where'd you dig this up from?  that was quite a party.

this was a great party and Joris at his best

For more info: https://balancemusic.com.au
@satoshitomiie

Satoshi Tomiie has been a pioneering and driving force within the global electronic music community since the early days of house music.

Balance Selections 200

TRACKLIST & INTERVIEW

Balance Selections 200: Satoshi Tomiie

Hometown Heroes: Ray Kash from Los Angeles

DOWNLOAD >> bit.ly/3wSIPa9 <<

MORE HOMETOWN HEROES >> bit.ly/2ulMwqD <<

Stay connected w/ Music is 4 Lovers:
Blog: www.Musicis4Lovers.com
SoundCloud: @Musicis4Lovers
Label SoundCloud: @MI4L
Beatport: bit.ly/2rEu9fi
Traxsource: bit.ly/2Lf0aTq
Spotify: spoti.fi/2I67rDE
Facebook: bit.ly/2DNnG2y
Twitter: bit.ly/2pwjUoY
Instagram: bit.ly/2G5Pelu
YouTube: bit.ly/2DLXS73

Hometown Heroes

>> DOWNLOAD <<

Hometown Heroes: Ray Kash from Los Angeles [MI4L.com]

It’s always a pleasure to share our latest DJ mix with you all. So we’ve uploaded the full 3 hours from last month at LANNA Club. Hope you enjoy! Tremenda noche en Gijón x

Mastered by Conor Dalton at Glowcast Audio.
https://darkroomdubs.bandcamp.com 
https://www.darkroomdubs.com

YouTube

LANNA Club - Gijón - Jun 22

Belgrade has always been a firm favourite to play in over the years, and last time was no different. So here’s the recording from earlier this month at Club Kult. It was a wild night! Hope you enjoy the music & thanks as always for your support!

Mastered by Conor Dalton at Glowcast Audio.
https://darkroomdubs.bandcamp.com 
https://www.darkroomdubs.com

Club Kult - Belgrade - Jan 23

🔴 In this episode we are so happy to welcome electronic music pioneers https://soundcloud.com/siliconesoul (https://soundcloud.com/darkroomdubs) who are one of underground house music’s most enduring and respected acts ever since they emerged on https://soundcloud.com/soma in the late 90s.
Craig Morrison, who now DJs as Silicone Soul, doesn’t take a break and is still intensively touring in Spain, Portugal, the UK and Germany, and has new residencies announced in Glasgow and Bali 🌍 
Here is a mix he recorded live at Club Kult in Belgrade that we are happy to publish exclusively in our podcast series! ✨ 🎶


www.ravetheplanet.com

❤️ Wenn Du die Arbeit von Rave The Planet mit einer Spende unterstützen möchtest, kannst Du das gerne hier tun: www.ravetheplanet.com/starseite/spenden/

❤️ If you would like to support the work of Rave The Planet with a donation, you are welcome to do so here: www.ravetheplanet.com/en/frontpage/donation-en/

❤️ DONATE NOW ❤️

Silicone Soul @ Rave The Planet PODcst #035 (recorded live at Club Kult Belgrade)

Ketoloco Vaults: MACEO PLEX Part 2(Live from Ketoloco at The Light Bar) 24/04/2011

Steve Lawler - Lights Out CD 1

RA.155 Louderbach http://www.residentadvisor.net/podcast-episode.aspx?id=155

Troy Pierce and Gibby Miller are blurring the lines between their respective influences on this week's RA podcast.

You might not think that a hardcore punk vocalist and minimal techno producer would be the likeliest of studio bedfellows, but Troy Pierce and Gibby Miller have forged quite the partnership with their Louderbach project. Marrying Minus man Pierce's tenebrous take on techno with Miller's gothic vocals, the duo have created an electronic pop synergy that isn't afraid to get deep and dark both musically and lyrically. Miller's began his musical career in the late '90s as vocalist in Boston-based punk band The Trouble, but the turn of the century saw him become inaugurated into the techno scene after meeting up with Troy Pierce in New York. The two struck up a friendship and have been collaborating ever since, birthing the first fruits of their collective labour on a split release for Mo's Ferry Productions. 

After more collaborations with Marc Houle, Guido Schneider and Sammy Dee, Miller was formally welcomed into the Louderbach fold, and the pair set to work on what would become their debut album. Entitled Enemy Love, the record seemed to be a continuation of Pierce's previous nocturnal minimal techno outings on Underl_ne and Minus, but this year's Autumn LP is a very different beast. Miller's love of EBM, new wave and minimal synth music are clearer than ever, whilst Pierce's has found new directions to channel his love of menacing electronic sounds. This week's RA podcast sees Pierce and Miller select the pieces of music that have heavily influenced each of them, before merging them into a single genre-defying whole that represents the ingredients that make the Louderbach sound. We caught up with both members by e-mail to ask about the mix, the decision to release on Minus, and their recent video competition.


What have you been working on recently?

Troy Pierce: I have been in London a lot over the past few weeks working with my girlfriend on the sound design for an installation she is doing for her degree show. (She graduates from Central St. Martins in June.) I am also trying to finish a number of remixes at the moment: a Function remix for Sandwell District, one for my New York friend Mike Bryant's Intrinsic Design label, one for the Swayzak guys and a Louderbach cover of a Passarella Death Squad track. All of them are in various states of completion.

Gibby Miller: Working on my label, Dais Records. It's mostly experimental sounds; ambient, folk, archival, avant-garde etc... I'm also working on some new Louderbach remixes which are coming this summer.

How and where was the mix recorded?

GM: I submitted about 100 tracks to Troy for this project, and we communicated back and forth a bit about order and flow, but he did all the hard work (creating it!) and it was done in Berlin.

Can you tell us a little bit about the mix?

TP: I was in Los Angeles in January visiting Gibby, and we did a DJ gig together at this goth party there. Gibby was playing more punk/new wave/goth stuff and I played sort of dark slower techno and it worked really well together. So from that, I sort of proposed the idea that he send me one hundred tracks, his root influences—whatever you want to call them—and I would get one hundred together and try to create this snapshot of Louderbach and where we come from musically. It was really fun to do, but a lot of tedious work warping all of the tracks to make sure they would go together and could be mixed in Ableton. Musically it's all over the place with experimental tracks from William Basinski, then spaced out '70s weirdness from Silver Apples into dark techno from Jake Fairley. But there is a common thread: this murky melancholy that is running through all 35 of the tracks that brought us together and helped us to create Louderbach.

What was the weirdest submission you received for the "Shine" video contest?

TP: There were definitely a few that left us scratching our heads, but the ones I found the strangest were ones that weren't finished. Like no audio and two minutes long, as if we were supposed to fill in the blanks or something.

GM: We got some very unique submissions... I'm proud to say that all of them were amazing and all of them were weird! We wouldn't have it any other way! 

Why did you decide to release the new record on Minus, instead of Underline?

GM: We stopped working with Underline soon after Enemy Love was released, best described as personal difference...

TP: At that point I thought the project was over, I never imagined that Rich would be into releasing a record like this. I am really thankful for his openness.

What are you up to next?

GM: Working hard on the label, Louderbach, music, writing, etc...

TP: Well, I obviously need to get my ass in gear on those remixes! Apart from that, I want to learn how to play an instrument or two. My girlfriend got me a cello for Christmas and I picked up a bass guitar in Los Angeles, so those are on the top of my to-do list. I have been making some really, really slow tracks lately, 80 BPM max. I quite like them actually, so who knows what will happen with them. Do some more projects with my girlfriend, she's amazing... Stay busy and have fun.

2009-05 Louderbach - RA podcast

Peace Division - Coast2Coast

Coast2Coast  Mix (Mixed by Peace Division)

TASCAM SD-20M

Steve Bug - Live at Play at Ipse, Berlin

Time is never on my side… growing up totally sucks! Between my job, the all encompassing move from Club 1000 and the everlasting battle between my brain and the size of my belly, I just don’t get the chance to search out Fresh Beats as much anymore. Geezus, it’s gotten to the point where I’m drafting most of these posts on the phone in transit.

Thank karma for the push technology of SoundCloud and the amazing DJs that appreciate the site enough to send promos our way or we’d be stuck in music purgatory right now. It really is amazing that we can get incredible new tunes by simply logging into our inbox. We appreciate it sooooooo much.

This set came to us in just this way. Our main man from Tampa Bay, Steve Graham sent this gem of a live mix to my Facebook account and boy have we ever put it to great use ever since. It’s so good when you were actually on the dance floor when listening to a live promo because you can place yourself back in the vibe and truly feel it all again inside.

As we’ve written over and over again, Listed’s Balance party at the WMC was one of the best of the conference and this set from Joris Voorn stood out from just about everything we heard throughout the week. This was the day I knew without a doubt Joris was a world class talent. It was the second time I’d been on one of his dance floors and this gig was as good, but also very different from the one before.

At Footwork his tech was pumping and progressive, atop the Victor Hotel it was deep and bumpy. All of his selections have groove and soul no matter the pace and he is one of the few who can properly mix it up in any setting. Inside or out Joris Voorn is most impressive, and in my opinion, one of the not many who absolutely “gets it.”

This download is amazing in so many ways. It represents a lot of what I love about this music… and it’s not even in the realm of the style I dig most. It’s the purest example of quality live music I’ve heard in a long time, and I think you’ll agree no matter what you’re into. -- Gregor.

SOUNDCLOUD: @joris-voorn
www.jorisvoorn.com

BTB CLUB BEATS

Joris Voorn - Balance 016 Release Party, WMC - March 26, 2010 - Part 1

The bringthebeats underground is a Toronto-based collective dedicated to the electronic dance music scene since 2002. Our preferred style is funky progressive house, but we promote any sound with depth and substance. This SoundCloud stream features exclusives, live sets and classic favourites.

Joris Voorn - Balance 016 Release Party, WMC - March 26, 2010 - Part 1

bringthebeats

Recent comments

Derek Moorn

headphoneboy

Laura Boros

Steve Graham

Related tracks