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"MORE CASH MORE CHEDDAR"

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TEES & Joppe - Up High [ADC033]

The 33rd release of AMSTERDAM DANCE CAPITAL. TEES & Joppe debut with their fresh hard house track ‘Up High’. This track makes the crowd go wild and is the perfect party starter. We welcome two new and upcoming artists. This tune has been going hard for a while now and is finally out!  

Stream ‘Up High’ now via SoundCloud en get the extended mix for free!  

Supported by: Benwal, Lammer, Gerardo Niva and many more!

FROM AMSTERDAM, FOR EVERYONE 🌐

TEES & Joppe
@tees_ontherecord & @joppe-schippers 
–––––––––– 
AMSTERDAM DANCE CAPITAL  
linktr.ee/amsterdamdancecapital

FREE DOWNLOAD

TEES & Joppe - Up High [ADC033]

Orbita

Sonidero

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In this episode, we talk about the importance of sociology to Annie Ernaux’s Nobel-Prize-winning literary project, specifically focusing on the influence of Pierre Bourdieu’s notion of ‘habitus’. Our special guest, Clare Carlisle, Professor of Philosophy at King’s College London, introduces the concept, explaining what Bourdieu hoped to achieve by coining a new term to designate the idea of a collective disposition or class sensibility. Together, focusing on the opening of The Years (2008), Ernaux’s magnum opus, we consider the ways in which the book’s treatment of self, class, and nation can be read as ‘applied Bourdieu’. 

Our philosophical starting-point is a chapter by Karl Maton entitled ‘Habitus’ and published in Pierre Bourdieu: Key Concepts, ed. Michael Grenfell, 2012. 

Our literary focus is on pages x-51 of Annie Ernaux’s The Years in Alison L. Strayer’s translation (Fitzcarraldo, 2018).

Hosts: 

Scarlett Baron, Associate Professor of English at University College London.
Alice Harberd, PhD student in the Philosophy Department at University College London.

Guest: 
Clare Carlisle, Professor of Philosophy at King’s College London.

Keywords: 

#AnnieErnaux #TheYears #LesAnnées #NobelPrize #Literature #Autofiction #contemporaryculture #sociology #PierreBourdieu #aesthetics #philosophy #philosophyofmind #theself #interdisciplinarity #contemporarywriting #RachelCusk #Outlinetrilogy #class #habitus #subjectivity #sharedsubjectivity


Season 2, Episode 1  - The Sociological Self, with special guest Prof. Clare Carlisle

Emre Ramazanoglu, acclaimed session drummer, mix engineer and Atmos specialist, joins Kevin Paul to discuss his unique career journey, the rise of his reputation as a mix engineer and his lasting passion for the music industry.

Chapters
00:00 - Introduction
01:26 - Education, Drums And Early Recording
06:44 - Touring And Programming Drums
11:21 - Constructing Fashion Show Soundtracks
16:30 - Studio Work And First Zero G Release
21:23 - Versatility And Enthusiasm
27:40 - Being Creative On Tight Deadlines
30:47 - Drum Processing
34:03 - Being A Reducer, Not Producer
37:48 - Live With Your Mixes For A While
41:42 - Atmos Mixes For Brian Eno
43:55 - Working In Atmos And Binaural
51:21 - The Future Of Atmos And Immersive Audio
01:00:45 - Arturia Mix DRUMS Plug-in
01:07:33 - Career Advice For Future Engineers

#ArturiaMixDRUMS #Eno

Emre Ramazanoglu Biog
Emre Ramazanoglu is a London-based immersive audio engineer, producer, stereo mixer, programmer, and session drummer renowned for his versatility across various music genres. From the south coast,  Emre moved to London to pursue a career as a session musician. His diverse skill set has led him to collaborate as stereo mixer, producer, engineer, drummer and programmer with a wide array of artists, including Noel Gallagher, David Bowie, Sia, Lily Allen, Richard Ashcroft, David Holmes, Paloma Faith, Carly Rae Jepsen and many more.

Emre's expertise extends to immersive audio mixing. He has worked on over 2000 immersive audio mixes so far, including mixing the Atmos version of Bowie's “Ziggy Stardust" with renowned engineer Ken Scott. In addition to work on regular major label projects he also is often the mixer of choice for more independent creative projects such as Brian Eno, Jon Hopkins, These New Puritans and many more! Beyond his work with individual artists, Emre has contributed to film and television scores, including projects like "Killing Eve," "Logan Lucky," "Mosaic," "The Laundromat," “Eric”, “The Radleys”, "Mindhorn." and many more. He is also a founding member of the UK jazz group Ill Considered, which has released 12 albums to date and regularly tours worldwide.

In addition to his musical endeavours, Emre has composed and mixed music for fashion shows and promotional campaigns for renowned brands such as McQueen, Louis Vuitton, Marc Jacobs, Tommy Hilfiger, Givenchy, Armani, Tom Ford, Rihanna, River Island, Fendi, Lancome, Chloe, and many others. His passion for audio also extends to plug-in and app development with a signature plugin being released in 2025 with Arturia called Mix Drums which has had amazing response from the pro audio world as well as his own audio app called Realm with the company RT60. Throughout his career, Emre has been recognised for his adaptability and breadth of knowledge in the music industry, continually evolving and contributing to various facets of music production, performance, and composition.

https://www.emreaudio.com/
https://www.instagram.com/emre_ram/
https://www.arturia.com/products/software-effects/mix-drums/overview

Kevin Paul Biog
Kevin Paul started his career as a DJ but quickly found his passion was sound engineering. His first audio job was at Soho Studios in 1991, moving to Konk Studios six months later, where he worked alongside successful producers and engineers such as Bob Clearmountain, Adam Mosley, Pascal Gabriel and Gil Norton, as well as bands such as The Kinks, Galliano, Terrorvision, UFO and Elastica.

Full biog at https://www.soundonsound.com/people/emre-ramazanoglu-atmos-mix-engineer-drummer-sos-podcast

http://www.kevin-paul.com/

Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

People & Music Industry

Emre Ramazanoglu - Atmos Mix Engineer, Drummer

Show Notes

Emre Ramazanoglu - Atmos Mix Engineer, Drummer | Podcast

In this episode, we discuss Annie Ernaux’s The Years alongside, an article by Prof. Lucy O’Brien entitled ‘Shameful Self-Consciousness’. Shame, according to this paper, is a feeling which arises when we become conscious of ourselves as diminished by another’s appraisal of our social value. Prof. O’Brien joins us in the studio to discuss Ernaux’s frequent portrayals of shame in The Years and to consider how well they fit the theory outlined in her paper.
 
Hosts: 
Scarlett Baron, Associate Professor of English at University College London.
Alice Harberd, PhD student in the Philosophy Department at University College London.
 
Guest: 
Lucy O’Brien, Richard Wollheim Chair of Philosophy at University College London.

Season 2, Episode 2 The Shamed Self, with special guest Prof. Lucy O’Brien

I'm looking for a novel that reads like poetry - where should I start? Can you recommend a queer love story with a happy conclusion? What are the best books that explore small-town life? We put your book dilemmas to bestselling author Ocean Vuong and Penguin Editor and award-winning poet Sarah Howe.



Joining Rhianna this week is Ocean Vuong, whose latest book The Emperor of Gladness has been dubbed the first 'millennial Great American Novel' – but what does that really mean, and which classic American novels have inspired him? The author and poet also reflects on the themes and inspirations behind the book, from small-town Connecticut to intergenerational friendships. 



Discover all the books mentioned in this episode here

To ask a question and for exclusive content and giveaways join our Broadcast channel on Instagram: @PenguinUKBooks 

 

Ocean Vuong is an award-winning poet, essayist and novelist. He is the winner of the T. S. Eliot Prize for his poetry collection Night Sky with Exit Wounds, and his debut novel On Earth We’re Briefly Gorgeous was a literary sensation, going on to sell more than a million copies. Amongst many other accolades, he was a recipient of the MacArthur ‘Genius Grant’ in 2019 and The Whiting Award in 2016. 



The Emperor of Gladness, Vuong’s latest novel, explores themes of chosen family and the ways in which our lives can be changed by the most unexpected people. 



Sarah Howe is Poetry Editor for Chatto & Windus an imprint of Penguin as well as an award-winning author. Sarah’s first collection, Loop of Jade won the T. S. Eliot Prize in 2015, and the Sunday Times Young Writer of the Year award the same year. Her follow-up collection, Foretokens, continues to explore ideas and complications of belonging, identity and inheritance.  

Why do we still laugh when times are hard? With Ocean Vuong

In this episode, Paul White and Hugh Robjohns address some of the most frequently-asked questions about home studio recording and production. They share practical, experience-based advice to help you get the best results from your setup, whatever your budget or space.

Chapters
00:00 - Introduction
00:14 - Improving Your Room Acoustics
02:29 - Working On Headphones
04:13 - Dampening With A Duvet
05:50 - Choosing The Right Speakers
06:50 - Mics And Preamps
09:02 - Cables And Connectors
11:28 - Hardware Vs Plug-ins
14:09 - When To Add A Patchbay
16:18 - Preparing Music For Streaming
18:59 - Bass Drivers And Room Size

#IsoAcoustics #AKGC414 #NeumannU87 #AudioTechnica2020 #ShureSM57 #ShureSM58 #Neutrik #Cannon

Paul White Biog
Paul White initially trained in electronics at The Royal Radar Establishment in Malvern then went on to work with Malvern Instruments, a company specialising in laser analysis equipment, before moving into technical writing. 

He joined the Sound On Sound team in 1991 where he became Editor In Chief, a position he held for many years before recently becoming Executive Editor. Paul has written more than 20 recording and music technology textbooks, the latest being The Producer’s Manual.

Having established his own multitrack home studio in the 1980s he’s worked with many notable names including Bert Jansch and Gordon Giltrap. He’s played in various bands over the years and currently collaborates with Malvern musician Mark Soden, under the name of Cydonia Collective. Paul still performs live claiming that as he has suffered for his music he doesn’t see why everyone else shouldn’t too!

http://www.cydoniacollective.co.uk/

Hugh Robjohns Biog
Hugh Robjohns has been Sound On Sound´s Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC´s technical training centre. He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too!

Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

"MORE CASH MORE CHEDDAR"

BROOKTOWN ENTERTAINMENT

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