never love you again 

Massive Attack - Paradise Circus

Used at the conclusion of all four of the Bourne films! ENJOY!!!

Moby - Extreme Ways

Armed Venus was made exclusively for Gareth Pugh's AW 2013 Fashion collection.
This track debuted on Nowness and an interview between Gareth & Matthew can be read via the link below.

http://www.nowness.com/day/2013/4/4/2935/gareth-pugh-x-matthew-stone--armed-venus

Produced by Joseph Ashworth 
Violin played by Jordan Hunt

Armed Venus (Gareth Pugh AW13)

An independent record label. Current artists: Amateur Best, Gwilym Gold, John Wizards, The Knife, Casimer & Casimir

The Knife 'Pass This On'

Brille Records

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