J'e raconte mon adolescence ou j'ai vécu dans la rue. très tôt je voulais mon indépendance et je me sentais un peu comme un ambassadeur, intouchable et libre de droit et d'esprit.
Je remercie tous les copains qui m'ont hébergé.

Texte pour mes amis Anglophones ♥

Ambassadeur de la poussière : Pas malheureux 
Ambassadeur de la misère : Toujours joyeux
Ambassadeur de la riviere : Très courageux
En bas je meur du manque d'air : Pour faire un veux
Mon territoire c'est le trottoir : Du beau Paname (Paris)
Mais je prefere vivre a coté : D'un champ de bananes
Ne vivre qu'en tee shirt les pieds nues : Sur le dos d'un Âne 
Ne pas se comparer aux autres : Soigner son Âme 

Ambassadeur......Du vivre ailleurs 
Ambassadeur .....Je n'ais pas peur

guitare 🎸 wypernet
basse idem
claviers idem 
batterie wypernet
chant wypernet LT

L'ambassadeur

Berufung mit Teddy Schu No.2

2015
Geschrieben, Recordet von Teddy Schu No.2 und Fred Fröhlich 
zu einer anderen Zeit mit anderen Vibes 2015
Beat von Teddy Schu No.2 
 obwohl wir Vermissen sind wir froh hier sein zun drüfen, wir lieben euch alle!

https://youtu.be/XLqTX30aeuE?si=EwzNpbO9UuokrwuQ 
video von Marcellleon

2 Schlaue kein Gedanke

Berufung

Berufung - Teddy Schu No.2

After decades of technological obsession, humanity is seeing the results. Some frightening, some favorable. And Seattle’s own EMUH explores this dichotomy on his new EP, Dial Tones, out now on Feral One Records.

EMUH is a celebrated producer, musician, and vocalist with releases on Prime Society Records and Space Yacht, alongside remixes for Arnold & Lane and GAWP. He’s also an established engineer and producer under the name Hume Audio, working with clients like Casmalia, Longstocking, Mitch Dodge, Schade, Speaker Honey, and ZOF for some of the biggest labels in the world including majors like Universal, Insomniac, and Columbia.

So it’s safe to say that EMUH has channeled the advance of technology into something fulfilling for himself and beneficial to the world. Still, he is far from ignorant of what this technological integration has meant for society, and, on an individual level, much of this technological integration begins with one item in particular: the phone.

This truth makes it only fitting that the Dial Tones EP begins with its title track, which in turn begins with the sound of a lively conversation at a jovial gathering, one that the narrator is ignoring entirely as he waits for the phone to ring. 

EMUH’s vocals say as much with a smooth tone and light fluctuations in pitch, demonstrating that this person who is waiting for the call is still indeed human. In between the vocals, new bits of melody appear with almost every beat, like little pings to show what he (and everyone else who’s spent an entire party staring at their phone) is missing around them.

Next is “The End Of The World,” and even when the world is burning, the narrator is still staring at his phone, harnessing another frequent experience of the modern world: technological escapism. EMUH captures this naive and avoidant dynamic with musical prowess, honing in on an ascending guitar loop. Clangy and gliding, it’s just that alluring to where (like the endless scroll of social media) something worthwhile and entertaining could be on the other side of the screen, but overall, it’s always just more of the same social loop.

For the third track, “Frog Kiss,” EMUH shifts to alternative rhythms, a less structured approach, and beautiful, dulcet sound design. Dreamy, glittering arpeggios like a night sky unimpeded by clouds and light pollution. Shimmering sheens that envelop the soundscape like a warm summer breeze. Just as when a frog turns into a prince after he feels the love of human connection, when a human puts down their phone, these are the experiences humans can feel.

To close the EP is the party track, “G-Bounce.” In this case, the “G” stands for gangster (not unlike other applications of the letter), and EMUH proves he is all that and more through his version of bassline-driven house music. In a genre that is still in the midst of its heyday, EMUH applies subtlety and intelligence. On the drop, instead of a massive foghorn, he implements a descending tone, one that then slowly rises back in towards the end of the phrase, like a clue at the beginning of a mystery being the key to the solution at the end. This is just one of the mid-range sounds that is oh so groovy, but still carries with it a great deal of emotion. 

Original Art: Tara Hatzidakis (NY, US)
Mastering: Subvert Central Mastering (UK)

Feral One Records LLC
www.FeralOneRecords.com
linktr.ee/feralonerecords

Coming Dec. 29th

EMUH - Frog Kiss

MOUNTAIN CLIMBER (Prod. Slash)

11/11 Interrogation with Artemis My Guardian LYRICS>
Was I born a thrown in
I like to have a little interrogation with my guardian, Artemis, teach him what pain
is and suffering manifested, in the hell disguise and your soul and energy just lies and you
treat everything more with that touch of balance, embrace talent over fashion

I like to have a little interrogation with my guardian
was I born a throne in? can't make sense of this
you're almost reaching for death so fast, we were blind to the effects
I kinda like closed blinds on your eyes, was I born a throne in

was this all suffering, given or manifested, held in disguise as that adventure
interrogation, Artemis my guardian, is this that ceiling that never lets up
I greet you, fake is the potent-est, was I born a throne in
can't make sense of this, you're arms reaching for death

in, it was always that same, different level of the pain
but you knew, it was always that same
different level of the pain, it was always that same
don't let that bitch called life ever get, to a head

touch of balance, embrace talent over fashion, was I born a throne in
I learned to love the rain, I learned to love the rain
it was always that same, different level of the pain
interrogation, Artemis my guardian, is this that silly gnat never lets up

I greet you, fake is the Potent esT', was I born a throne in
interrogation, Artemis my guardian, is this that ceiling that never lets up
I greet you, fake is the potent est, was I born a throne in

Interrogation

Wake Up

Official video (SD, HD, 4K):
https://youtu.be/rV9r7lQCSVs
This year is already behind us, I'll help you enter the new one, you just have to play this song 2'58'' before the end of the year chimes, thanks to all of you who have been part of my life during this time, I wish you the best.

Javier
@thenewofthetower

Twelve Tears

THE NEW ANGEL INTRO THEME S41-50 2011-2020

The Taste Of Orient

J3tsam 11

Cruisin' thru da block

Wir machen selbst & mit anderen Brüdern :
Rap Musik (Deutschrap)und Instrumental Beats (Boom Bap, Trap, nurock) 

Elektronische Musik (Techno/House/Dubstep/Dnb/Experimentale Einflüsse)

Texte schreiben wir ebenfalls selbst

Wir Supporten auf dem Kanal auch DJ HAZARD, Herz und Hand
2 Traditionelle Vinyl Dj's

Wir kommen aus Thüringen und Sachsen 

Berufung - Teddy Schu No.2

BROPHETS

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