strings of sorrow

Seda Kon Mara - Persian Music

Shab

İfalar, Vol. 1

Küsüb Getdi

Sam Shalabi & Stefan Christoff - "Flying Street"

The cargo cult does not exist per se; rather it appears in the dirty mirror of the European self - a cultic other as a reflection of the imperial self. The dreamer should always advance and attack in the teeth of danger, calling on the dream images of his fellows if necessary.  Eroticism is beyond good and evil since it is inevitable ... just imagine living in four rapidly evolving worlds at once.  To what degree can an expressionless doll made of wood be filled with the breath of life?


A1 The Age of Fragmentation
A2 Bunraku
A3 After Dinner
A4 Kaiseki

B1 Lead Away From Light
B2 Broken Orchestra
B3 Kaiseki - Cut Hands Remix
B4 Broken Orchestra - Nokuit Remix


INSTRUMENTS USED:
Angklung, Cello, Chenda, Darbouka, Didgeridoo, Gamelan, Mridangam, Ney, 
Percussion, Shakuhachi, Shamisen, Synthesiser, Taiko, Trumpet, Viola, Violin, Voice   


Bunraku is dedicated to Brian Reitzell
Lead Away From Light is dedicated to Jon Hassell

Bunraku contains a sample of Frog Dreaming by David Hudson courtesy of Celestial Harmonies 

Written and recorded by Roberto Musci
Mixing and mastering by Robert Soma-Lewis at Ambient Works
Sleeve design by Martin Kellett


TINA001
© 2024 TINA RECORDS   
tinarecords.net

Cargo Cult

Roberto Musci - Broken Orchestra - Nokuit Remix

Roberto Musci - Kaiseki - Cut Hands Remix

Roberto Musci - Broken Orchestra

Roberto Musci - Bunraku

Эмоции в звуках армянской музыки

Sayat Nova

Tina Records presents the apocalyptic visions of Nokuit. Constructing a hellish diorama across six tracks of industrial electronics, Gates of Horn and Ivory uses biblical allegory to map out our current End Times. With sleeve notes by Andy Sharp a.k.a The English Heretic.

Eurosleaze film composer by day, Nokuit has developed a distinctive cosmology over a mutating series of releases on underground labels including wannamarchi club and NKT. Alongside Cut Hands (William Bennett of Whitehouse), he remixed Roberto Musci on the inaugural Tina Records release, as well as having been remixed himself by schuttle, Kinn and Sonae. He has performed internationally, including at Cafe OTO alongside Mun Sing as part of a lineup curated by Flora Yin-Wong and has received radio support from Ad93's Nik Tasker and Ana Quiroga of Editions Mego's LCC, amongst others.

English Heretic is an autonomous creative research project helmed by writer, occultist and multimedia artist, Andy Sharp. Having released over a dozen albums and booklets since its inception in 2003, the project culminated with the publication of The English Heretic Collection in 2020 by Repeater Books. Friend and collaborator of the late Mark Fischer, Andy has talked at academic conferences and counter-cultural events on a wide range of subjects drawn from his research.

This is the second release from Tina Records, following Cargo Cult by Roberto Musci. Featuring remixes from Cut Hands and Nokuit, that record received airplay from the likes of Surgeon and Not Waving on stations such as NTS, Noods, Resonance and Intergalactic FM. It was also named one of the best releases of 2024 by Bleep. Tina Records is based in London and Rome.

Gates of Horn and Ivory

Last Trumpet

Serpentine

Horn & Ivory

Falling II

Dark Chamber

Deadly Angels

"Ay Çürüdü" is the second track taken from Anadol's "Uzun Havalar".
We feel honoured to release this extraordinary beautiful music on vinyl. Release date is May 17, pre-order is up: anadol.bandcamp.com/

Now do yourself a favour and buy this record!

Anadol (@altinkasetcilik) is a psychedelic synth folk project by Gözen Atila, a Turkish sound artist and photographer based in Berlin. Her third album Uzun Havalar is based on collective improvisations of middle eastern folk songs called „uzun hava“. They turn out as rich, atmospheric synth ballads. A diverse roster of improvising musicians creates their fascinating complexity. Anadol recorded them during extensive sessions in Istanbul. You can hear drummers laughing and playing guitars, composers howling, announcements in French and screams in no language, record collectors playing oscillators, and trumpets through spacious echoes.
Anadol represents Gözen Atila’s liberation from a rather academic approach to electronic composition which she pursued during her music technology studies in Istanbul. She calls her education the „darkness of serious music“ where she first tried to belong, then to break free with the help of lo-fi synth pop. As a producer of radio plays and an expert field recording artist, she has developed a distinct sense of timing, editing and sound design. Her Anadol project walks in the footsteps of lone synth experimentalists like Bruce Haack and The Space Lady with their childlike curiosity for electronic sounds, pushing the boundaries of minimal equipment. On Uzun Havalar she translates her experimental background into these floating folk ballads.

Uzun Havalar

Ay Çürüdü

Buy LP/digital album

A2 Anadol - Ay Çürüdü [Pingipung 065/KS04]

Available now at https://wannamarchi.bandcamp.com/album/-

BEIRUT, Lebanon — a haunted city. The dead look out from the bullet holes which scar the public squares and back streets, presided over by the monumental ruin of the Holiday Inn, overlooking the city from its sea front cathedra.

	Broken Britain Cassettes advances its World Service campaign eastward with an anatopic release from  Frenchman Couronne de Merde, who became preoccupied by the Lebanese Civil War after repeated visits to Beirut. Recorded over a week in Paris, these tracks are an exorcism of the ghosts who followed him back. 

	Spectral voices lurk behind the shell-shocked synths and an urgent battery of percussion. Proceedings move forward and backwards in time - at once observing the event and recalling it afterward. Disparate scenes and incidents are conflated in a trans-historical bloodbath, underscored by a sorrowful ambience which longs for meaning in Sacrifice.

	Couronne de Merde casts an unflinching gaze at theocratic and political contradictions. ﺍﺗﻤﻨﻰ ﻟﻮ ﺍﻥ ﺍﻟﺮﻳﺎﺡ ﺗﺠﻠﻲ ﺍﻟﺮﻣﺎﺩ is a poetic documentation and dramatisation of a modern conflict, this late iteration of ancient struggles between Religion and Secularity, Christianity and Islam, Dominance and Freedom.

.


بيروت ، لبنان - مدينة مسكونة. القتلى ينظرون من خلال ثقوب الرصاص التي تندب الساحات العامة والشوارع الخلفية ، ويترأسها الخراب الضخم لفندق هوليداي إن ، ويطل على المدينة من كاتدرائية البحر المواجهة ...

تقدم Broken Britain Cassettes حملتها للخدمة العالمية شرقاً بإطلاق سراح تشريحي من الفرنسية Couronne de Merde ، التي انشغلت بالحرب الأهلية اللبنانية بعد زيارات متكررة إلى بيروت. مسجلة على مدى أسبوع في باريس ، هذه المسارات هي طرد الأرواح من الأشباح الذين تبعوه.

تكمن الأصوات الطيفية خلف موالفة الصدمات الصدمية وبطارية قرع ملحة. تتحرك الإجراءات إلى الأمام وإلى الوراء في الوقت المناسب - في وقت واحد لمراقبة الحدث واستدعاؤه بعد ذلك. يتم خلط المشاهد والحوادث المتباينة في حمام دم عبر التاريخ ، تؤكده أجواء حزينة تتوق إلى المعنى في التضحية.


تلقي Couronne de Merde  نظرة لا تتزعزع على التناقضات الدينية والسياسية. إنﺗﻤﻨﻰ ﻟﻮ ﺍﻥ ﺍﻟﺮﻳﺎﺡ ﺗﺠﻠﻲ ﺍﻟﺮﻣﺎﺩ هو توثيق شعري ودرامية لصراع حديث ، هذا التكرار المتأخر للصراعات القديمة بين الدين والعلمانية والمسيحية والإسلام والهيمنة والحرية.

يا ليت الرياح تجلي رماد الماضي

Couronne de Merde - ﺗﻌﻴﺶ ﺭﻏﻢ ﺍﻻﺯﺩﺭﺍﺀ

Couronne de Merde - ﺗﻌﻴﺶ ﺭﻏﻢ ﺍﻻﺯﺩﺭﺍﺀ

BROKEN BRITAIN CASSETTES

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