Ce petit moment est simplement incroyable !

MrVinegatune

01 - Kartell - Cost of Love (Work in Progress)
02 - Daktyl - Make You Feel Better
03 - Hayden James - Permission To Love
04 - FKJ - Lying Together
05 - FKJ - Unchained
06 - Poolside - Do You Believe
07 - Cherokee - Room
08 - FKJ - So much to me
09 - Daktyl - Standing in the Shadows
10 - B.B. & Q. Band - Dreamer (Kartell Rework)
11 - D.A.R.E - A Fleur De Vous (Funk LeBlanc Remix)
12 - Vanilla - Suede
13 - Poolside - Take Me Home
14 - Blondie - Heart of Glass (Oliver & Thee Mike B Remix)
15 - Joywave - Tongues ft. KOPPS (The Hood Internet Remix)
16 - Clubfeet - Cape Town (Panama Remix)
17 - The Knocks - Modern Hearts (Funk Leblanc Remix) 

Of course Funk & Disco first entered the Electronic music scope long ago in the form of House music. However some new styles are emerging that definitely offer something more in tune with the sampling gymnastics of Future Beat-Makers like Onra, whose Disco infused 2010 LP Long Distance, helped pioneer the sound. The next year genre chameleon Toro Y Moi brought the same Disco influences on Underneath the Pine that Daft Punk came back with this year on Random Access Memories. Marrying the drum-machine hip-hop aesthetic with a '70s influenced Funk sound, I’ve opted to go with the term “Future Funk” to help map out this new diverse and perfectly sunny summer music.

Genre Spotlight: Future Funk Vol. 1

Taken from the album "Stars Are Our Home."
Out now on Slumberland Records (US) and Sonic Cathedral (UK)

Order the digital download from iTunes: http://smarturl.it/bhb-itunes
Order the LP/CD: http://smarturl.it/bhb-album

more info: www.blackheartedbrother.com
Black Hearted Brother Official Facebook: www.facebook.com/blackheartedbrother

It was Alfred Bester, if I recall correctly, who called 'the stars my destination', in his brilliant novel of the same name from 1956. Long considered a libertarian science fiction classic, it's also notable for featuring one of the very first accounts of synaesthesia in English-language fiction. This might be drawing a particularly long bow, but the title of Black Hearted Brother's debut, "Stars Are Our Home", immediately brought Bester's book to mind – and there's definitely something of the synaesthesic experience about this album, overflowing with enraptured, glowing textures, flaring white light like magnesium, in consort with brilliant red-blue waves of psychedelia.

Of course, the first thing that might crane your head towards "Stars Are Our Home" is the group's membership: Neil Halstead, the éminence grise behind Slowdive and Mojave 3; Mark Van Hoen, an original member of Seefeel, subsequently working solo and as Locust; and Nick Holton, the main mover behind Holton's Opulent Oog, and member of Coley Park, who have released albums on Halstead's Shady Lane label. They had previously converged on Halstead's 2001 solo album, "Sleeping On Roads," though Van Hoen also co-produced Mojave 3's "Out Of Tune" (1998), "Excuses For Travelers" (2000) and "Spoon & Rafter" (2003), while Holton took up production duties for Halstead's "Palindrome Hunches" (2012). Van Hoen and Halstead go back much further still, to 1992, when they were in Seefeel and Slowdive respectively: 'Mark taught Neil much that was electronic and ambient music.'

You could hear that education bearing fruit with Slowdive's late-period masterpiece, 1995's "Pygmalion." In some ways, "Stars Are Our Home" echoes that album's experimental process, if not the outcome, as Black Hearted Brother are a very different, distinctive beast, often indulging in what Halstead, self-deprecatingly, describes as 'a lot of very long and indulgent space rawk.' And indeed, that space-rock drive is writ loud and clear on the album's opening title track, an instrumental bliss-out that navigates through ocean-tides of FX-drenched guitar. But there's a lot more to it: 'The idea was to just make a record that was in some ways "unedited",' Halstead continues. 'To not worry about a particular sound or style, but to just go with the flow. We all make quite focused records individually so, as Mark says, it's our "guilty pleasures" album.' That seems about right, except with "Stars Are Our Home," the outcome is no guilt, all pleasure.

'Neil and Nick had, I think, started a few months before they asked me to join the party,' Van Hoen recalls. 'I think they had a few songs on the go, and needed an extra hand to add a few funny noises and generally add to the chaos – or maybe bring some order to the chaos.' Van Hoen has picked up on the dialectical nature of "Stars Are Our Home" here, its "order" and its "chaos": it's a rich, compelling album full of unexpected twists and turns, at times overloading the sensorium with so much material you're drenched in noise, but it'll just as quickly flip back on itself and drift through a glazed-eye, agrarian moment of acoustic melancholy (see the start of "Time In The Machine", which, as if to prove my point, takes less than a minute to build into a clangorous, droning monster).

So, there's a whole lot going on in these grooves, and plenty of it's unexpected, or from unexpected sources. The trio plays fast and loose with what listeners might consider their pre-ordained 'roles'. 'Primarily the songs themselves were started either by Nick or Neil individually,' Van Hoen explains, 'but then edited, developed and generally messed around with and rendered almost unlistenable by either myself or the others. The roles were not always clear cut. Sometimes Nick would be playing keyboards and synths, and myself guitars.' Lyrics on the record feel like another texture, another layer: sometimes they're invocatory chants, sometimes Halstead's and Holton's voices are ghosted by electronic manipulation, as on "Oh Crust". Often there's more going on than at first glance, and an index of the album's lyrical concerns runs to 'romance, sci-fi, places to go on holiday, real UFO abduction, the duality in the meaning of words, lament for the loss of psychedelic freedoms by the masses…'

"Stars Are Our Home" is brave and beautiful, mysterious and resonant. Its experimental edges never forget the importance of the pop moment; the best way to bring people around to your way of hearing is to seduce their ears, and there's seduction plenty here, pure pop like "Take Heart", the Other Green World of "I'm Back", the closing driftwork that is "Look Out Here They Come". A real head-wrecker of an album. And what does the future hold? The trio speaks as one: 'Black Hearted Brother will grow and mature into something very sophisticated in the coming years. A kind of comedic-space-rock-dancehall outfit to define a zeitgeist for the 22nd century, if you like.' Ha, yeah – amen, brothers!

Black Hearted Brother - My Baby Just Sailed Away

original: https://soundcloud.com/fractures-music/cadence

Fractures - Cadence (theartsnobs edit)

Artist: Sisters
Title: 'Hush Hush'
Release Date: 2nd December 2013
Label: Just Off Pop

“Bratty riffs and snarky vocals, the combination makes for a thrilling ride” – NME

SISTERS threaten you with a hypnotic, pounding and melodic
porthole into their dreamworld with their debut single HUSH HUSH.

Commanding vocals, chugging rhythm and squealing guitars create a
dynamic rarely realised to such awesome effect.

A three piece from Limerick, Andrew (drums), Aoife (bass/vocals) and Niall
(guitar/vocals) have been siblings since July 2012.

Be prepared for 3 minutes of mesmeric magic because it should be, and it will be, that Hush Hush
makes the world get loud about Sisters!

“A drizzling of angst-driven frenzy, suggesting that, yes, Sisters are probably ones to keep an eye
on in the future” – NOISEY, VICE

www.facebook.com/sistersband

SISTERS- 'HUSH HUSH'

<b>Lifted from "All That We Had Is Lost" EP. 
Out November 25 on Best Fit Recordings / Hybris (Scandinavia)</b>

Tracklist:
1. All That We Had Is Lost 
2. When All The Wild Things Die
3. All That We Had Is Lost (Gent Mason remix)
4. All That We Had Is Lost (Keep Shelly In Athens remix)
5. All That We Had Is Lost (1987 remix)
6. Supreme (HNNY remix)
7. Supreme (Greetings From live session)

Postiljonen - All That We Had Is Lost (Gent Mason Remix)

OUGHT
Once More With Feeling EP

Preview of full-length album available 28 October 2014 on Constellation: http://cstrecords.com/cst108

Ought • "Waiting"

The Underground  Youth - Collapsing Into Night

The first single from the upcoming album "Haunted" by The Underground Youth. 
Out on Fuzz Club Records summer 2015. 

The Underground Youth - Collapsing Into Night

PRINCESS CENTURY - Sunscream

"Wilding" taken from the album "Shadow of the Sun" out now 

LP/CD: http://bit.ly/1uJA3Sl
iTunes: http://hyperurl.co/ShadowOfTheSun

Website: www.moonduo.org
Twitter: twitter.com/moonduo
Facebook: facebook.com/moonduoofficial
Instagram: http://instagram.com/moonduoband

Tour Dates: http://bit.ly/1yvf0dU

Moon Duo - "Wilding"

u wasnt feelin me prod. trashund

Force Publique - Illuminate

Drug Train - Rabbit Punch

Tommy Trash vs Tommy Trash - Future Folk (Victor Sianga Bootleg)

BRNS - Wounded "Clairvoyant"

Listen to the full album here; 
gaolersdaughter.bandcamp.com/album/how-…-make-time

Contacts;
Band - Ben Hutchinson ben.hutchinson@virgin.net
Press - Kim Astley-Cooper kim@supercatpr.co.uk
Radio - Russell Churcher russell@viaductpromotions.co.uk

St. Peter

check out the original here: youtu.be/_KQdMgLW-K0

big up to Alice's label Adrian Recordings https://soundcloud.com/adrianrec for sharing my work


BRNS - Wounded "Clairvoyant"

BRNSmusic

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