This release is a manifesto of artists' freedom. Twelve members of the Radugadesign team created 12 audio tracks in drastically different styles, from experimental noise and strange screams to guitar rock. Independently of each other, without any guidance, rules, or agreements. One composer reworked all these tracks into a single powerful piece, which became a representation of the team's 15 years of achievement in media design, installations, and 3D graphics.

Radugadesign, REBËNOK — r15

BUY LINK: https://vitaliyu.bandcamp.com/track/do-you-like-water
https://soundcloud.com/rebenok-music
https://www.instagram.com/vitali.yu/

- You like water?
- I love it. It's actually my second favorite thing in the world.
- Really? And what's your first most?
- Fucking..

BUY LINK

PREMIERE : Vitali Yu - Do You Like Water

The most delicate and beautiful music created by Vitali Yu and Kirill Rave as a part of spatial installation "Laser Meadows".  Every spectator will be able to walk along the slopes of the "valley" barefoot and watch complex abstract patterns of Laser Lumia floating past synchronously with music. They unfold in long loops and waves without a clear beginning and end, digital and physical frames, pixels and screens - being in such a space immerses you in a meditative state, allows you to calm the flow of thoughts in your head and feel unity with nature and people around.

Broken Composers - Laser Meadow Curve

Broken Composers - Laser Meadow Angle

Povoa - Shit Song

Povoa - Hacked Lime

Beneath
Special Offer / Kushty
MSRY008

Release date 2nd March
Pre order https://mistrymuzik.bandcamp.com/album/special-offer-kushty

Beneath - Special Offer

For the second release on the Galaxiid imprint, a label of electronic music archeology and quality, we are transported to the strange sonic world of an elusive 90s pioneer. Solar X’s 1997 album X-Rated will be released for the first time on vinyl, as well as reissued digitally, with new artwork by the Japanese artist Keniichi Tanaami. Two worlds connecting sonically, visually and culturally.

Solar X enjoyed a burgeoning career in post-Perestroika Moscow making playful, low-tech electronica from Soviet analogue instruments, which he masterfully configured to forge animated compositions and dancefloor rarities. Fascinated by chaos and complexity, his music explores the ways in which our minds can be manipulated by structure - an endeavour quite plausibly linked to his other career as a lecturer and researcher of AI, information theory and cognitive science, his interest in which was in turn triggered by his young experiments in computer music.

Solar X gained international attention at a time when Russia was (quite unfairly) seen as a vacuum for electronic music, but was exploding in the period of piracy, poverty and freedom following the collapse of the USSR. Young Russians had benefited from the soviet education system and there was a strong DIY computer programming and music scene, fuelled by hackers, gear freaks and party animals. Viewed from today, the album is reborn at a time of further political and social strife, which many see as fuelling the huge creativity and radical thinking of modern Russia’s young creatives.

X-Rated treats tempo and form as fluid concepts, administering sudden changes to its sonic landscape with disorienting effect, underlain with a subtle dose of humour and experimentation. Downtempo trip-hop sits alongside frenetic IDM and blistering electro, all bound together by peculiar melodic inflections and lively distortions. Warm, trippy harmonies and robotic synths are offset with angular drums, shifting erratically through moods and genres with cunning intent. Much like his contemporaries from the era, it’s his ability to breathe life into a humble production setup that makes his music so compelling some twenty one years later. 

The track titles are from a book of call girl cards in London phone booths, that reached the artist in Moscow in 1995. "I liked the titles from these cards, which were self-promoting and offering pleasure (e.g. "Mistress awaits you"). So, I thought since my tracks also offered some kind of pleasure, they might as well advertise this through their titles.” 

Label head Nina Kraviz was introduced to the work of the 83 year old sensei Keniichi Tanaami by Ukawa Naoshiro, founder of Dommune in Tokyo, one of the brightest figureheads for the arts in Japan, responsible for the graphic design of the cover. In September 2017 Nina played for the opening of Tanaami-san’s first exhibition in Moscow at Gary Tatintsian Gallery. Nina performed a live sound palette, to accompany the looping 7 minute animation, of experimental music from the Soviet Union, Russian pioneers of electronic music like Species Of Fishes and SolarX, Soviet-time pioneer Lev Termen, Kuryochin, avant-guard rock mixed with some Stockhausen and just pure abstract sounds, as well as treasured artists like Biogen.

Tanaami‘s illustrative work has strong sexual elements, so out of the five art pieces Nina selected and commissioned for Galaxiid, the first fits perfectly for ‘X-rated’. The vertical line of text on the left is the traditional form for Japanese covers of foreign releases. The cover, together with the accompanying poster and sticker, are printed in Japan to ensure the highest print quality and purity of the colours.

B2 Mistress Awaits You

“Broken rooms” is a music  created by a network of random number generators. In real time and with minimal human involvement.

The experiment is based on field recordings — sound landscapes familiar to everyone who has been to Moscow. Evening traffic jam on the Boulevard ring, empty Metro station at night, a school playground during the summer evening, an underpass where aspiring cellist torturing the cello, the Chimes tolls above the snow-covered Red Square.

The work of the random network is similar to a conveyor and an orchestra, where each participant taking just a tiny little action. First one cuts the incoming sound stream to pieces of random length, from milliseconds to a minute. Second one builds those pieces into rhythmic sequences. The third grabs the sequence and tries to turn it into a melody. The fourth imposes a weird sound effect, like an echo with endless feedback. The fifth turning a little knob in this effect plugin

Thus, 300 random generators work contemporaneously creating 5 parallel tracks of sound. And most of the time they generate a boring insipid noise. But sometimes the network seems to catch some kind of inspiration and creates soundscapes of amazing beauty and complexity. The role of the musicians is to try to capture this moment and save it to a file.


About the creators

Broken Composers is a Russian experimental audio-visual project. Duo's live performances are complex and improvisational dialogue between right and wrong, spontaneous and thoughtful.

The sound of self-made instruments, reworked woodwings and flutes, the rumble of chains, hammers and metal pipes passes through electronic devices, crumble, catching to loops and, finally, turn into a friable ambient, acid techno and weird electro.

The visual part of the show is hand-made installations based on the laser lumia effect, the refraction of a laser beam in complex-shaped glass prisms.

Apple music

Bug Room

glitchin' since 2017
Vitali Yu + Kirill Rave

Bug Room

Broken Composers

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