@ttristanafkap6r6r6k @riedelchristoff
Written + produced : TTristana & Christoff Riedel
Lyrics + vocals : TTristana

EXTRASENSITIVE EP out Feb25

cover by Camille Soulat
https://www.instagram.com/sltcamille/
mixed by @allpass1
mastered by @djgapdjgap

EXTRASENSITIVE

Download

TTristana - Through The Screen (feat. Christoff Riedel)

E-Saggila & Brodinski - "Razor view"
Produced by Rita Mikhael & Louis Roge
Mastered by Andreas Lubich @ Loop-O Mastering
Artwork by La Vica

Brodinski & E-Saggila - Razor view

Laenz's supernatural bass music lands on the Italian label Early Reflex.

Read more on CxC 🔗 couvrexchefs.com/en/laenz-early-reflex-undue-valence

Article

PREMIERE: Laenz - Undue Valence (Early Reflex)

Animistic Beliefs - MERDEKA

With their profound take on electronic music, Animistic Beliefs have steadily solidified their spot in the global underground. Influenced by cultural concepts such as ancestry, animism and mythology, as well as the languages of political techno, punk, bubbling and IDM, Linh Luu and Marvin Lalihatu consistently translate their visions into sensitive productions as well as high-octane live performances. On their new record, MERDEKA, the artists explore and embrace their cultural heritage in all of its pride, pain and complexity. MERDEKA symbolizes Animistic Beliefs’ breaking free, coming to terms with their changing selves and letting go of external expectations. The record rethinks childhood memories, confronts the generational trauma left by (post-)colonialism, and re-connects Linh and Marvin – respectively of Vietnamese-Chinese and Dutch-Moluccan descent – with their formative cultures. 

MERDEKA marks their first step in an overall departure from western club music. For its layered sound, Animistic Beliefs once again draw from the past, present and future of global club music, creating a sonic space where fast techno, warped breakbeats and ambient soundscapes make way for the augmented influence of (Southeast Asian) tribal music. 
The record incorporates Indonesian scales and recordings of 
the Tahuri (a wind instrument made out of a conch shell), Totobuang (Gamelan-like gongs) and Tifa drums, known as ‘the Moluccan heartbeat’. 
There is no audible distinction between old and new, between organic and digital, between instrumentation and voice. 
It is through words that the artists further touch on their experience; To Dream About Water opens with a stirring spoken word fragment by Marvin, marking the first time his voice is recognizably featured, whereas Khi Minh Gap Lai (‘Until We Meet Again’) centres on a Vietnamese poem by Linh, in which she beseeches her ancestors and finds a safe haven for unanswered questions. 

In true Animistic Beliefs fashion, MERDEKA will set fire to sweltering clubs and (sleepless) dreams. Yet, for the artists, it is essential to amplify the stories that spark that flame and keep it burning. 
The release of MERDEKA follows CACHE/SPIRIT, their ongoing collaboration with visual artist Jeisson Drenth, which extensively explores the artists’ intersectional identities. As such, the latest album is the next step within a bigger, introspective investigation. More unapologetic than ever, MERDEKA embodies a turning point on Animistic Beliefs’ ongoing journey towards self-acceptance – fuelled by the sound of urgency. 
credits
released August 26, 2022 

Written and produced by: Marvin Lalihatu and Linh Luu 
Artwork by: Don Elektro 
Mastered by: Rashad Becker

To Dream About Water

Next November 16 we release the ep New Existence
by PERSONALBRAND.
The ep includes three original tracks and three remixes by B E N N,
AFGA06L and rEmPiT g0dDe$$.

We share with you the Disurbanism tracks as a preview.
Enjoy!!

Ả̬̽͜LL̛͟ IDENTITIEŚ̳ A̦͛RE ̣͎̉̐FIC̻̯̅̀T̮̍IOŃ͚̰͂
Producer, curator, and founder of experimental label POSTWORLD, the current iteration of personalbrand is exploring how visions of hope might be reflected in the shards of our contemporary failures. Despite his moniker, he is presently focused on illuminating the music and art of others that share this anticipative outlook.

personalbrand has released music on TAR and Over My Body, and is a former resident DJ at Taipei's FINAL.

©+℗ Infinito Audio Network
IAN111/ 2022

New Existence

Disurbanism

𝗽𝗲𝗿𝘀𝗼𝗻𝗮𝗹𝗯𝗿𝗮𝗻𝗱 - 𝗗𝗶𝘀𝘂𝗿𝗯𝗮𝗻𝗶𝘀𝗺

All the profits generated by the sales of this compilation will be donated to the Legal Team Antiraciste fund, which aims at helping the victims of french police violence and their families, fighting against systemic racial discrimination as well as defending their access to fundamental rights.

Huge thanks to Casual Gabberz <3
Mastering by Lorenzo Targhetta
Cover by JB Normand

yynona - pilotstrick

Artist: Sote
Title: Ministry of Tall Tales
Label: SVBKVLT
Cat No: SBKT062
Artwork: Leila Hobooty Fard, Arash Bolouri & Luke Griffiths
Mastering: Raphael Valensi
Format: Limited LP + digital
Release date: 29th February 2024

For our first album release of 2024, we are excited and honored to welcome Sote to the SVBKVLT family with ‘Ministry of Tall Tales’

Ata Ebtekar, better known as Sote, is an electronic music composer and sound artist based in Tehran, Iran. His wide-ranging love of rich sounds and textures is embodied in diverse paths such as hardcore club sounds, collaborations that straddle (traditional) acoustic and electronic instrumentation, and solo experimental electronics – making Ebtekar equally at home in concert halls, galleries, or clubs. Over the last three decades, he has released on labels such as Warp, Sub Rosa, Morphine, Diagonal, and Opal Tapes.

‘Ministry of Tall Tales’ is an electronic music composition that reflects on hyperbolic orchestrations of political and social current affairs.

In this work, notions such as misinformation/disinformation, biased mental states, bigotry, dogma and ultimately corruption are brainchild of the composer in order to achieve a sonic spirit in abstract form.

Ludicrous and distorted human behaviors are told by magnifying musical intervals and entering the spaces in-between, and simultaneously dramatizing subtle microtonal motifs, ultra-fine polyrhythmic, polymetric and polytempic pitched patterns assemble the skeleton of an engine symbolizing various systems.

The configuration and framework of this mechanism represents both harmonious and non-harmonious aspects in society. Rearranging and coloring components of tradition, neglecting moral codes, and separating ingredients of rituals to showcase humankind’s failures and accomplishments.

The composer has been experiencing an immense amount of frustration, anger, confusion, helplessness and fear because of what has been happening in his surroundings and the sociopolitical system. Consequently, the music is contemplations on corruption, oppression and murder.

“Ministry Of Tall Tales” is an all-synthesis based work, dark and melodic with a noise aesthetic.

Ministry of Tall Tales

Sote - Separating Ingrediants of Rituals

James Hype said we can use his Vocal so I did 🔊

James Hype - Waterfalls (Mike Norman Remix)

zonedout - DIGITAL SIGNAL (prod. phntmzn bR)

MeeMa Said Techno Left PaPa Jack Slackjaw

smog brings an apocalyptic landscape to his track 'Builders' to close of Failed Units 'Dawn Of The Failed Units' series.  

Article: https://weareinsert.com/audio/smog-builders-failed-units/

Brodinski & E-Saggila - Razor view

Brodinski

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