lately I feel EVERYTHING

don't SAVE ME

Juno

Fired

hover like a GODDESS

taste of u

Prescription

What A Devastating Turn of Events

never see you again. @prod. Paloma

Don't Feed The Pop Monster

Life After

Dreaming of David

Casino

yuh !! ⛈
prod. saint lewis
cover art shot by enrique manjarrez

lyrics:
I’m gonna stay in my room
I’ve been saying fuck school for a minute
Tell them not to treat me like a villain
Kid how you feel (I’m great)
Kid really tell them how you feeling
I told you I’m straight
Or hella gay
Maybe both sides
I know I’d love to kiss a pretty bitch 
Huh?
I’d love to kiss a pretty bitch with some cool eyes
I’d love to kiss a pretty bitch under a blue sky 

I’m high as fuck 
You’re down to fuck 
So what it do
I’m finna rearrange your guts 
Go get the glue
I’mma go gorilla B.A.P.E. my shoes 
A.P.E. shoes hey
Designer
Shawty gives me breath they give me air 
I only get stressed when I’m aware damn 
Hold me by my neck hold my hand

I know I’d love to kiss a pretty bitch 
I’d love to kiss a pretty bitch with some cool eyes
I know I’d love to kiss a pretty bitch
I’d love to kiss a pretty bitch under a blue sky 
I’d love to kiss under a blue sky
I’d love to kiss under a blue sky
I’d love to kiss you
Can I kiss you
Can I kiss you (under a blue sky)
Can I kiss you (under a blue sky)
Can I kiss you (under a blue sky)
Can I kiss you
Can I kiss you

Blue Sky

Stream/Download

Shop SPACE ISLAND Merch & Vinyl: https://linktr.ee/broodsmusic

The fourth full-length from BROODS, Space Island is an exploration of grief and all its many dimensions. In keeping with the New Zealand-bred duo’s unfettered imagination—an element they’ve brought to multiple platinum-and gold-certified records so far—the album’s 10 tracks exist in a surprisingly radiant sonic realm, its aesthetic equally inspired by ’60s sci-fi B-movies and the balmy exotica of composers like Les Baxter.The most high-concept output yet from BROODS—a ten-time New Zealand Music Award-winning act who’ve amassed over a billion streams to date, collaborated with the likes of Lorde and Tove Lo, toured with HAIM and Taylor Swift, and taken the stage at major festivals such asCoachella and Lollapalooza—Space Island came to life during a period of serious upheaval for lead vocalist Georgia Nott. Having married at the age of 21, she went through a difficult divorce soon after the release of BROODS’ previous album Don’t Feed the Pop Monster(a 2019 effort that led to appearances on“Late Night with Seth Meyers” and“The Late Late Show with James Corden”). As Georgia turned to songwriting as a means of processing her grief, she and her brother/bandmate Caleb Nott discovered an unlikely but wholly fitting vessel for that emotional outpouring: the album’s gorgeous constellation of otherworldly beats, swooning guitar tones, and effervescent synth lines. As a result, Space Island introduces a dazzling new intensity into BROODS’ atmospheric indie-pop while providing a powerful conduit for catharsis. 

MANAGEMENT:
Slush Management - Neal O'Connor / Sam Luria

BOOKINGS:
THE AMERICAS - mhayes@apa-agency.com
AUSTRALIA / ASIA - swald@wmeentertainment.com
NEW ZEALAND - reuben@banishedmusic.com

Life After

BROODS

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