CHILL FACTOR

Rework - Love Love Love Yeah (12")

Love Love Love Yeah

Rework - Love Love Love Yeah

May it Be
Enya
The Lord of the Rings, the Fellowship of the Ring
Recorded and Edited at Teddy Nasr Studio

May It Be - Enya - Lord of the Rings Soundtrack

Digital download https://bit.ly/2Kc4zDR

Void Vision is a Philadelphia based solo female Minimal Synth / Cold Wave project from Shari Wallin. 

Already included by Rough Trade in their seminal Synth Wave compilations, the single is anticipating her full lenght 'Sub Rosa', out for Mannequin Records later in 2014. 

Remix by Vanzetti & Sacco aka Jos Van Galen with the Otto Kraanen, the boss of the acclaimed Bordello A Parigi from Rotterdam! TIP!

Limited Edition of 300 copies on aqua vinyl.

Mastered by Rude66.

Artwork by Alessandro Adriani.

Void Vision - Sour (Vanzetti & Sacco Remix)

Rossell feat. Emma- Dancing With Strangers (Lifelike Remix)

Felix Da Housecat - Happy Hour

Enya - Caribbean Blue

BUY VINYL: www.darkentriesrecords.com/store/dark-entries/miss-kittin-the-hacker-lost-tracks-vol-1-ep/

Miss Kittin & The Hacker are the Electro duo of Caroline Hervé and Michel Amato from Grenoble, France. The pair met during the early 90s at a rave and soon after bought turntables and began DJing. In 1996, their collaboration began, writing music heavily influenced by the 80s post punk bands Fad Gadget, DAF, Liaisons Dangeuresues, Yazoo as well as Italo Disco. Bored by the techno scene at the time, the pair set out to lighten the seriousness and add a camp sexiness. Upon hearing their demos DJ Hell signed them to his Munich-based International DJ Gigolo label and released their first 2 EPs in 1998 and 1999. Their debut album ”First Album" is released in 2001 and pioneers the electroclash movement of the early 2000’s. 

“Lost Tracks Vol. 1” contains 4 previously unreleased demos recorded between 1997 and 1999.  Distancing themselves from the hard techno produced in Europe at the time, the duo fused 80’s European New Wave/Italo Disco with 90’s Detroit Electro acts like Le Car and Dopplereffekt. Somewhat unorthodox, their sound has a song-like format, based on the verse-chorus pop schema of the 80s music they grew up listening to. Song arrangements are direct, spontaneous, seemingly unplanned, and mainly generated with some synths, a beat box and a microphone. Their studio set up at the time was a Korg MS-20, Roland SH-101, TR-606, TR-808, Siel DK80, and Boss DR-660 drum machine. Distinguished by Miss Kittin's French accented voice, full of derision, she sings about falling in love with an alien, sexy nightlife in Berlin and explicit S&M leather play.

All songs have been transferred from the original DAT tapes by the band and mastered for vinyl by George Horn at Fantasy Studios. The vinyl comes housed in glossy jacket featuring a never seen before black and white photo of the duo taken in 1996. Each LP includes a postcard with liner notes from Miss Kittin and The Hacker designed by Eloise Leigh. As Miss Kittin says of these demos, “We were naive, innocent, adventurous and we didn’t expect anything in return”. 

Miss Kittin & The Hacker - Leather Forever

Last idea, music from future, no AI but its near i think!

AI Tale (original final mix)

Order your copy: http://mannequinrecords.bigcartel.com/product/mnq-068-effetto-joule-robespierre-12-flamming-dalum-remix

*** Limited hand-numbered silkscreen art edition for the first 50 copies. Available only at Mannequin Records online shop ***

Mannequin Records proudly presents the rare dark italo 12'' “Robespierre” by the italo wave trio Effetto Joule.

Originally released in 1989 on Top Sound Records, the reissue comes with extra demo tape material from their “Ultraviolet” tapes and with a killer Flemming Dalum remix of the title track. 

Effetto Joule formed in Modena during the second part of the 80’s. The pulsating heart of the band were the brothers Flavio and Valerio Biagi with the collaboration of Valerio Tassinari. Deeply influenced by the British synth pop heroes like Tubeway Army and Depeche Mode, the Biagi brothers were able to merge that kind of epic sounds with the more romantic Italian vision of the electronic dark wave. 

Tracklist

A1 - Robespierre (12'' Extended)
A2 - Effetto Joule (Studio Mix)
A3 - Varsavia
B1 - Robespierre (Flemming Dalum Remix)
B2 - Robespierre (Versione Home)

Mastering by Rude 66.
Graphic design by Alessandro Adriani.

Limited edition of 300 copies on white vinyl.

A1 - Robespierre (12'' Long)

Cititrax is thrilled to present a full length LP entitled Adieux Au Dancefloor by Montreal based recording artist, Marie Davidson. Marie Davidson has emerged as one of the foremost electronic artists working in contemporary pop today. As a long-time member of Essaie Pas (DFA Records), Davidson has had the opportunity to hone her many talents. She has been participating in the city’s vibrant experimental community for much of her adult life. However, in 2012 she began to unveil compositions under her own name, revealing a solo artist who possessed the combined confidence and vulnerability required to write, produce and perform unaccompanied. Davidson’s intimate solo work is embodied through a host of synthesizers, sequencers and drum machines which coalesce in synchronized harmony, punctuated by vocals, half sung, half spoken in both French and English. She masterfully shapes the overall mood, themes, emotion, expression and intensity of her work, which gives the final result a distinctive, cinematic quality. 
With Adieux Au Dancefloor, Marie makes a slight departure from her last two releases, via Holodeck (2015) and Weyrd Son (2014), by creating her first fully dancefloor oriented piece of work. Through the 45 minutes of music that comprises the album, she experiments with pop structures, defines her voice, and layers rhythms to make complex and beautiful techno tracks. She closes the album with the title track in classic Chanson style.
Adieux Au Dancefloor will be released on October 6th. The record will be pressed on 160 gram white vinyl and will feature photographs by the equally talented Corinne Schiavone. The record will be housed in a full color printed heavyweight jacket along with matching printed inner sleeve. Pre-order available now. Digital release to follow.

Order: http://minimalwave.com/releases/release/adieux-au-dancefloor/

Lyrics: 
It seems like honesty is not so fashionable these days, it's true, I ask a lot of questions.
You call me naive?
I'll tell you what, I'm naive to the bone.
Do you think I'm too soft?
Because I don't hide, or is it that your lost when I smile?
I don't need your love but I'll dare to ask you how you feel about me.
Just to get things straight.

I have no cards to hide.
My life is not a game.

Let me picture my future, a large room where you can hear the silence.
No space for arrogance, no pain in my chest.
Just the beating of my heart.
J'suis pas un cordeau moi! (In French)

In The Middle Ages, people used to wear clocks, it's 2016, get real.
So you think i'm too soft.
I have nothing to prove, I have no advice for you. But remember what Terrance said: 
"The last dance, we dance alone".

Adieux Au Dancefloor

Marie Davidson - Naive To The Bone

Some things just make sense and we’re pleased present the first collaboration of 2 of our favourite artists : RED AXES & C.A.R. 
This release has been a long time coming. Tracks were first exchanged back in 2014 and it’s been an organic, intuitive process. Like-minded musically & likeminded lyrically - Red Axes & C.A.R. seem to work the same way. Recordings happen fast. One or two takes. It’s punk and it’s effortless. 
1960’s, psychedelic 2040 arrived on queue. A sweaty, London-summer evening, after spending the day writing alone out Hackney Marshes, Chloé demo’d the vox. - languid, nostalgic, at arm’s reach from the city - the track depicted the moment perfectly. A paper thin Victorian wall separating her from the chatting neighbours, she shut her eyes and got as close to the mic as possible. 
A few weeks Red Axes & C.A.R. were together in Tel Aviv. Ten times sweatier than London. To say the studio was dripping hot is an understatement. There was a party heaving in the square below, a van parked in the middle, broadcasting out on the radio waves. Dori was determined to use the intimate London vocals for 2040 and so they cracked on with Incognito, a club track that isn't one but works in its own way: rockabilly reverbs, an almost hip-house delivery, the strange alchemy of 808 fumes. Already inebriated from the city, Chloé had written her words off-cuff in the hotel room, just hours before.
Fastforward a year. Summer 2015. Niv had sent Space Cream a few months earlier - an electronic 4/4 ballad which already featured looped samples of some of the stuff they’d recorded in Israel. Heady and sticky, Chloé had to wait for longer days before she could get anything down.
Finally XMan, descends further down into psychedelia… Perfect for the London winter closing in. Heads filled with Cookie Mueller & memories of losing oneself in dark, basement parties - the words rolled off the tongue. 
Last autumn Red Axes invited C.A.R. down to London’s Pickle Factory to perform Incognito live. During soundcheck she penned some words for a new track they were debuting, which they also ended up doing. It’s an experience synonymous for this collaboration. What comes easy, makes sense.

01 - Incognito - Red Axes / C.A.R.

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https://temumusic.bandcamp.com

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charlie - spacer woman (1983)

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